In our nation, traditionally, after korea period, whether use of adoration or use of majesty Buddhist art and the others art works were many produced. Together with them, developmental thing, the technique of wear paste for preservation of paintings and writings and for ornament of. Our ancestors wh...
In our nation, traditionally, after korea period, whether use of adoration or use of majesty Buddhist art and the others art works were many produced. Together with them, developmental thing, the technique of wear paste for preservation of paintings and writings and for ornament of. Our ancestors who loved the wonderful works artistically, they took a serious view of repletion for a material shortcoming of silk partition and the paper which almost painted in paper and which were destroyed by fire and they took a serious view of longer preservation with together. At this point, in this thesis, through the course of restoration process in the Yi Dynasty's the picture of Buddha to hand on the wall which was based on our technique of wear paste. I intended to re-illuminate the cultural assets' meaning of restoration by our traditional technique. It is historically meaningful thing that not only our culture keep with greatest care but also to study the method which manages and preserves the cultural assets, and then to study our ancestors' wisdom which inherit as a technique. For this thesis' study aim, Mt. Songni Bupjusa in the main building of a temple, 5 pieces of the pictures of Buddha to hang on the wall which are investigated and studied to the restoration work which attained from on May 13th, 2006. The study was accomplished at the national wear paste initiation building which is initiating the technique of wear paste in our nation. As a valuable material of the picture of Buddha to hang on the wall is a restorative objection which is initiating the form of the picture of Buddha to hang on the wall in the late Yi Dynasty, in this course of restoration, in the center of course through the traditional method of wear paste, I can study about Bupjusa picture of Buddha to hang on the wall which does not know recently. In this thesis, to relieve for the meaning of these cultural assets in the chapter II, I looked into " what is the meaning of the cultural assets?" and investigated to the protectional policy to preserve this. In the chapter III, I explored the three nations' characteristics in the wear paste and their origins which roles as a important part in the course of preservation for the oriental three nations' cultural assets which are almost composed of papers. In the chapter IV, I examined the traditional wear paste and the meaning of preservation of our cultural assets and method through the analyzing the preservative restoration course at Bupjusa in the main building of a temple's the picture of Buddha to hang on the wall by our nation's traditional method of wear paste. In this restoration course of the main building of a temple's the picture of Buddha to hang on the wall, the traditional method of wear paste which is used cultural assets restoration method is a priceless technique which can be transmitted from generation to generation by the restoration of the national treasure class' picture of Buddha to hang on the wall, and we can be proud of our culture which is put into our ancestors' spirits of an artisan and into wisdom. In this thesis, for not only the course of the Buddhist painting but also to succeed to the method of the wear paste for these painting cultural assets' preservation, we could know the contents of method of wear paste in the method and our desirable spiritual posture. And also during a go by the way of restoration course through the method of wear paste as the modern man's effort, with it has showed that this can be again preserved as the historical material of the Bupjusa's the picture of Buddha to hang on the wall. Our cultural assets, the main building of a temple's these 5 pieces of pictures of Buddha to hang on the wall which is restored by the method of wear paste, in the future, while a very long time, the Buddhists and artists will appreciate. In the future, our people's minds which preserve and love our cultural assets will express with efforts which succeed to the method of wear paste, our intangible cultural assets, I believe in.
In our nation, traditionally, after korea period, whether use of adoration or use of majesty Buddhist art and the others art works were many produced. Together with them, developmental thing, the technique of wear paste for preservation of paintings and writings and for ornament of. Our ancestors who loved the wonderful works artistically, they took a serious view of repletion for a material shortcoming of silk partition and the paper which almost painted in paper and which were destroyed by fire and they took a serious view of longer preservation with together. At this point, in this thesis, through the course of restoration process in the Yi Dynasty's the picture of Buddha to hand on the wall which was based on our technique of wear paste. I intended to re-illuminate the cultural assets' meaning of restoration by our traditional technique. It is historically meaningful thing that not only our culture keep with greatest care but also to study the method which manages and preserves the cultural assets, and then to study our ancestors' wisdom which inherit as a technique. For this thesis' study aim, Mt. Songni Bupjusa in the main building of a temple, 5 pieces of the pictures of Buddha to hang on the wall which are investigated and studied to the restoration work which attained from on May 13th, 2006. The study was accomplished at the national wear paste initiation building which is initiating the technique of wear paste in our nation. As a valuable material of the picture of Buddha to hang on the wall is a restorative objection which is initiating the form of the picture of Buddha to hang on the wall in the late Yi Dynasty, in this course of restoration, in the center of course through the traditional method of wear paste, I can study about Bupjusa picture of Buddha to hang on the wall which does not know recently. In this thesis, to relieve for the meaning of these cultural assets in the chapter II, I looked into " what is the meaning of the cultural assets?" and investigated to the protectional policy to preserve this. In the chapter III, I explored the three nations' characteristics in the wear paste and their origins which roles as a important part in the course of preservation for the oriental three nations' cultural assets which are almost composed of papers. In the chapter IV, I examined the traditional wear paste and the meaning of preservation of our cultural assets and method through the analyzing the preservative restoration course at Bupjusa in the main building of a temple's the picture of Buddha to hang on the wall by our nation's traditional method of wear paste. In this restoration course of the main building of a temple's the picture of Buddha to hang on the wall, the traditional method of wear paste which is used cultural assets restoration method is a priceless technique which can be transmitted from generation to generation by the restoration of the national treasure class' picture of Buddha to hang on the wall, and we can be proud of our culture which is put into our ancestors' spirits of an artisan and into wisdom. In this thesis, for not only the course of the Buddhist painting but also to succeed to the method of the wear paste for these painting cultural assets' preservation, we could know the contents of method of wear paste in the method and our desirable spiritual posture. And also during a go by the way of restoration course through the method of wear paste as the modern man's effort, with it has showed that this can be again preserved as the historical material of the Bupjusa's the picture of Buddha to hang on the wall. Our cultural assets, the main building of a temple's these 5 pieces of pictures of Buddha to hang on the wall which is restored by the method of wear paste, in the future, while a very long time, the Buddhists and artists will appreciate. In the future, our people's minds which preserve and love our cultural assets will express with efforts which succeed to the method of wear paste, our intangible cultural assets, I believe in.
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