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NTIS 바로가기Journal of East Asian studies, v.5 no.2, 2005년, pp.315 - 346
Hymans, Jacques E. C.
The present article suggests that expressions of Japanese identity may be more malleable and receptive to international influences than is usually thought. Through a study of the evolution of images printed on Japanese banknotes and of the political processes behind that evolution, the article shows...
In my interviews it was apparent that the effects of the iconographic choices on Japan's OECD brethren were considered much more fully than their effects on Japan's East Asian neighbors.
Frewer , “Japanese Postage Stamps as Social Agents”; Dobson , “Japanese Postage Stamps.”
Gurowitz, Amy. Mobilizing International Norms: Domestic Actors, Immigrants, and the Japanese State. World politics, vol.51, no.3, 413-445.
10.2307/3591936 See, for instance, Dore , “The Internationalisation of Japan”; Pekkanen Saadia , “International Law, the WTO, and the Japanese State: Assessment and Implications of the New Legalized Trade Politics,” Journal of Japanese Studies 27, no. 1 (Winter 2001): 41-79.
Interview with current MOF official, Tokyo, May 2003.
CBS News, “Japanese Feminist to Adorn Yen,” August 2, 2002, available at http://www.cbsnews.com/stories/2002/08/02/world/printable5187343.shtml.
Interview with former MOF official, Tokyo, May 2003.
The one exception was in the 1996 survey, in which only 44.5 percent declared themselves satisfied and 18.1 percent wanted major change.
Journal of East Asian Studies “After the Developmental State: Civil Society in Japan,” 4 363 2004 10.1017/S1598240800006019 Pekkanen
However, some foreigners did notice the meaning of both Murasaki and the numeral two. “Japan's Other Currency Woes,” The Economist, October 30, 1999 (accessed on Lexis-Nexis).
Bank of Japan Currency Museum, “The Numeral Two in Currency: A Special Exhibition of Notes and Coins of Denominations Starting with the Numeral Two,” available at http://www.imes.boj.or.jp/cm/pdffiles/02kikakul.pdf.
Interview with former Printing Bureau official, Tokyo, May 2003.
On this point, one small incident speaks volumes. I asked one former Treasury Division official what foreign country's banknotes he personally preferred, and he answered, “I pay mostly by credit card.” Interview with former MOF official, Tokyo, May 2003.
Interview with former MOF official, Tokyo, May 2003.
Japan Economic Newswire, July 7, 1981 (accessed on Lexis-Nexis).
Indeed, in the slang of the day, rich people were said to have a lot of “Shotoku-Taishis.” Thanks to Kage Yuji for this example.
Interview with former Printing Bureau official, Tokyo, May 2003. These arguments mirror those of the more “conservative” side of the European jury that reviewed the draft euro designs. See Hymans , “Money for Mars? The Euro and European Identity.”
Interview with former Printing Bureau official, Tokyo, May 2003.
Interview with former MOF official, Tokyo, May 2003.
Interview with former Printing Bureau official, Tokyo, May 2003.
Interview with former MOF official, Tokyo, May 2003.
Japan: A State Strategy for the 21st Century 2002 Yasuhiro
See Hymans , “Money for Mars?”
Interview with former MOF official, Tokyo, May 2003.
Machiavelli's Children: Leaders and Their Legacies in Italy and Japan 2003 Samuels
Interview with former MOF official, Tokyo, May 2003.
Encarnation, Dennis J., Mason, Mark. Neither MITI nor America: the political economy of capital liberalization in Japan. International organization, vol.44, no.1, 25-54.
Interview with former Printing Bureau official, Tokyo, May 2003.
Bank of Japan, “The Introduction of New Series Bank of Japan Notes,” August 2, 2002, available at http://www.boj.or.jp/en/money/money_f.htm.
Of course, Lady Murasaki was far from traditional for her own time, but her association with Japanese courtly life clearly makes her a traditionalist symbol in the contemporary period. The reader will recall the coding decision mentioned above to code any figures from ancient or feudal Japan as “traditionalist.”
