고도의 과학기술과 정보사회의 발달로 획일화 된 현대사회에서 소비자들은 조금 더 차별화되고 개성화된 디자인으로 개인의 개성을 표현하려는 욕구가 강해지고 있다. 이러한 욕구를 충족시키기 위해서 현대의상은 예술적 차원에서 접근되고 표현 되어질 때 개성적이고 창의적인 디자인이 될 수 있을것이다. 이러한 예술적인 디자인의 창작을 위해서는 여러 가지 방법이 있겠지만 과거 복식의 우수한 디자인이 현대에 재해석 될 때 더욱더 창의성 있는 디자인이 될 것이다. 과거 복식 중, 비일상적인 복식으로 착용되었던 근세시대의 유럽판금갑옷은 실용적인 기능 ...
고도의 과학기술과 정보사회의 발달로 획일화 된 현대사회에서 소비자들은 조금 더 차별화되고 개성화된 디자인으로 개인의 개성을 표현하려는 욕구가 강해지고 있다. 이러한 욕구를 충족시키기 위해서 현대의상은 예술적 차원에서 접근되고 표현 되어질 때 개성적이고 창의적인 디자인이 될 수 있을것이다. 이러한 예술적인 디자인의 창작을 위해서는 여러 가지 방법이 있겠지만 과거 복식의 우수한 디자인이 현대에 재해석 될 때 더욱더 창의성 있는 디자인이 될 것이다. 과거 복식 중, 비일상적인 복식으로 착용되었던 근세시대의 유럽판금갑옷은 실용적인 기능 이외에도 예술적으로 우수함을 인정받고 있어 세계의 여러 박물관에서 전시되고 있는 상태이다. 본 연구에서는 이러한 갑옷을 모티브로 하여 작품을제작하였다. 소재는 고유한 광택과 질감 그리고 표현 방법에 따라 효과적인 조형미가 표현되는 천연 가죽을 사용하였다. 천연 가죽은 섬유에 비해 내구와 보온성이 높은 실용성을 지니고 있지만 고가이고 계절에 제한을 받는 이유로 일반 섬유에 비해 개발이 부진한 실정이다. 이에 본 연구에서는 예술적으로 제작된 근세유럽 갑옷의 실루엣, 구성선, 디테일 등의 형태적인 디자인들을 가죽의상에 도입하여 독창적인 가죽의상을 창출함으로써 현대 가
고도의 과학기술과 정보사회의 발달로 획일화 된 현대사회에서 소비자들은 조금 더 차별화되고 개성화된 디자인으로 개인의 개성을 표현하려는 욕구가 강해지고 있다. 이러한 욕구를 충족시키기 위해서 현대의상은 예술적 차원에서 접근되고 표현 되어질 때 개성적이고 창의적인 디자인이 될 수 있을것이다. 이러한 예술적인 디자인의 창작을 위해서는 여러 가지 방법이 있겠지만 과거 복식의 우수한 디자인이 현대에 재해석 될 때 더욱더 창의성 있는 디자인이 될 것이다. 과거 복식 중, 비일상적인 복식으로 착용되었던 근세시대의 유럽판금갑옷은 실용적인 기능 이외에도 예술적으로 우수함을 인정받고 있어 세계의 여러 박물관에서 전시되고 있는 상태이다. 본 연구에서는 이러한 갑옷을 모티브로 하여 작품을제작하였다. 소재는 고유한 광택과 질감 그리고 표현 방법에 따라 효과적인 조형미가 표현되는 천연 가죽을 사용하였다. 천연 가죽은 섬유에 비해 내구와 보온성이 높은 실용성을 지니고 있지만 고가이고 계절에 제한을 받는 이유로 일반 섬유에 비해 개발이 부진한 실정이다. 이에 본 연구에서는 예술적으로 제작된 근세유럽 갑옷의 실루엣, 구성선, 디테일 등의 형태적인 디자인들을 가죽의상에 도입하여 독창적인 가죽의상을 창출함으로써 현대 가
In this modern society of standardization with high technology and information flood, consumers seem to have stronger desire for more distinctive and individualdesign. To satisfy this desire, the modern clothes should be approached and articulated in artistic dimension to obtain some unique and crea...
