본고는 황석영의 단편 소설 「돼지꿈」에 나타나는 극적 요소를 소설적 장치로 파악하였으며 황석영의 창작 활동이 양식 확장을 보이는 이유를 소설에 내재되어 있는 극적 요소에 기인하는 것으로 보고 논의를 전개하였다. 텍스트로는 창작과 비평사에서 간행한 『황석영 중단편전집』에 수록된 소설 「돼지꿈」과 『황석영 희곡집』에 수록된 희곡 「돼지꿈」을 대상으로 하였다. 황석영의 소설 「돼지꿈」에 나타나는 극적 요소는 1970년대 우리나라에서 자생한 마당극 양식과 희곡적 요소를 동시에 포함하고 있어 공연물로서의 마당극과 문학으로서의 희곡의 범주에...
본고는 황석영의 단편 소설 「돼지꿈」에 나타나는 극적 요소를 소설적 장치로 파악하였으며 황석영의 창작 활동이 양식 확장을 보이는 이유를 소설에 내재되어 있는 극적 요소에 기인하는 것으로 보고 논의를 전개하였다. 텍스트로는 창작과 비평사에서 간행한 『황석영 중단편전집』에 수록된 소설 「돼지꿈」과 『황석영 희곡집』에 수록된 희곡 「돼지꿈」을 대상으로 하였다. 황석영의 소설 「돼지꿈」에 나타나는 극적 요소는 1970년대 우리나라에서 자생한 마당극 양식과 희곡적 요소를 동시에 포함하고 있어 공연물로서의 마당극과 문학으로서의 희곡의 범주에 속하는 요소를 아우르는 특징을 보이고 있다. 소설 「돼지꿈」에 채택된 극적 요소들은 위와 같은 소설적 장치로 기능하고 있으며 이러한 소설적 장치로 인해 소설 「돼지꿈」은 황석영의 여타 소설과는 다른 특징을 보이게 되는 것이다. 소설 「돼지꿈」에 드러나고 있는 서사적 특징은 마당극 양식의 활용에 따른 마당성과 서사극 양식의 요소 중 영화 기법의 차용에 따른 시점의 활용으로 구체화되고 있다. 황석영 소설 「돼지꿈」에는 극적 요소가 소설적 장치로 활용되고 있고 그로 인해 서사의 새로운 면모들이 드러나게 되는 것이다. 본고는 황석영의 창작 활동에 나타나고 있는 양식 확장의 요인을 소설 속에 내포되어 있는 극적 요소로 보고 그 특징들을 살펴보았다. 또 소설 「돼지꿈」을 양식 확장을 보이는 최초의 작품으로 파악하여 그 가치를 재조명해 보았다. 이는 작가 정신의 규명이라는 기존의 연구와는 달리 소설의 기법적인 측면을 연구 대상으로 삼았다는데 의의가 있을 것이다.
본고는 황석영의 단편 소설 「돼지꿈」에 나타나는 극적 요소를 소설적 장치로 파악하였으며 황석영의 창작 활동이 양식 확장을 보이는 이유를 소설에 내재되어 있는 극적 요소에 기인하는 것으로 보고 논의를 전개하였다. 텍스트로는 창작과 비평사에서 간행한 『황석영 중단편전집』에 수록된 소설 「돼지꿈」과 『황석영 희곡집』에 수록된 희곡 「돼지꿈」을 대상으로 하였다. 황석영의 소설 「돼지꿈」에 나타나는 극적 요소는 1970년대 우리나라에서 자생한 마당극 양식과 희곡적 요소를 동시에 포함하고 있어 공연물로서의 마당극과 문학으로서의 희곡의 범주에 속하는 요소를 아우르는 특징을 보이고 있다. 소설 「돼지꿈」에 채택된 극적 요소들은 위와 같은 소설적 장치로 기능하고 있으며 이러한 소설적 장치로 인해 소설 「돼지꿈」은 황석영의 여타 소설과는 다른 특징을 보이게 되는 것이다. 소설 「돼지꿈」에 드러나고 있는 서사적 특징은 마당극 양식의 활용에 따른 마당성과 서사극 양식의 요소 중 영화 기법의 차용에 따른 시점의 활용으로 구체화되고 있다. 황석영 소설 「돼지꿈」에는 극적 요소가 소설적 장치로 활용되고 있고 그로 인해 서사의 새로운 면모들이 드러나게 되는 것이다. 본고는 황석영의 창작 활동에 나타나고 있는 양식 확장의 요인을 소설 속에 내포되어 있는 극적 요소로 보고 그 특징들을 살펴보았다. 또 소설 「돼지꿈」을 양식 확장을 보이는 최초의 작품으로 파악하여 그 가치를 재조명해 보았다. 이는 작가 정신의 규명이라는 기존의 연구와는 달리 소설의 기법적인 측면을 연구 대상으로 삼았다는데 의의가 있을 것이다.
The purpose of this study is to discuss dramatic elements found in a novel by Hwang Suk Young, 「A Pig Dream」. Such elements is here considered as representing the diversification of styles of expression by the novelist in creating works. For the purpose, this researcher reviewed and analyzed 「A Pig ...
