한국고전영웅서사원형의 재생산과 코리안 슈퍼 히어로물의 탄생, 그리고 헐리우드 슈퍼히어로물과의 서사코드적 차이 Reproduction of Korean Classical Narrative Archetype and Birth of Korean Superhero Works Focusing on Narrative Code’s Distinctives with Hollywood Superhero Works
비교한국학 Comparative Korean Studies
v.22
no.1
2014년, pp.139 - 172
This study attempted to investigate narrative code’s distinctives between korean superhero’s works and hollywood superhero’s works and original narrative identity of korean superhero’s works, finding narrative archetype of Korean superhero’s works in korean classical narrative archetype and comparing this with hollywood superhero works. A problem of world in korean classical hero’s narrative archetype is replaced with the problem of parents’s and brother’s trauma. A antagonist being as my world’s part is parents or brothers being as realization of my family’s part and my personal·collective value is waked by parents’s and brother’s trauma. My birth as hero is achieved in the course curing parents’s and brother’s trauma.A narrative code’s distinctives between korean superhero’s works and hollywood superhero’s works is that villain that causes my parents’s trauma and fights with me isn’t a hero opposing me merely ideologically in world order. It’s because hollywood superhero’s antagonist is pure evil. So, antagonist of hollywood superhero’s works antagonist isn’t replaced as similar family’s relationship. Besides, objects that hollywood superheroes rescue from antagonist citizens, not public. The character of masses that parents’s and brother’s trauma is expanded to collective problem is narrative code’s preserve of korean superhero’s works and is sublimated problem of national trauma’s overcome.
This study attempted to investigate narrative code’s distinctives between korean superhero’s works and hollywood superhero’s works and original narrative identity of korean superhero’s works, finding narrative archetype of Korean superhero’s works in korean classical narrative archetype and comparing this with hollywood superhero works. A problem of world in korean classical hero’s narrative archetype is replaced with the problem of parents’s and brother’s trauma. A antagonist being as my world’s part is parents or brothers being as realization of my family’s part and my personal·collective value is waked by parents’s and brother’s trauma. My birth as hero is achieved in the course curing parents’s and brother’s trauma.A narrative code’s distinctives between korean superhero’s works and hollywood superhero’s works is that villain that causes my parents’s trauma and fights with me isn’t a hero opposing me merely ideologically in world order. It’s because hollywood superhero’s antagonist is pure evil. So, antagonist of hollywood superhero’s works antagonist isn’t replaced as similar family’s relationship. Besides, objects that hollywood superheroes rescue from antagonist citizens, not public. The character of masses that parents’s and brother’s trauma is expanded to collective problem is narrative code’s preserve of korean superhero’s works and is sublimated problem of national trauma’s overcome.
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