Modern medicine has early experienced the absence of mimesis and has been trying to replace the absence with objective grounds and experimental data. However, as medicine became science, the crisis of medicine spread more widely. Microscopic powers and violences are invisible, but individuals are po...
Modern medicine has early experienced the absence of mimesis and has been trying to replace the absence with objective grounds and experimental data. However, as medicine became science, the crisis of medicine spread more widely. Microscopic powers and violences are invisible, but individuals are powerless and vainly unable to resist. The anguish or introspection about the situation is sometimes described in stories such as An Engagement by Lee Eung Jun. An Engagement is mentioned in this article due to the writer's attitude, which shows his introspection and desire for harmony through the wounds of each trivial character. The writer is unceasingly talking about suffering people in his story and his seriousness enables readers to find his stronger sympathy over life and death than in any other medical stories. In fact, it is impossible for readers to comprehend the confusing propositions which the writer pours out, and even uncomfortable to read the story. Nevertheless, the propositions are always in contact with reality. Perhaps it is not the writer's confusing propositions that make us uncomfortable. It might be ourselves who are always alienated and starved. We can say that the characters' pains and wounds are phantom pains caused by the absence of mimesis. Since there is no affected area, their pains cannot be measured by only scientific medicine. However, the current medical profession regards objective research evidences as absolute truth and allows them to be the sole criterion. Although scientific skills such as DNA analysis and MRI scan can be the substitutes for doctors' judgment, so much of medicine is still interpersonal relationships. An Engagement. As a person promises to marry another, as all beings together in the world promise to subordinate to one another, every subject is consistently a valuable part of each other for the writer's eyes. He is aware that it is originally impossible to get engaged to the world, but he does not give up the possibility of genuine communication. In today's post-modernism society, where a large number of pathological views define the members and the world itself, endless questioning of existence and digging into pathology will be the only way to reduce the gap between individuals and their world. This article does not say that a literary work will lead the change of medical paradigm. It sprang from a desire for medical humanities to gain more interest of the medical field, where the encounter between literature and medicine is still unfamiliar, and to make medical education recognize the importance of humanities. Starting with this work, I believe that the humanities will help us to find the solution to the age of absence of mimesis and to the crisis of medicine.
Modern medicine has early experienced the absence of mimesis and has been trying to replace the absence with objective grounds and experimental data. However, as medicine became science, the crisis of medicine spread more widely. Microscopic powers and violences are invisible, but individuals are powerless and vainly unable to resist. The anguish or introspection about the situation is sometimes described in stories such as An Engagement by Lee Eung Jun. An Engagement is mentioned in this article due to the writer's attitude, which shows his introspection and desire for harmony through the wounds of each trivial character. The writer is unceasingly talking about suffering people in his story and his seriousness enables readers to find his stronger sympathy over life and death than in any other medical stories. In fact, it is impossible for readers to comprehend the confusing propositions which the writer pours out, and even uncomfortable to read the story. Nevertheless, the propositions are always in contact with reality. Perhaps it is not the writer's confusing propositions that make us uncomfortable. It might be ourselves who are always alienated and starved. We can say that the characters' pains and wounds are phantom pains caused by the absence of mimesis. Since there is no affected area, their pains cannot be measured by only scientific medicine. However, the current medical profession regards objective research evidences as absolute truth and allows them to be the sole criterion. Although scientific skills such as DNA analysis and MRI scan can be the substitutes for doctors' judgment, so much of medicine is still interpersonal relationships. An Engagement. As a person promises to marry another, as all beings together in the world promise to subordinate to one another, every subject is consistently a valuable part of each other for the writer's eyes. He is aware that it is originally impossible to get engaged to the world, but he does not give up the possibility of genuine communication. In today's post-modernism society, where a large number of pathological views define the members and the world itself, endless questioning of existence and digging into pathology will be the only way to reduce the gap between individuals and their world. This article does not say that a literary work will lead the change of medical paradigm. It sprang from a desire for medical humanities to gain more interest of the medical field, where the encounter between literature and medicine is still unfamiliar, and to make medical education recognize the importance of humanities. Starting with this work, I believe that the humanities will help us to find the solution to the age of absence of mimesis and to the crisis of medicine.
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문제 정의
지금까지「약혼』에 등장하는 인물들의 상처를 조망하며, 점차 과학 일변도를 보이는 현대의학의 문제점 에 대해 고민해 보았다. 특징적 내용과 연구의 의의를 간단히 언급하는 것으로 맺음말을 대신하려 한다.
제안 방법
본고에서는 이를 '色盲(II장)'과 '恐水病(Ⅲ 장)' , 그리고 '幻想痛(VI장)' 으로 상징했다. 온혈동물만이 가질 수 있다는 苦痛, 그리고 傷處를 통해 작가가 그리고자 했던 '約 婚' 의 의미를 되새겨 보도록하자.
대상 데이터
“1962년 독일 노르트라인-베스트팔렌 주의 오버하우젠. 제8차 서독 단편영화제에서 스물여섯 명의 신예 영화감독들이 연대해 위와 같은 요지의 선언을 했다.
그녀는 일란성 쌍둥이이자 육손이로 고아원에서 태어났다. 그녀보다 3분 늦게 태어난 깨끗한 손의 동생은 첫돌 무렵 네덜란드로 입양되었다.
후속연구
결국 세상과 타협할 수 없어 다다른 죽음마저 작가에게는 백색왜성 루시(Lucy)의 죽음‘ (이응준, 2006)인 다이아몬드‘ 였던 셈이다. 온갖 병리적 시선들이 개인과 그들이 사는 세계까지 규정짓는 포스트모더니즘의 현대사회, 그리고 현대의학 속에서 끊임없는 존재의 물음과 병리에 대한 천착만이 개인과 세상과의 간극을 줄일 수 있는 길이 될 것이다.
홍성욱(2001). 벤담의 파놉티콘에서 전자 시놉티콘까지, 한국과학사학회지, 23. 69-96.
홍성욱(2002). 파놉티콘-정보사회 정보감옥, 책세상.
황임경(2011). 의학과 서사, 서울대 의과대학 박사학위논문.
Charon, R.(2006). Narrative medicine: Honoring the stories of illness, Oxford university.
Charon, R.(2007). What to do with stories: the sciences of narrative medicine, Canadian Family Physician.Le Medicin de famille canadien, 53, 1265-1267.
Misak, C.J.(2010). Narrative evidence and evidence-based medicine, Journal of Evaluation in Clinical Practice, 16, 392-397.
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