This thesis has studied Hwang Dong-gyus poetry world after dividing it into the subjects of love and death. The subjects love and death are not two separate problems, but prepare the question of some symbolical death during ones life, and realizing the change of ones existence through this is no dif...
This thesis has studied Hwang Dong-gyus poetry world after dividing it into the subjects of love and death. The subjects love and death are not two separate problems, but prepare the question of some symbolical death during ones life, and realizing the change of ones existence through this is no different from what is developed in love songs. Therefore, studying these two aspects is a matter that will help understand the poetical style of the poet that is even now still changing. The subject of love and solitude that is being revealed in the poets first anthology is in the form of waiting. Even though the absence of the lover is arousing disappointment and despair, the poet paradoxically intends to develop a meaning relationship through waiting. While these hardships of life and the hurt of a one-sided love expand to the emotions of solidarity and loneliness, the poet again repeatedly calls . The general atmosphere of is very dark, and this atmosphere of darkness and despair is even portrayed as the image of death. Also, the expression of the locked inner self represents the dark situation and national sadness of our history, and reveals the atmosphere of tragedy of that period. The loneliness through the lovers absence reveals a new poetical beauty through the medium ecstatic waiting, and gives the motive of having a positive view on life by overcoming the solitude. The subject of death that starts to be revealed in begins to be really discussed in the third section of . The poet is expressing the figure of death through images of extinction and descent, freedom and deliverance. What the poet is chiefly trying to say here is that death is the beginning of a new life and is a world where one can feel unlimited freedom. The aspect of extinction not only means disappearance but also of creation, so therefore death also carrys on a new existence. The image of descent recognizes the world of life after death, which co-exists with nature as a state of paradise, and reveals that death is not fearful but is a world of freedom where more lightness can be felt. The images of death as freedom or deliverance are the chief aspects that the poet wished to say and intend for the unity with nature. Also, since deliverance and flowing freely with the wind is a process of death, the aerial sepulture ritual is not only a simple method of burial, but also a proc ess of intending lightness and harmony of life. As one can see, the poet is recognizing death as comfortable, and is chiefly showing the state of deliverance of overcoming the limits of death. The conclusions that the writer has drawn from above are that the subjects love and death cannot be discussed separately, but with the general aspects of human life. Therefore, the writer thinks that by dividing Hwang Dong-gyus work into four sections and discussing the general aspects of love and death helps to understand his work, and a good motive for reflecting on humans lives. This thesis looked over the poets conscious change on the aspects of love and death, and the study of his work after is left to be done.
This thesis has studied Hwang Dong-gyus poetry world after dividing it into the subjects of love and death. The subjects love and death are not two separate problems, but prepare the question of some symbolical death during ones life, and realizing the change of ones existence through this is no different from what is developed in love songs. Therefore, studying these two aspects is a matter that will help understand the poetical style of the poet that is even now still changing. The subject of love and solitude that is being revealed in the poets first anthology is in the form of waiting. Even though the absence of the lover is arousing disappointment and despair, the poet paradoxically intends to develop a meaning relationship through waiting. While these hardships of life and the hurt of a one-sided love expand to the emotions of solidarity and loneliness, the poet again repeatedly calls . The general atmosphere of is very dark, and this atmosphere of darkness and despair is even portrayed as the image of death. Also, the expression of the locked inner self represents the dark situation and national sadness of our history, and reveals the atmosphere of tragedy of that period. The loneliness through the lovers absence reveals a new poetical beauty through the medium ecstatic waiting, and gives the motive of having a positive view on life by overcoming the solitude. The subject of death that starts to be revealed in begins to be really discussed in the third section of . The poet is expressing the figure of death through images of extinction and descent, freedom and deliverance. What the poet is chiefly trying to say here is that death is the beginning of a new life and is a world where one can feel unlimited freedom. The aspect of extinction not only means disappearance but also of creation, so therefore death also carrys on a new existence. The image of descent recognizes the world of life after death, which co-exists with nature as a state of paradise, and reveals that death is not fearful but is a world of freedom where more lightness can be felt. The images of death as freedom or deliverance are the chief aspects that the poet wished to say and intend for the unity with nature. Also, since deliverance and flowing freely with the wind is a process of death, the aerial sepulture ritual is not only a simple method of burial, but also a proc ess of intending lightness and harmony of life. As one can see, the poet is recognizing death as comfortable, and is chiefly showing the state of deliverance of overcoming the limits of death. The conclusions that the writer has drawn from above are that the subjects love and death cannot be discussed separately, but with the general aspects of human life. Therefore, the writer thinks that by dividing Hwang Dong-gyus work into four sections and discussing the general aspects of love and death helps to understand his work, and a good motive for reflecting on humans lives. This thesis looked over the poets conscious change on the aspects of love and death, and the study of his work after is left to be done.
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