In this paper, we study Chae's perception on the past, present and future analyzed his works. The research which it sees will not be paid attention relatively and analysis of liberation after novel of the as bay which it does not do to lead, the past which becomes known in work inside and currently,...
In this paper, we study Chae's perception on the past, present and future analyzed his works. The research which it sees will not be paid attention relatively and analysis of liberation after novel of the as bay which it does not do to lead, the past which becomes known in work inside and currently, to observe the author recognition of the as bay against a future it reports, it will reach and to lead not yet it tries to seek the literary questionable matter of bay liberation after novel the fact that in object. Worked as one of the typical satire writers with writing novels including 「Time of Prosperity」 and 「Chi-suk」 before the Liberation, Chae Man-sik published 15 more pieces of works after the Liberation up to his death in 1950. The existing studies on his works were mostly focused on his satire novels or unique style in the 1930s, while it is true that research on his novels written after the Liberation, which describes the phases of the chaotic time socially and historically, is insufficient. This study considers the writer's recognition on reality revealed through his works by dividing into three factors. First, the novels including 「Sinner of a nation」and 「Post Road」concentrated on criticism and reflection on pro-Japanese activities many intellectuals including himself committed in the past. During the late Japanese colonial period, most writers couldn't endure Japanese repression but turned to pro-Japanese, and Chae was one of them. Fallen into deep regret against his past records prone to Japan setting apart from righteousness as an intellectual, he could not but to express his heartfelt apologies to readers through a series of works mentioned above, beyond the extreme social turmoil that time, accordingly rehabilitating his reputation as a lampoonist driving him out to restart writing novels full of savage satire to criticize the confused society. Chae, Man Sik penetrated the situation that the independence was not achieved autonomously by our own but the forced liberation by the powers, recognizing the military government by the US newly implemented in the southern half of the peninsula was all the more creation of new conceptual colony quite equivalent to the case before liberation. Such a clue of cognitive skepticism has urged this distinctive novelist concentrated on critical works against the society. Unexpected and unprepared greeting of liberation has inevitably given rise to social disorder and the forced territorial division made during the big powers' tug-of-war game sparked and widened ideological debate and confrontations. It was exemplified by what was called interpreter politics under the US military rule in South Korea as also contextualized by his satirist works such as; "Mr. Bang" to severely criticize pro-US sympathizers under the mask of interpreters; "Post Road" to deplore the absence of a national leader in its truest sense to construct and unite the country; "Policeman Maeng" satirizing the situation where the reborn pro-Japanists were still at the center of the power; "Story of Farming Land" criticizing the land reform policy by the US military, and; "Doyaji(Pigs)" to satirize the political situation. Optimistic hint beyond satire over the reality became shown until he published a few literature works since 1948 like "Ebb Tide" and "Boys Grow" to disclose favorable standpoint with an outlook of establishing an independent self-autonomy nation free from the national antagonism. Amidst the bipolar society after the liberation in which even the literature circle was separated into two his novels, trying not to be polarized ideologically, have historical implications as a means of preserving the literature standpoints satirically based on correct understanding of the gloomy perspective in the nation. Chae, Man Sik, who did not hesitate to be a 'witness of the era' in a satirical manner, must be re-prismed over the spectrum of novel history during spatial period of the liberation as a faithful writer to accomplish the national realism.
In this paper, we study Chae's perception on the past, present and future analyzed his works. The research which it sees will not be paid attention relatively and analysis of liberation after novel of the as bay which it does not do to lead, the past which becomes known in work inside and currently, to observe the author recognition of the as bay against a future it reports, it will reach and to lead not yet it tries to seek the literary questionable matter of bay liberation after novel the fact that in object. Worked as one of the typical satire writers with writing novels including 「Time of Prosperity」 and 「Chi-suk」 before the Liberation, Chae Man-sik published 15 more pieces of works after the Liberation up to his death in 1950. The existing studies on his works were mostly focused on his satire novels or unique style in the 1930s, while it is true that research on his novels written after the Liberation, which describes the phases of the chaotic time socially and historically, is insufficient. This study considers the writer's recognition on reality revealed through his works by dividing into three factors. First, the novels including 「Sinner of a nation」and 「Post Road」concentrated on criticism and reflection on pro-Japanese activities many intellectuals including himself committed in the past. During the late Japanese colonial period, most writers couldn't endure Japanese repression but turned to pro-Japanese, and Chae was one of them. Fallen into deep regret against his past records prone to Japan setting apart from righteousness as an intellectual, he could not but to express his heartfelt apologies to readers through a series of works mentioned above, beyond the extreme social turmoil that time, accordingly rehabilitating his reputation as a lampoonist driving him out to restart writing novels full of savage satire to criticize the confused society. Chae, Man Sik penetrated the situation that the independence was not achieved autonomously by our own but the forced liberation by the powers, recognizing the military government by the US newly implemented in the southern half of the peninsula was all the more creation of new conceptual colony quite equivalent to the case before liberation. Such a clue of cognitive skepticism has urged this distinctive novelist concentrated on critical works against the society. Unexpected and unprepared greeting of liberation has inevitably given rise to social disorder and the forced territorial division made during the big powers' tug-of-war game sparked and widened ideological debate and confrontations. It was exemplified by what was called interpreter politics under the US military rule in South Korea as also contextualized by his satirist works such as; "Mr. Bang" to severely criticize pro-US sympathizers under the mask of interpreters; "Post Road" to deplore the absence of a national leader in its truest sense to construct and unite the country; "Policeman Maeng" satirizing the situation where the reborn pro-Japanists were still at the center of the power; "Story of Farming Land" criticizing the land reform policy by the US military, and; "Doyaji(Pigs)" to satirize the political situation. Optimistic hint beyond satire over the reality became shown until he published a few literature works since 1948 like "Ebb Tide" and "Boys Grow" to disclose favorable standpoint with an outlook of establishing an independent self-autonomy nation free from the national antagonism. Amidst the bipolar society after the liberation in which even the literature circle was separated into two his novels, trying not to be polarized ideologically, have historical implications as a means of preserving the literature standpoints satirically based on correct understanding of the gloomy perspective in the nation. Chae, Man Sik, who did not hesitate to be a 'witness of the era' in a satirical manner, must be re-prismed over the spectrum of novel history during spatial period of the liberation as a faithful writer to accomplish the national realism.
주제어
#한국 소설
※ AI-Helper는 부적절한 답변을 할 수 있습니다.