The coding rules impose these interpretations, but for those deeply schooled in Japanese history, they are open to question. It is a stretch to code Genji, Murasaki Shikibu's hedonistic protagonist, as representing the “state,” even if he was the son of an emperor. Meanwhile, as will be suggested in the process tracing of the selection of these individuals, Nitobe was not merely a diplomat. But although this or that coding choice can be questioned, the overall direction of yen iconography is clear.
Ninomiya Sontoku is most renowned as the “ideal schoolboy,” but in this rendering he is an old man. Since in his later years he served as a government minister, the depiction of him as an old man reinforces my coding decision to count him in the “state” category.
As in the European cases, for the sake of clear coding I coded any depicted human figure who served in an important position in the state as a “state representative,” even if he or she was arguably more famous for some nonpolitical pursuit. I also coded representations of gods as representing the “state,” since gods are the rulers of the universe.
Sixty-four of the seventy-one banknotes featured at least one human figure. One of the notes featured three human figures; these are counted as separate observations in the data set. Of the seven notes without human figures, two are from the 1920s and five are from the unsettled period 1944-1948.
It will eventually be important to disentangle the relative causal weight of the “push” factors of economic development-driven values change highlighted by Inglehart, or the “pull” factors of international normative evolution highlighted by Meyer. The process-tracing portion of this study provides some evidence on the matter. But the most direct way to confront it would be to extend the research to the banknote iconographies of developing countries, whose societies may not be ready to embrace developed-country norms, yet whose states are still subject to strong international pressures to conform to those norms.
Inglehart is ambiguous about whether postmaterialist and postmodern goals are synonyms. I interpret postmodernism as pushing somewhat beyond the quality of life focus of postmaterialism. In my interpretation, postmaterialism still assumes an objective, universal standard of quality of life, whereas postmodernism understands quality of life to be in the eye of the beholder.
The focus on human figures stems from the fact that these are typically the most salient iconographic elements on banknotes, and from the fact that these are typically more readily identifiable and classifiable than other elements. Human figures thus generally serve as excellent proxies for the overall philosophical and aesthetic message that the banknotes communicate.
Hymans , “The Changing Color of Money.”
Eskildsen, R.. Of Civilization and Savages: The Mimetic Imperialism of Japan's 1874 Expedition to Taiwan. The American historical review, vol.107, no.2, 388-418.
Ferber, Katalin. 'Run the State Like a Business': The Origin of the Deposit Fund in Meiji Japan. Japanese studies, vol.22, no.2, 131-151.
“Higuchi 1st Woman on Postwar Bill,” The Daily Yomiuri, August 3, 2002 (accessed on Lexis-Nexis).
The Geography of Money 1998 Cohen
The Political Economy of Japan, vol. 2: The Changing International Context 467 1988 Pyle
The Making of National Money: Territorial Currencies in Historical Perspective 2003 Helleiner
Frewer, Douglas. Japanese postage stamps as social agents: some anthropological perspectives. Japan forum, vol.14, no.1, 1-19.
Duus, Peter. Presidential Address: Weapons of the Weak, Weapons of the Strong-The Development of the Japanese Political Cartoon. The Journal of Asian Studies, vol.60, no.4, 965-997.
BBC Summary of World Broadcasts , “Prime Minister Makes Post-cabinet Change Statement.”
Interviews with MOF and Printing Bureau officials, Tokyo, May 2003. See also the speculation to this effect in “New Banknotes to Feature Notorious Debtors,” Asahi Shimbun, August 6, 2002 (accessed on Lexis-Nexis).
Foreign Policy “Japan's Gross National Cool,” 130 45 2002 McGray
This structure is just now changing. The Printing Bureau, formerly part of the Ministry of Finance, is now to become an independent agency responsible for paying for itself. It is unclear how this change will affect the magnitude and direction of its political influence.
