In his early poems, Kim Gwang-gyu started his daily life by discovering a crack. In cities, cracks began to emerge which had not been experienced before modern thinking. In his poetry, the starting point is his interest in "presence and absence" found in cracks. Having experiences with capitalism in an urban environment, the poet distinguishes the subject of capital from the non-subject of it. The attitudes of the speaker that is not independent from capital are embodied in such images as "slopes" and "street lights." They are also embodied in the way that the speaker gets buried in daily life on the repeating commute route. Most of all, Kim reads the capitalist structure and, at the same time, points out its irrationality.His early poems show the traces of his contemplation over the relationships of "us" by applying the logic of "presence and absence." Since he went through April 19 Revolution, the poet had a much stronger sense of solidarity with his generation than the other generations. The crack between "his" death and "our" defection was another logic that dominated his early works. He tried to demonstrate "our" values once again by consoling "his" soul and signing the memories of "his" existence, thus reflecting on himself that had been adjusted to the daily logic.Those findings indicate that Kim made a start with the cracks of daily life and observed the aspects of daily life in his early poems, which also show his series of processes to wake up to the irrationality of daily life and solve the problems. It was also found that he was consistent with the arrangement based on contrast to illuminate the aspects and attributes of daily life and the utilization of water images to fill up the cracks in his early works.
In his early poems, Kim Gwang-gyu started his daily life by discovering a crack. In cities, cracks began to emerge which had not been experienced before modern thinking. In his poetry, the starting point is his interest in "presence and absence" found in cracks. Having experiences with capitalism in an urban environment, the poet distinguishes the subject of capital from the non-subject of it. The attitudes of the speaker that is not independent from capital are embodied in such images as "slopes" and "street lights." They are also embodied in the way that the speaker gets buried in daily life on the repeating commute route. Most of all, Kim reads the capitalist structure and, at the same time, points out its irrationality.His early poems show the traces of his contemplation over the relationships of "us" by applying the logic of "presence and absence." Since he went through April 19 Revolution, the poet had a much stronger sense of solidarity with his generation than the other generations. The crack between "his" death and "our" defection was another logic that dominated his early works. He tried to demonstrate "our" values once again by consoling "his" soul and signing the memories of "his" existence, thus reflecting on himself that had been adjusted to the daily logic.Those findings indicate that Kim made a start with the cracks of daily life and observed the aspects of daily life in his early poems, which also show his series of processes to wake up to the irrationality of daily life and solve the problems. It was also found that he was consistent with the arrangement based on contrast to illuminate the aspects and attributes of daily life and the utilization of water images to fill up the cracks in his early works.
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