The tradition of realism art in Korea can be found in the ancient tomblmurals of the Three Kingdoms Periods and in Jinkyung landscapes, genre pictures and portraits of the late period of Chosun. Especially, the occurrence of a realistic attitude resulted from a reappraisal of the value of reality an...
The tradition of realism art in Korea can be found in the ancient tomblmurals of the Three Kingdoms Periods and in Jinkyung landscapes, genre pictures and portraits of the late period of Chosun. Especially, the occurrence of a realistic attitude resulted from a reappraisal of the value of reality and its importance since the late 19th century, It is an expression of autogenous modern consciousness and is a result of a critical apprasal of the medieval view of world by advanced intellectuals and the middle class, It is a branch of the realism which can approach the essence of things by focusing on the object itself, free from metaphysical philosophy and ideology. Some movements which contributed to the development of realism art in modern times, are the activity of the 'KAPF' during the rule of Japanese imperialism, the national art movement by the advancel artists centering around 'Chosun Art Union' following the 1945 Liberation, "Hyunsil-Dongin", of the late 1960s and 'Art for the Nation and People' in 1980s. Nevertheless, a number of factors have acted as the abstacles to a wide developmet of realism art. These resulted from such special historical fetters immanent in pre-modern and modern times of Korea as pure aesthetic or art-for-art's sake views, a toadish artistic climate, and the especially high-handed political climate of anti-communism ideology. Still, realism art of pre-modern and modern times in Korea enhances the social sense for reflection reality and responds sharply to the political problems. As suppression from foreign powers and dictatorial government grows more severe, realism art expresses political emotion as the arms of ideology and the means of struggle. In addition, a true base of 'artistry' which is the result of artistic work results from the vitality of social life. Further, realism art sublates dynamically whole categories of aesthetics, theory and method ; overcomes them and denies the old things, and then pur-sues a new thing as a result of realistic creation technique. The process of discontinuation and continuance of realism art in the pre-modern and modern times of Korea forms a coordinate structure with other artistic modes in the history of modern art and at the same time continuously reflects the problems of essence, structure and function of artistic activities.
The tradition of realism art in Korea can be found in the ancient tomblmurals of the Three Kingdoms Periods and in Jinkyung landscapes, genre pictures and portraits of the late period of Chosun. Especially, the occurrence of a realistic attitude resulted from a reappraisal of the value of reality and its importance since the late 19th century, It is an expression of autogenous modern consciousness and is a result of a critical apprasal of the medieval view of world by advanced intellectuals and the middle class, It is a branch of the realism which can approach the essence of things by focusing on the object itself, free from metaphysical philosophy and ideology. Some movements which contributed to the development of realism art in modern times, are the activity of the 'KAPF' during the rule of Japanese imperialism, the national art movement by the advancel artists centering around 'Chosun Art Union' following the 1945 Liberation, "Hyunsil-Dongin", of the late 1960s and 'Art for the Nation and People' in 1980s. Nevertheless, a number of factors have acted as the abstacles to a wide developmet of realism art. These resulted from such special historical fetters immanent in pre-modern and modern times of Korea as pure aesthetic or art-for-art's sake views, a toadish artistic climate, and the especially high-handed political climate of anti-communism ideology. Still, realism art of pre-modern and modern times in Korea enhances the social sense for reflection reality and responds sharply to the political problems. As suppression from foreign powers and dictatorial government grows more severe, realism art expresses political emotion as the arms of ideology and the means of struggle. In addition, a true base of 'artistry' which is the result of artistic work results from the vitality of social life. Further, realism art sublates dynamically whole categories of aesthetics, theory and method ; overcomes them and denies the old things, and then pur-sues a new thing as a result of realistic creation technique. The process of discontinuation and continuance of realism art in the pre-modern and modern times of Korea forms a coordinate structure with other artistic modes in the history of modern art and at the same time continuously reflects the problems of essence, structure and function of artistic activities.
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