청록파에 대한 역사적 추이는 한 마디로 이 땅에서의 문학적 입장의 변천사를 대변한다. 그만큼 한국 현대 문학사에서 자리하고 있는 청록파의 영향이 크다 하겠다. 그러나 청록파 세 시인들의 시 세계를 다룬 초기의 논의들은 대부분 『청록집』에 나타나는 자연의 의미가 무엇인가 하는데 집중되어 왔다. 그러나 본고에서는 청록파 시를 보다 포괄적으로 깊이있게 이해하기 위하여 비교대상을 초기시에 한정하지 않고 이들 세 시인의 전체시로 확대하였다. 오늘날의 수사학은 전통 수사학의 관점인 비유 중심의 수사학에서 나아가 ...
청록파에 대한 역사적 추이는 한 마디로 이 땅에서의 문학적 입장의 변천사를 대변한다. 그만큼 한국 현대 문학사에서 자리하고 있는 청록파의 영향이 크다 하겠다. 그러나 청록파 세 시인들의 시 세계를 다룬 초기의 논의들은 대부분 『청록집』에 나타나는 자연의 의미가 무엇인가 하는데 집중되어 왔다. 그러나 본고에서는 청록파 시를 보다 포괄적으로 깊이있게 이해하기 위하여 비교대상을 초기시에 한정하지 않고 이들 세 시인의 전체시로 확대하였다. 오늘날의 수사학은 전통 수사학의 관점인 비유 중심의 수사학에서 나아가 인식론, 존재론으로까지 발전하고 있다. 은유가 언어와 세계 사이의 동일성을 인정하는 것이라면 거기에는 기호의 근원이나 본질의 세계를 인정하고 언어가 그것을 표현할 수 있을 것이라는 세계관이 깔려 있다. 이에 비해 환유는 이러한 동일시를 부정하고 오직 기호 내적인 체계만을 인정하고 있다. 여기에 은유와 환유의 이분법의 경계를 해체하는 사고형식으로 제유를 들고 있는데 제유는 이질적 사물들 사이에서 공통점을 도출해 내려는 대화적 의지가 부족하여 미약한 대안이라 할 수밖에 없다. 수사법이 단순한 시적 기교로서의 수사법에 대한 것이 아니라 시인의 인식론과 관련되어 있다고 보는 현대시에서 청록파 시에 나타난 수사학적 분석을 통하여 청록파 시가 가지는 수사학적 특징을 밝히는 것이 이 논문의 주된 관심사인 것이다.
청록파에 대한 역사적 추이는 한 마디로 이 땅에서의 문학적 입장의 변천사를 대변한다. 그만큼 한국 현대 문학사에서 자리하고 있는 청록파의 영향이 크다 하겠다. 그러나 청록파 세 시인들의 시 세계를 다룬 초기의 논의들은 대부분 『청록집』에 나타나는 자연의 의미가 무엇인가 하는데 집중되어 왔다. 그러나 본고에서는 청록파 시를 보다 포괄적으로 깊이있게 이해하기 위하여 비교대상을 초기시에 한정하지 않고 이들 세 시인의 전체시로 확대하였다. 오늘날의 수사학은 전통 수사학의 관점인 비유 중심의 수사학에서 나아가 인식론, 존재론으로까지 발전하고 있다. 은유가 언어와 세계 사이의 동일성을 인정하는 것이라면 거기에는 기호의 근원이나 본질의 세계를 인정하고 언어가 그것을 표현할 수 있을 것이라는 세계관이 깔려 있다. 이에 비해 환유는 이러한 동일시를 부정하고 오직 기호 내적인 체계만을 인정하고 있다. 여기에 은유와 환유의 이분법의 경계를 해체하는 사고형식으로 제유를 들고 있는데 제유는 이질적 사물들 사이에서 공통점을 도출해 내려는 대화적 의지가 부족하여 미약한 대안이라 할 수밖에 없다. 수사법이 단순한 시적 기교로서의 수사법에 대한 것이 아니라 시인의 인식론과 관련되어 있다고 보는 현대시에서 청록파 시에 나타난 수사학적 분석을 통하여 청록파 시가 가지는 수사학적 특징을 밝히는 것이 이 논문의 주된 관심사인 것이다.
This research focuses about cognition of ChengRokPa's poems and rhetorical features as a system of speculation. In modern ages when the scientific thought based on reason was surging, the world faced the dissolution by losing an axis of integration. In this research, rhetorical studies, especially i...
