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NTIS 바로가기服飾 = Journal of the Korean Society of Costume, v.61 no.7, 2011년, pp.80 - 100
박신미 (시드니대학교)
The purpose of this research is to classify that fashion and art in the twentieth century broadened the creative field by individually applying each other's ideas or through collaboration. This paper analyses the work of individual artists and fashion designers who created work on the boundaries of ...
핵심어 | 질문 | 논문에서 추출한 답변 |
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패션과 예술은 무엇이라고 할 수 있는가? | 패션과 예술의 관계는 현존시대가 요구하는 트렌드나 유행만으로 설명될 수 있는 단순한 논의가 아니다. 패션과 예술은 인간생활과 의식의 재현에 의해 창조되며 과거 그리고 현존시대와 함께 움직이는 ‘유동적 창조물(floating creature)’이다. 이전시대부터 이 두 영역은 서로의 모티브를 차용하며 시대가 요구하는 창조물을 내어 놓으며 발전했다. | |
큐비즘은 어떠한 영향을 끼쳤는가? | 40) 피카소(Picasso), 브라크(Braquer)와 같은 큐비스트은 몸과 옷의 관계 규명과정에서 ‘잘려진 이미지를 통해 보이는 오브제’41)라는 형상의 새로운 관계정립에 성공했다. 큐비즘은 패션을 예술의 모티브로 정착시키는 선구자로 이탈리아의 미래주의(Futurism)와 러시아 절대주의(Supremacism)에 영향을 주었다. 이 시기 예술의 역사는 드레스의 역사와 무대의상을 매개로 견고히 연결되어 있었다. | |
20세기에 이르러 예술과 패션은 어떻게 발전이 시작 되었는가? | 20세기에 이르러 예술과 패션은 보다 진보적으로 영역 전복(顚覆)을 시도한다. 이 두 영역은 각각의 고유한 창조방식 혹은 이를 차용한 모티브를 창조물의 오브제로 활용하며 발전했다. 20세기 초 확산된 실용주의의 영향으로 개별적 형태의 크기와 제작공정을 줄여야 했던 패션은 예술작품의 모티브를 활용해 자신의 가치를 높였고, 중반이후 컬렉션의 시스템이 정착되자 이를 매개로 또 다른 형태의 공연예술을 선보이기 시작했다. |
박경애, 김수경, 박경애 (2009), 패션, 예술, 산업의 협업사례 고찰, 한국의류학회지, 33(7), pp. 152-163.
백정현 (2009), 문화.예술과 현대패션에 나타난 하이브리드 현상, 전남대학교 대학원 박사학위논문.
간호섭 (2008), 현대 패션에 나타난 콜레보레이션의 문화적 특성에 관한 연구, 성균관대학교 대학원 박사학위논문.
조소영, 양숙희 (2011), 현대 디지털 패션에 나타난 예술 매체적 특성과 미적 가치, 복식문화연구, 19(1), pp. 230-243.
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