In contemporary, the expression of has been continuously interested and experimented. But there were few theoretical approaches on the meaning of regionality and few authentic explorations for the expression of it. Especially, existing discussions about regionality ignore the side of creativity as i...
In contemporary, the expression of has been continuously interested and experimented. But there were few theoretical approaches on the meaning of regionality and few authentic explorations for the expression of it. Especially, existing discussions about regionality ignore the side of creativity as its original nature since they rely on the 'Symbolic Thoughts'. Thus this paper draws out a theoretical frame for discussion about regionality on the basis of Heidegger's thoughts and thereon suggests a technique of the practical expressing of them in architecture.
Heidegger's speculation on "Openness" makes it possible to know regionality fundamentally. "Openness" means that the 'earth' and the 'world' are not fixed into one, but harmonize dynamically with each other under continuous mutual tension and mutual support. "Rift-design" is a strategy of openness that reveals the nature of the inner world by cracking the outer world, which may be easily fixed, and put tension on it. The strategy allows the inner existence not to be fixed but to be lively revealed in various ways. This suggests entering the place(region) of existence and revealing its nature(regionality). The ‘creative opening’ of regionality is possible through “Rift-design.” And “Gestalt”, in other words, disclosure montage, can be created in the “rift” by “the conflict between lighting and concealing in the opposition of the world and earth”.
A useful, practical method of 'rift design', suggested here, is montage. 'Montage' is a strategy of 'rift-design' that fragments objects and rearranges fragmented objects in order to communicate meanings as unaware of so far. It is also a strategy of regionality that reveals the earth and the world simultaneously. Montage is a framework, or 'Gestalt' that is made through a circulative repetition of 'basic design' and 'outline sketch', like a combination of latitudinal and longitudinal lines in weaving process.
When they are inconsistent with each other, the two different ways of forming Gestalt are classified into "representive montage" and "deconstructive montage". When they are well-weaved with each other, the two ways are collectively defined as "disclosure montage". In regard to the technique, the study analyzed 'potential cross-weaving' and 'apparent cross-weaving'. The former refers to showing regionality potentially, while the latter means embodying and revealing regionality apparently.
In summary, 'basic design' seeks to emotionally reflect and reveal fundamental images by which the earth is characterized, while 'outline sketch' is referred to as design that imaginatively creates new images in association with changing contexts. Regionality can be presented as an integrative image only after fragments comprising the place of existence go through the appropriate circulation and repetition of 'basic design' and 'outline sketch' like in cross weaving.
'Potential cross-weaving' stressed some fragments and communicated implicit meanings only rather than continuous providing a circulative repetition of 'basic design' and 'outline sketch'. 'Space of Silence' by Khan provided the possibility of openness beyond style and trend, but did not escape from an ideological allegory. Corbusier's architectural work at Chandigarh emphasized locality too much, not overcoming gap between modernity and routinism. Kim Su-Keun succeeded in reinterpreting traditional spaces, but failed in communicating patterns of life, ultimately revealing stiffness with no tension and no creativity. Kim Jung-Up could not draw out a whole meaning of relations among traditional fragments or relations between them and the present. He only borrowed such fragments from the view of formative art.
For 'apparent cross-weaving', 'basic design' and 'outline sketch' are repeated circularly and cope with pattern changes, continuously creating new forms and showing unity as a complete calmness(rest). In Corbusier's「Ronchamp Catholic Church」 provides a simultaneous reactivation of various images through continuous cross-weaving rather than being inclined to either the earth or the world. Based on the technique of 'basic design',「YangDuk Catholic Church」 by Kim Su-Keun created a new form and space never seen before, suggesting the possibility of 'disclosure montage'.
Presentation is the way of revealing regionality that is hidden into the inner world. The expression of regionality has to be based on the origin and at the same time created newness as always suitable for the present through combination of 'basic design' and 'outline sketch'. Regionality that has been maintained even under the application modern trends, spirits, technologies and materials should be now disclosed. Creating new forms that reflect regionality is possible only when a keen sense(emotion) always focusing on the essence of the earth works together with foresight(imaginative power) clarifying global pattern changes, under high tensions between both of them.