This research focuses about cognition of ChengRokPa's poems and rhetorical features as a system of speculation. In modern ages when the scientific thought based on reason was surging, the world faced the dissolution by losing an axis of integration. In this research, rhetorical studies, especially in pursuit of metaphoric universal thought based on sense of similarity and sense of unification, will recover the order of language, find an axis of unification and get fragments together to unify simultaneously. This research studies about metaphorical view of ChengRokPa's works through their entire content. In the early stage, the three poets had common things in the finding of nature. But, in the latter, they have shown different features from each other in the world of poetry. In ParMogWall's poems, the nature exists in basic concern, but it is different from traditional and oriental nature. Because his view of nature included the aspect of transcendence that can not be explained by materialistic thought of life. That nature has transcendental power to endure the dark period of fascism. One of decisive features of ParkMogWall's poems is the aesthetics of nostalgia. And also the common subject, hometown, in his poems is a created thing, not an actual, reality in existence. It has significance as a view of rhetoric. ParkDuGin had more desires of basic things than the agony of a young man who lives in a colony - poverty and the death of brothers in the period of fascism. Through his works, he tried to make "the greatest of generalization, eternity and poetic figuration as his ultimate desire about the people and human beings. The nature in ParkDuGin's poems is not a simple scene but intermediated conception that correlates human and God or carried the meaning of historical, real things. He pursuits more eternal things than present things, more ideal and basic things than sensual things and more natural things than artificial things. Recently, the literature is classified and analyzed by two theories-a metaphor and a metonymy. Contrary to these things, the important part of synecdoche is internal relation between things. And synecdoche is a way of recognition of the world based on harmonizing between the part and the whole organically. GoGiHun is one of the poets who pursuit eternity. In his poems, the nature is all alive and has life as the being of spirits. In this way, all objects of his poems are full with life and calm. He used synecdoche adding metaphor in modern industry ages against the huge demolition of capital. Their basic feature is the finding of nature. The nature in poems of three poets communicates from each other and makes the world of identification. That aspect has shown the original feature. But there are delicate differences through more detailed examination. ParkMogWall describes the nature as more fantastic than actual aspect ParDuGin describes the nature as future aspect and GoGiHun describes it as traditional aspect. The nature of their poems has a sense of life and discord and tension between extinction and creation. But their sense of life constituted from existence ontology. Therefore it is found that in ChengRokGib three poets have shown the common feature about the finding of nature, and in their works they have shown the lyrical world in where the ego and the world communicate from each other with same emotion. Also it is found that after ChengRokGib they have their features from each other. Through rhetorical research of ChengGokPa, it is found that the meaning of pure lyric study in the modern ages and how to settle the attitude of social poetry. We can recognize that pure lyric study is one of the desires and this kind of rhetoric can connect with metaphor.
This research focuses about cognition of ChengRokPa's poems and rhetorical features as a system of speculation. In modern ages when the scientific thought based on reason was surging, the world faced the dissolution by losing an axis of integration. In this research, rhetorical studies, especially in pursuit of metaphoric universal thought based on sense of similarity and sense of unification, will recover the order of language, find an axis of unification and get fragments together to unify simultaneously. This research studies about metaphorical view of ChengRokPa's works through their entire content. In the early stage, the three poets had common things in the finding of nature. But, in the latter, they have shown different features from each other in the world of poetry. In ParMogWall's poems, the nature exists in basic concern, but it is different from traditional and oriental nature. Because his view of nature included the aspect of transcendence that can not be explained by materialistic thought of life. That nature has transcendental power to endure the dark period of fascism. One of decisive features of ParkMogWall's poems is the aesthetics of nostalgia. And also the common subject, hometown, in his poems is a created thing, not an actual, reality in existence. It has significance as a view of rhetoric. ParkDuGin had more desires of basic things than the agony of a young man who lives in a colony - poverty and the death of brothers in the period of fascism. Through his works, he tried to make "the greatest of generalization, eternity and poetic figuration as his ultimate desire about the people and human beings. The nature in ParkDuGin's poems is not a simple scene but intermediated conception that correlates human and God or carried the meaning of historical, real things. He pursuits more eternal things than present things, more ideal and basic things than sensual things and more natural things than artificial things. Recently, the literature is classified and analyzed by two theories-a metaphor and a metonymy. Contrary to these things, the important part of synecdoche is internal relation between things. And synecdoche is a way of recognition of the world based on harmonizing between the part and the whole organically. GoGiHun is one of the poets who pursuit eternity. In his poems, the nature is all alive and has life as the being of spirits. In this way, all objects of his poems are full with life and calm. He used synecdoche adding metaphor in modern industry ages against the huge demolition of capital. Their basic feature is the finding of nature. The nature in poems of three poets communicates from each other and makes the world of identification. That aspect has shown the original feature. But there are delicate differences through more detailed examination. ParkMogWall describes the nature as more fantastic than actual aspect ParDuGin describes the nature as future aspect and GoGiHun describes it as traditional aspect. The nature of their poems has a sense of life and discord and tension between extinction and creation. But their sense of life constituted from existence ontology. Therefore it is found that in ChengRokGib three poets have shown the common feature about the finding of nature, and in their works they have shown the lyrical world in where the ego and the world communicate from each other with same emotion. Also it is found that after ChengRokGib they have their features from each other. Through rhetorical research of ChengGokPa, it is found that the meaning of pure lyric study in the modern ages and how to settle the attitude of social poetry. We can recognize that pure lyric study is one of the desires and this kind of rhetoric can connect with metaphor.
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