The purpose of this study is to discuss dramatic elements found in a novel by Hwang Suk Young, 「A Pig Dream」. Such elements is here considered as representing the diversification of styles of expression by the novelist in creating works. For the purpose, this researcher reviewed and analyzed 「A Pig Dream」as a novel contained in 「The Collection of Short and Medium-Length Stories by Hwang Suk Young」and 「A Pig Dream」as a drama in 「The Collection of Dramas by Hwang Suk Young」, both of which were issued by publisher 'Creation and Criticism'. The work by Hwang Suk Young implies aspects of garden play as a performance art, first locally created in 1970s, and drama as a sort of literature. Garden play is closely associated with 'supplemental entertainment' and 'attraction of spectators'. These two elements are represented by villagers who are characters of the third part of the novel. In addition to the twos, the novel borrows expressions of epic style. 6. This is realized with the use of cinematic description and a farce style. In the novel, individual situations are developed on scene-to scene basis, which influences changes in viewpoints. The second part of the novel has a style of farce which makes readers experience estrangement. Humorous dialogues or songs even under tensions main characters are experiencing allows readers to be relaxed and estranged, helping them reasonably view situations within the novel. From a view of drama, the work by Hwang Suk Young employs a dramatic turn of narratives and the development of progressive motives. The dramatic turn of narratives suggest that stories contained in the work are proceeded through dialogues among characters not descriptions or explanations. In this case, such dialogues are like lines in drama. The development of progressive motives means that individual situations illustrated in the novel are gradually converged into one. All of these characteristics clearly discriminate 「A Pig Dream」by Hwang Suk Young from other novels. From a view of epic, 「A Pig Dream」adapts the quality of garden play and a viewpoint of the cinema. The quality of garden play is related with places of the play. In the novel by Hwang Suk Young, the places include 'inside' and 'outside'. In the work, problematic situations happen inside and are solved outside. The outside is a vacant land illustrated in the novel, where the quality of garden play is ensured. The novelist clearly reveals such quality through illustrating amusements based on the consciousness of community and the reality of poor people in an urban area. As mentioned above, the viewpoint used in 「A Pig Dream」is based on cinematic techniques. In his other novels, Hwang Suk Young mainly used a subjective viewpoint of the first person and an observant viewpoint of the third person. In 「A Pig Dream」, the novelist uses the viewpoint of the third person which combines subjective and objective points of view. These dramatic elements implied in the novel allows the work to be regarded having the quality of epic. In conclusion, this study focused on such elements that represent the diversification of expression styles by Hwang Suk Young. The study may be said considerably significant in that it treated expression styles and techniques by a novelist rather than his own spirit of creation. From a view of the study, 「A Pig Dream」is valuable as a first work of such diversification as mentioned above.
The purpose of this study is to discuss dramatic elements found in a novel by Hwang Suk Young, 「A Pig Dream」. Such elements is here considered as representing the diversification of styles of expression by the novelist in creating works. For the purpose, this researcher reviewed and analyzed 「A Pig Dream」as a novel contained in 「The Collection of Short and Medium-Length Stories by Hwang Suk Young」and 「A Pig Dream」as a drama in 「The Collection of Dramas by Hwang Suk Young」, both of which were issued by publisher 'Creation and Criticism'. The work by Hwang Suk Young implies aspects of garden play as a performance art, first locally created in 1970s, and drama as a sort of literature. Garden play is closely associated with 'supplemental entertainment' and 'attraction of spectators'. These two elements are represented by villagers who are characters of the third part of the novel. In addition to the twos, the novel borrows expressions of epic style. 6. This is realized with the use of cinematic description and a farce style. In the novel, individual situations are developed on scene-to scene basis, which influences changes in viewpoints. The second part of the novel has a style of farce which makes readers experience estrangement. Humorous dialogues or songs even under tensions main characters are experiencing allows readers to be relaxed and estranged, helping them reasonably view situations within the novel. From a view of drama, the work by Hwang Suk Young employs a dramatic turn of narratives and the development of progressive motives. The dramatic turn of narratives suggest that stories contained in the work are proceeded through dialogues among characters not descriptions or explanations. In this case, such dialogues are like lines in drama. The development of progressive motives means that individual situations illustrated in the novel are gradually converged into one. All of these characteristics clearly discriminate 「A Pig Dream」by Hwang Suk Young from other novels. From a view of epic, 「A Pig Dream」adapts the quality of garden play and a viewpoint of the cinema. The quality of garden play is related with places of the play. In the novel by Hwang Suk Young, the places include 'inside' and 'outside'. In the work, problematic situations happen inside and are solved outside. The outside is a vacant land illustrated in the novel, where the quality of garden play is ensured. The novelist clearly reveals such quality through illustrating amusements based on the consciousness of community and the reality of poor people in an urban area. As mentioned above, the viewpoint used in 「A Pig Dream」is based on cinematic techniques. In his other novels, Hwang Suk Young mainly used a subjective viewpoint of the first person and an observant viewpoint of the third person. In 「A Pig Dream」, the novelist uses the viewpoint of the third person which combines subjective and objective points of view. These dramatic elements implied in the novel allows the work to be regarded having the quality of epic. In conclusion, this study focused on such elements that represent the diversification of expression styles by Hwang Suk Young. The study may be said considerably significant in that it treated expression styles and techniques by a novelist rather than his own spirit of creation. From a view of the study, 「A Pig Dream」is valuable as a first work of such diversification as mentioned above.
주제어
#소설적 장치 극적 요소 마당극 양식 희극적 요소 서사극 영화 기법 마당성 시점
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