In contemporary, the expression of has been continuously interested and experimented. But there were few theoretical approaches on the meaning of regionality and few authentic explorations for the expression of it. Especially, existing discussions about regionality ignore the side of creativity as its original nature since they rely on the 'Symbolic Thoughts'. Thus this paper draws out a theoretical frame for discussion about regionality on the basis of Heidegger's thoughts and thereon suggests a technique of the practical expressing of them in architecture.
Heidegger's speculation on "Openness" makes it possible to know regionality fundamentally. "Openness" means that the 'earth' and the 'world' are not fixed into one, but harmonize dynamically with each other under continuous mutual tension and mutual support. "Rift-design" is a strategy of openness that reveals the nature of the inner world by cracking the outer world, which may be easily fixed, and put tension on it. The strategy allows the inner existence not to be fixed but to be lively revealed in various ways. This suggests entering the place(region) of existence and revealing its nature(regionality). The ‘creative opening’ of regionality is possible through “Rift-design.” And “Gestalt”, in other words, disclosure montage, can be created in the “rift” by “the conflict between lighting and concealing in the opposition of the world and earth”.
A useful, practical method of 'rift design', suggested here, is montage. 'Montage' is a strategy of 'rift-design' that fragments objects and rearranges fragmented objects in order to communicate meanings as unaware of so far. It is also a strategy of regionality that reveals the earth and the world simultaneously. Montage is a framework, or 'Gestalt' that is made through a circulative repetition of 'basic design' and 'outline sketch', like a combination of latitudinal and longitudinal lines in weaving process.
When they are inconsistent with each other, the two different ways of forming Gestalt are classified into "representive montage" and "deconstructive montage". When they are well-weaved with each other, the two ways are collectively defined as "disclosure montage". In regard to the technique, the study analyzed 'potential cross-weaving' and 'apparent cross-weaving'. The former refers to showing regionality potentially, while the latter means embodying and revealing regionality apparently.
In summary, 'basic design' seeks to emotionally reflect and reveal fundamental images by which the earth is characterized, while 'outline sketch' is referred to as design that imaginatively creates new images in association with changing contexts. Regionality can be presented as an integrative image only after fragments comprising the place of existence go through the appropriate circulation and repetition of 'basic design' and 'outline sketch' like in cross weaving.
'Potential cross-weaving' stressed some fragments and communicated implicit meanings only rather than continuous providing a circulative repetition of 'basic design' and 'outline sketch'. 'Space of Silence' by Khan provided the possibility of openness beyond style and trend, but did not escape from an ideological allegory. Corbusier's architectural work at Chandigarh emphasized locality too much, not overcoming gap between modernity and routinism. Kim Su-Keun succeeded in reinterpreting traditional spaces, but failed in communicating patterns of life, ultimately revealing stiffness with no tension and no creativity. Kim Jung-Up could not draw out a whole meaning of relations among traditional fragments or relations between them and the present. He only borrowed such fragments from the view of formative art.
For 'apparent cross-weaving', 'basic design' and 'outline sketch' are repeated circularly and cope with pattern changes, continuously creating new forms and showing unity as a complete calmness(rest). In Corbusier's「Ronchamp Catholic Church」 provides a simultaneous reactivation of various images through continuous cross-weaving rather than being inclined to either the earth or the world. Based on the technique of 'basic design',「YangDuk Catholic Church」 by Kim Su-Keun created a new form and space never seen before, suggesting the possibility of 'disclosure montage'.
Presentation is the way of revealing regionality that is hidden into the inner world. The expression of regionality has to be based on the origin and at the same time created newness as always suitable for the present through combination of 'basic design' and 'outline sketch'. Regionality that has been maintained even under the application modern trends, spirits, technologies and materials should be now disclosed. Creating new forms that reflect regionality is possible only when a keen sense(emotion) always focusing on the essence of the earth works together with foresight(imaginative power) clarifying global pattern changes, under high tensions between both of them.
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#건축 지역성 지역주의 의미 표출기법 하이데거 개방성 틈새내기 몽타주 탈은폐 이미지 형태 교직 재활성화 꼬르뷔제 스티븐홀 루이스칸 김수근 김중업
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