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NTIS 바로가기The Research Journal of the Costume Culture = 복식문화연구, v.25 no.3, 2017년, pp.315 - 326
후명철 (경희대학교 의상학과) , 유영선 (경희대학교 의상학과)
The purpose of this study is to investigate the design methods and characteristics of papercraft fashion from 2001 to 2015. The study has been conducted through theoretical research and case study. Overall, types of papercraft expressions are classified into the following four categories: narrative ...
핵심어 | 질문 | 논문에서 추출한 답변 |
---|---|---|
페이퍼크라프트란 무엇인가? | 페이퍼크라프트는 디지털 시대의 인간적 서정성을 표현할 수 있는 아날로그적 기법으로 종이의 자연적 소재 특성과 수작업으로 이루어지는 공예성은 인간 친화적인 감성을 표현 가능하게 하였다. 종이는 20세기 초 꼴라주, 앗상블라주 등 현대 조형예술의 작가적 메시지 전달의 표현매체로 사용되면서 예술 표현영역의 확대와 함께 전통적 재료 사용에 대한 새로운 시각을 제시하였다. | |
현대 패션에서의 종이의상이란? | 현대 패션에서의 종이의상은 1960년대 미국의 Scott Paper Company의 마케팅 홍보물로 등장하였는데, 일회용 재료로 만들어졌다(“Paper clothing”, n.d. | |
예술적으로 종이는 어떤 가능성을 지니는가? | 종이는 부드러우면서도 질기고 견고하면서도 형태 변형이 쉽고 타 재료와의 혼합이 용이하다는 특징을 가지고 있다(Jung, 2004). 또한 제작 공정이 소박하고 천연 재료, 명상적 성질이 있다는 점에서 예술적 매체의 가능성을 지니며, 손으로 종이를 만든다는 것은 자연과 역사와 전통적 용도에 관련을 맺는 것이며, 찬란한 종이의 역사를 계승하는 일이 될 수 있다는 정신적 가치도 지닌다(Ryu, 2007). |
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