This research involves the historical consideration of sonatas through Mozart piano sonata F major K. 332 and the analysis of the characteristic of Mozart sonatas and tonality, melody, rhythm, harmony, and form in the music.
Sonatas consist of 3 movements in the form of sonata. K332 also is c...
This research involves the historical consideration of sonatas through Mozart piano sonata F major K. 332 and the analysis of the characteristic of Mozart sonatas and tonality, melody, rhythm, harmony, and form in the music.
Sonatas consist of 3 movements in the form of sonata. K332 also is composed of 'Allegro-Adagio-Allegro Assai' movement in the form of sonata. The time this sonata was composed was 1781-1783 after Mozart completed the journey of Paris to Mannheim. This period is in the middle of Mozart's life and he is said to have been most active in composing during this period.
The first movement is made up of
Exposition-Development-Recapitulation' in the form of sonata. The first theme carries a tinge of softness playing 3 chord-broken notes in legato. On the other hand, the vigorous feature of the second theme is in stark contrast to the first theme in that it is the dominant key of tonic key, C Major and composed of short phonetic values and rest. Development is divided into 2 parts and connected to Recapitulation harmoniously developing the features of the first and second themes. Recapitulation begins returning to tonic key F Major.
The second movement is Adagio flat B Major in the form of sonata, but it is in the form omitting Development. Using Alberti Bass of 16th note in left hand, the first theme begins with the focus on melody carrying many ornaments in right hand. The second theme is the dominant key of tonic key F Major. The changed rhythm with 16th note and the simple rhythm shows a striking contrast to the first theme.
It's possible for us to compare the differences in Recapitulation because we can take a look at the early published score and the autographed one. Compared with the autographed score, the early published score has a variety of ornaments and changed rhythm, emphasizing grace and delicacy.
In the third movement, the first theme which goes down with the fast tempo of Allegro Assai starts with F major like the first movement.
The third movement is complicatedly developing in comparison with the first and second movements. Through the continuous modulation towards related keys it shows more developed form than early sonatas.
Also, the tonality of the second theme which is most important in Recapitulation freely makes use of the combination of major and minor by using parallel keys of F Major. As a result, the tonalitive structure based on related keys has been perfectly completed. Consequently, the stardardization of musical style has been made with an emphasis on the principle of style in classical period.
K. 332 has, as a whole, graceful and delicate mood under the influence of French Galant style. It particularly uses definite melody line and delicate articulation, and often shows Alberti Bass form.
Ornaments mainly uses front grace notes and trill ,and the change of harmony shows a firm structure in style. By composing K. 332, Mozart completed the standardization of piano sonatas.
With the understanding of historical background of sonata, its grace and delicacy, and its organized tonalitive structure in style by means of the analysis and theoretical background of Mozart's piano sonata K332, we can get support when interpreting performances and actually performing.
This research involves the historical consideration of sonatas through Mozart piano sonata F major K. 332 and the analysis of the characteristic of Mozart sonatas and tonality, melody, rhythm, harmony, and form in the music.
Sonatas consist of 3 movements in the form of sonata. K332 also is composed of 'Allegro-Adagio-Allegro Assai' movement in the form of sonata. The time this sonata was composed was 1781-1783 after Mozart completed the journey of Paris to Mannheim. This period is in the middle of Mozart's life and he is said to have been most active in composing during this period.
The first movement is made up of
Exposition-Development-Recapitulation' in the form of sonata. The first theme carries a tinge of softness playing 3 chord-broken notes in legato. On the other hand, the vigorous feature of the second theme is in stark contrast to the first theme in that it is the dominant key of tonic key, C Major and composed of short phonetic values and rest. Development is divided into 2 parts and connected to Recapitulation harmoniously developing the features of the first and second themes. Recapitulation begins returning to tonic key F Major.
The second movement is Adagio flat B Major in the form of sonata, but it is in the form omitting Development. Using Alberti Bass of 16th note in left hand, the first theme begins with the focus on melody carrying many ornaments in right hand. The second theme is the dominant key of tonic key F Major. The changed rhythm with 16th note and the simple rhythm shows a striking contrast to the first theme.
It's possible for us to compare the differences in Recapitulation because we can take a look at the early published score and the autographed one. Compared with the autographed score, the early published score has a variety of ornaments and changed rhythm, emphasizing grace and delicacy.
In the third movement, the first theme which goes down with the fast tempo of Allegro Assai starts with F major like the first movement.
The third movement is complicatedly developing in comparison with the first and second movements. Through the continuous modulation towards related keys it shows more developed form than early sonatas.
Also, the tonality of the second theme which is most important in Recapitulation freely makes use of the combination of major and minor by using parallel keys of F Major. As a result, the tonalitive structure based on related keys has been perfectly completed. Consequently, the stardardization of musical style has been made with an emphasis on the principle of style in classical period.
K. 332 has, as a whole, graceful and delicate mood under the influence of French Galant style. It particularly uses definite melody line and delicate articulation, and often shows Alberti Bass form.
Ornaments mainly uses front grace notes and trill ,and the change of harmony shows a firm structure in style. By composing K. 332, Mozart completed the standardization of piano sonatas.
With the understanding of historical background of sonata, its grace and delicacy, and its organized tonalitive structure in style by means of the analysis and theoretical background of Mozart's piano sonata K332, we can get support when interpreting performances and actually performing.
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