In this study, the general characteristics of Richard Strauss's musical life and his Works and tendency were investigated through his songs which are op. 10. NO. 8(Allerseelen). op. 17. NO. 2(Sta‥ndchen). op. 27 NO. 2(Ca¨cilie). In addition, this study was focused on formal structure, harmony, melod...
In this study, the general characteristics of Richard Strauss's musical life and his Works and tendency were investigated through his songs which are op. 10. NO. 8(Allerseelen). op. 17. NO. 2(Sta‥ndchen). op. 27 NO. 2(Ca¨cilie). In addition, this study was focused on formal structure, harmony, melody, rhythm and accompany style of those songs.
The results of this study are summarized as follows;
1. The formal structure Most of his works are compsed as binary form or ternary form, because he emphasizes poem style.
But they are written as free style on writer's own purpose with avoiding unified form.
2. The harmony; modern melodies are connected with skillful modulation and functional harmony. Also he bravely uses an alteration and nonharmonic tones.
The modulations are used as following four kinds of methods; 1)diatonic modulation through common harmony, 2)enharmonic modulation through common note, 3)modulation by relationship, 4)chromatic modulation by chromatic progress. He uses not only the alteration but also the simple triad arpeggio disposition.
These are R. Strauss's characteristic methods such as making the expression extend to the maximum point in the romantic music.
3. The melody: As seen in the Sta‥nchen, the melodic climax is extracted intentionally whith an attractive accompany and by repetition of the melody the piece of music shows the unity. We can find operatic characteristics is his song "Ca¨cilie" in which consists of lyrical and dramatic melodies.
The Allerseelen is the most popular song of R, Strauss's. It is very lyric, beautiful and pure expressed work, and because the flow of melody in every piece of music appeared as a free style the common feature in melody is hard to find.
4. The rhythm; there is no variety in changing, but as characteristic factors he make reduction from long time valus note. We make reduction from long valus note to short time valus note. We can also notice that he put the rest to the downbeat place, so make the phrase start with upbeat. In other words, he takes frequent use of syncopation. With the use of repetition, addi lion, omission and decoration, he takes a composition method in his own way based on classical mdthod.
5. The accompany style; an accompany part of R. Strauss's works is very musical even itself can be a music except the song melody.
As it mentioned above, the techniques for escaping from the functional harmony and various informal method such as the alteration of the formal structure, altered chord and daring use of non-harmonic tones and transformation of eadence, etc. was found in his works. However, as a point that the lyric melody and polyphony counterpoint are included in hi s entire music implies that he should be kept the traditional order and his unprecedented expression shows the possibilities of coming the atonality as a modern technique in the next generation.
In this study, the general characteristics of Richard Strauss's musical life and his Works and tendency were investigated through his songs which are op. 10. NO. 8(Allerseelen). op. 17. NO. 2(Sta‥ndchen). op. 27 NO. 2(Ca¨cilie). In addition, this study was focused on formal structure, harmony, melody, rhythm and accompany style of those songs.
The results of this study are summarized as follows;
1. The formal structure Most of his works are compsed as binary form or ternary form, because he emphasizes poem style.
But they are written as free style on writer's own purpose with avoiding unified form.
2. The harmony; modern melodies are connected with skillful modulation and functional harmony. Also he bravely uses an alteration and nonharmonic tones.
The modulations are used as following four kinds of methods; 1)diatonic modulation through common harmony, 2)enharmonic modulation through common note, 3)modulation by relationship, 4)chromatic modulation by chromatic progress. He uses not only the alteration but also the simple triad arpeggio disposition.
These are R. Strauss's characteristic methods such as making the expression extend to the maximum point in the romantic music.
3. The melody: As seen in the Sta‥nchen, the melodic climax is extracted intentionally whith an attractive accompany and by repetition of the melody the piece of music shows the unity. We can find operatic characteristics is his song "Ca¨cilie" in which consists of lyrical and dramatic melodies.
The Allerseelen is the most popular song of R, Strauss's. It is very lyric, beautiful and pure expressed work, and because the flow of melody in every piece of music appeared as a free style the common feature in melody is hard to find.
4. The rhythm; there is no variety in changing, but as characteristic factors he make reduction from long time valus note. We make reduction from long valus note to short time valus note. We can also notice that he put the rest to the downbeat place, so make the phrase start with upbeat. In other words, he takes frequent use of syncopation. With the use of repetition, addi lion, omission and decoration, he takes a composition method in his own way based on classical mdthod.
5. The accompany style; an accompany part of R. Strauss's works is very musical even itself can be a music except the song melody.
As it mentioned above, the techniques for escaping from the functional harmony and various informal method such as the alteration of the formal structure, altered chord and daring use of non-harmonic tones and transformation of eadence, etc. was found in his works. However, as a point that the lyric melody and polyphony counterpoint are included in hi s entire music implies that he should be kept the traditional order and his unprecedented expression shows the possibilities of coming the atonality as a modern technique in the next generation.
주제어
#Strauss, Richard
#R. Strauss
#가곡
#Allerserlen
#Standchen
#Cacile
#슈트라우스
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