The lyric selfness in Seo Ae’s poetry manifests the search of original self in the Neo-Confucianism’s main category of Liqi Philosophy, which is divided into naturalness-based selfness and temperament-based selfness.The naturalness-based selfness can be further divided into the lyric self of Tao of Heaven and that of Tao of Human. Likewise, the temperament-based selfness can be further divided into the lyric self of assimilation and the lyric self that is found in the external world through projection.In this context, the study of the naturalness-based lyric selfness discusses the lyric selfness state where the main objects of lyric selfness refer to all things in the nature that materialize in accordance with the four cardinal virtues of Heaven, namely Yuan, Heng, Li and Zhen (rightness, goodness, benevolence and integrity), observing the world with pure rightness, free of narrator’s personal intention.The Tao of Human responses with the Tao of Heaven through the four cardinal virtues of human beings, namely Ren, Yi, Li and Zhi (humanity, justice, propriety and wisdom).Thus, the lyric selfness of Tao of Human discusses the natural lyric state where main objects observed are the human world applied to these human virtues.The study of the temperament-based lyric selfness discusses the self assimilation and self projection. The self assimilation focuses on four types of objects personified by the poetic narrator; while, finding oneself in the external world through self projection focuses on four types of objects projected by the poetic narrator.In conclusion, this paper points out that the lyric selfness state reflected by the poetic narrator in terms of naturalness is informed by the thought of Liyifenshu; while in terms of temperament, it is a state with identity of object and self, the so-called greater self state, which can be achieved in the real world flooded with contradiction and opposition because of human desires only through the way of Tao-seeking to regain the natural beneficence.
The lyric selfness in Seo Ae’s poetry manifests the search of original self in the Neo-Confucianism’s main category of Liqi Philosophy, which is divided into naturalness-based selfness and temperament-based selfness.The naturalness-based selfness can be further divided into the lyric self of Tao of Heaven and that of Tao of Human. Likewise, the temperament-based selfness can be further divided into the lyric self of assimilation and the lyric self that is found in the external world through projection.In this context, the study of the naturalness-based lyric selfness discusses the lyric selfness state where the main objects of lyric selfness refer to all things in the nature that materialize in accordance with the four cardinal virtues of Heaven, namely Yuan, Heng, Li and Zhen (rightness, goodness, benevolence and integrity), observing the world with pure rightness, free of narrator’s personal intention.The Tao of Human responses with the Tao of Heaven through the four cardinal virtues of human beings, namely Ren, Yi, Li and Zhi (humanity, justice, propriety and wisdom).Thus, the lyric selfness of Tao of Human discusses the natural lyric state where main objects observed are the human world applied to these human virtues.The study of the temperament-based lyric selfness discusses the self assimilation and self projection. The self assimilation focuses on four types of objects personified by the poetic narrator; while, finding oneself in the external world through self projection focuses on four types of objects projected by the poetic narrator.In conclusion, this paper points out that the lyric selfness state reflected by the poetic narrator in terms of naturalness is informed by the thought of Liyifenshu; while in terms of temperament, it is a state with identity of object and self, the so-called greater self state, which can be achieved in the real world flooded with contradiction and opposition because of human desires only through the way of Tao-seeking to regain the natural beneficence.
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