In this modern society of standardization with high technology and information flood, consumers seem to have stronger desire for more distinctive and individualdesign. To satisfy this desire, the modern clothes should be approached and articulated in artistic dimension to obtain some unique and creative design. Though there can be a varietyof ways to creation of the artistic design, we would be able to get more creative design when the excellent costume designs of the past are reinterpreted with current perspective. Among those from the past, the sheet metal armor of modern Europe, which was worn not ordinarily, is now greatly esteemed not only for its practical use but also for the artistic aspect,and several museums around the world are displaying it. In this study, I made the product stimulated by this armor. The main material used is natural leather, which has inimitable luster and tactility and can effectively show formative beauty with different ways of expression. Although natural leather is more durable and warmer than textiles, it is expensive and limited to season. So its development is showing poor progress comparing to general textiles. So through this study, I introducedformative design as silhouette, form line, detail of the modern European armor in leather clothes and created unique design to expand the domain of expression of the present leather clothes. For the theoretical foundation of the study, I searched the history and style of each area through documentary records, collected constitution elements of the model (the modern European armor) and had a case study on introducing the image of armors in present dressing. I gave theoretical consideration for the main material, natural leather and looked through the history of leather clothing from the ancient through the present. Then I studied on the features and sorts of leather through documents, market research, and the Internet, analyzed expression techniques in leather design, and examined the representative leather dress of today's fashion. Based on these, I have produced 6 formations in total 2 formations of jacket and slacks, 2 formations of jacket and skirt, 1 formation of vest and slacks, and a half-coat. This is motivated by formative organization of the modern European armor and silhouette and each is differentiated in tactility, luster, color, and pattern. I could conclude the followings from this study. Firstly, I found out that the modern European armor with some artistic decorations can give a nice motive when reinterpreted in present fashion, and the organization line and detail of the armor can be seen as some ornate element in today's fashion. Secondly, silhouette and function line of the armor, which were expressed as trait of metal material, are now used as formative and ornamental design in leather dress. Thirdly, I could see the potential of developing the exclusive form or tactility from leather when natural leather is expressed with material technique as tuck, piping, slit, and quilting. Lastly, I can emphasize formative feature with applying texture contrast of various leather made up of monotone color in introducing leather clothes into distinctive aspect division composition of armor. This time I could emboss excellence of the armor motive and natural leather by expressing formative pre-eminence in leather clothes, provoked by the sheet metal armor of modern Europe, which was not considered seriously in the dressing history regardless of its beauty. I am now sure that an item motivated by the Oriental armor will be superb as well. Furthermore,I expect future revival ofleather clothes industry utilizing the peculiarity of natural leather.
In this modern society of standardization with high technology and information flood, consumers seem to have stronger desire for more distinctive and individualdesign. To satisfy this desire, the modern clothes should be approached and articulated in artistic dimension to obtain some unique and creative design. Though there can be a varietyof ways to creation of the artistic design, we would be able to get more creative design when the excellent costume designs of the past are reinterpreted with current perspective. Among those from the past, the sheet metal armor of modern Europe, which was worn not ordinarily, is now greatly esteemed not only for its practical use but also for the artistic aspect,and several museums around the world are displaying it. In this study, I made the product stimulated by this armor. The main material used is natural leather, which has inimitable luster and tactility and can effectively show formative beauty with different ways of expression. Although natural leather is more durable and warmer than textiles, it is expensive and limited to season. So its development is showing poor progress comparing to general textiles. So through this study, I introducedformative design as silhouette, form line, detail of the modern European armor in leather clothes and created unique design to expand the domain of expression of the present leather clothes. For the theoretical foundation of the study, I searched the history and style of each area through documentary records, collected constitution elements of the model (the modern European armor) and had a case study on introducing the image of armors in present dressing. I gave theoretical consideration for the main material, natural leather and looked through the history of leather clothing from the ancient through the present. Then I studied on the features and sorts of leather through documents, market research, and the Internet, analyzed expression techniques in leather design, and examined the representative leather dress of today's fashion. Based on these, I have produced 6 formations in total 2 formations of jacket and slacks, 2 formations of jacket and skirt, 1 formation of vest and slacks, and a half-coat. This is motivated by formative organization of the modern European armor and silhouette and each is differentiated in tactility, luster, color, and pattern. I could conclude the followings from this study. Firstly, I found out that the modern European armor with some artistic decorations can give a nice motive when reinterpreted in present fashion, and the organization line and detail of the armor can be seen as some ornate element in today's fashion. Secondly, silhouette and function line of the armor, which were expressed as trait of metal material, are now used as formative and ornamental design in leather dress. Thirdly, I could see the potential of developing the exclusive form or tactility from leather when natural leather is expressed with material technique as tuck, piping, slit, and quilting. Lastly, I can emphasize formative feature with applying texture contrast of various leather made up of monotone color in introducing leather clothes into distinctive aspect division composition of armor. This time I could emboss excellence of the armor motive and natural leather by expressing formative pre-eminence in leather clothes, provoked by the sheet metal armor of modern Europe, which was not considered seriously in the dressing history regardless of its beauty. I am now sure that an item motivated by the Oriental armor will be superb as well. Furthermore,I expect future revival ofleather clothes industry utilizing the peculiarity of natural leather.
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