Daikoku-ten is a god and thus coded as representing the state. However, his appeal was largely to Japanese commoners rather than to elites. In that regard, a case could be made for coding those images in the “society” category. Thanks to Rob Eskildsen for raising this point.
In addition to this simple application of the coding rules (modern politician = “materialist”), it seems legitimate to describe these actors as “materialist” in the specific Japanese context, because of the extreme focus in the Meiji restoration period on pursuing Japan's material progress.
Indeed, when the new project was unveiled a year later, some of them expressed anger at not having been consulted. Interview with former MOF official, Tokyo, May 2003.
The Year of the Euro: The Social and Political Import of Europe's Common Currency 2005 Hymans
Of course, as previously emphasized, drawing overly broad conclusions from one indicator would be a mistake, but refusing to put forth any tentative lessons at this stage would be equally mistaken.
Banknote Engravers of Japan: E. Chiossone, S. Oyama, K. Kato 2001 Takashi
Also important to mention in this context is the Japanese state tendency toward banishing the thought of regional, ethnic, class, or other differences within the Japanese body politic. Thanks to Rob Eskildsen for suggesting this point.
“Jottings” (Henshu Techo), The Daily Yomiuri, October 9, 1999 (accessed on Lexis-Nexis).
For instance, even to this day the Printing Bureau actually engraves its banknote designs rather than using a computer. Interview with current Printing Bureau official, Tokyo, May 2003.
It is certainly the case that Fukuzawa and Natsume had political agendas-and in some respects quite militaristic ones. But these men were public intellectuals, not politicians who dabbled in the arts.
“Identity as a Variable,” 2003 Abdelal
BBC Summary of World Broadcasts , “Prime Minister Makes Post-cabinet Change Statement,” October 7, 1999 (accessed on Lexis-Nexis).
Hymans, Jacques E.C.. The Changing Color of Money: European Currency Iconography and Collective Identity. European journal of international relations, vol.10, no.1, 5-31.
Interview with former MOF official, Tokyo, May 2003.
As Sheldon Garon has pointed out, the Japanese state does not merely penetrate but is also deeply penetrated by the broader society and its values-and, indeed, often by the more progressive elements in it. Garon , Molding Japanese Minds, especially pp. 18-21.
Standard Catalog of World Paper Money, vol. 2: General Issues 1994 Pick
Banal Nationalism 1995 Billig
Between 1885 and 2004, Japan on average has issued 0.6 new banknote per year. This rate of turnover is slightly lower than the EU nations' average of 0.7 new banknote per year.
The first yen banknotes were printed in 1872, a clear consequence of Japan's adoption of world norms of territorial currency; on this, see Helleiner , The Making of National Money. However, the Bank of Japan (Nippon Ginko) was not founded as a central bank and sole legitimate issuer until 1882, and it issued its first notes in 1885. I choose to focus only on the Bank of Japan banknotes in order to maintain comparability with the central bank banknotes used as the data in the European cases.
Extensively described in Hymans , “The Changing Color of Money.”
Die Rolle des Geldes in Japans Gesellschaft, Wirtschaft und Politik 77 1998 Brumann
Japan's Quest: The Search for International Role, Recognition, and Respect 5 1997 Tamamoto
10.1016/S0030-4387(96)90062-9 Johnson Chalmers , “Artificial Cartels of the Mind Justify Distrust of Japan,” International Herald Tribune, June 16, 1993, cited in Itoh Mayumi , “Japan's Abiding Sakoku Mentality,” Orbis 40, no. 2 (Spring 1996): 235-247. For other than economic matters, Peter Katzenstein also seems to endorse this view; see Katzenstein , Cultural Norms and National Security , pp. 81-82.
The Chrysanthemum and the Sword: Patterns of Japanese Culture 1946 Benedict
Cultural Norms and National Security: Police and Military in Postwar Japan 1996 Katzenstein
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