『Gwangjang (A Square)』of an author 'Choi, In-Hoon' established his artistic status, and simultaneously it was the one of monumental milestones in Korean modern literature. His drastic desire to recognize Korean modern society shown in his literature was stirred from his individual history, but after...
『Gwangjang (A Square)』of an author 'Choi, In-Hoon' established his artistic status, and simultaneously it was the one of monumental milestones in Korean modern literature. His drastic desire to recognize Korean modern society shown in his literature was stirred from his individual history, but after all, it brought to a conclusion into the attempt to discern the nature stipulating the entire period called 'Modern Times'. In this process, he pointed out that the most fundamental contradictory of Korean modern society results from what Korea did not accomplish spontaneous - independent modern times, and tried to search for the way to overcome it. He is an author who has made an abundant literary world and by applying the recognition of the division of Korea which is easily difficult to express in the history of Korean fiction to the external factor in a work, and he has put together the structure and meaning of the work which has adapted author's consciousness for social realities 7 times. Author's eye which has modified the space of a work from the first edition in 1960 to the last adaptation in 1996 focusing on impossibility of nth edition, pro-activity in 1970's, sticking to political position in 1980's and etc. It needs to deal again with his discernment for modern times shown in 『Gwangjang (A Square)』, the unique ideality that it is rare to discover in a narrative text and his challenging spirit for fictitious grammars at present when it is the turning point of social•cultural paradigm. The key background of 『Gwangjang (A Square)』is just before the Korean war (6•25 disturbance), during and directly after the war. For that reason, the historical consciousness of an author appears all over the story and author's eye shows the changes of the historical consciousness via adaptation process. This study examined the main character 'Lee, Myeong-Jun' focusing on his selective activity and thinking. He is ideological and introvert, but he is dimensional character who always tries to change himself in the issues regarding his life. He shows subjective and spontaneous and voluntary selection for the purpose of converting such negative circumstances around him, strongly feels and experiences a sense of alienation from a family, a society and a lover. Compared with his great effort to live hard, however, he shows immature personality as the human being who is relatively isolated. 'Yun-Ae' belongs to an intellectual class as a university student. But, she sometimes accepts her love for Myeong-Jun, or denies his love due to obscure force. Myeong-Jun decides to go to North Korea for the sake of searching for hope because of Yun-Ae's unknown refusal. When he came back to Seoul, he met again Yun-Ae who became Tae-Sik's wife. She is interpreted as the woman who escapes from ideality, molds her destiny by herself and pursues her ideal. Eun-Hye is a ballerina who Myeong-Jun met in North Korea. She empties her mind and meekly accepts and loves him. She is a woman like a secret room for Myeong-Jun. She is the character who makes the subject of this work give weight to not ideology but love. The author creates a new activity and his conscious position through Myeong-Jun's arrogant intellectual looseness, passive recognition for surroundings, etc. under the mutual conflict with concrete reality by eliminating completely or almost his being. Myeong-Jun's way of life to search for a ideal square is signified and symbolized as a confrontational relation between a secret room and a square. So, what discovers the meaning of a secret room and a square plays the role of essential medium to disclose the subject of 『Gwangjang (A Square)』. Myeong-Jun thinks that there is a square to live his ideal life and creates a ideal life in his ideology. He expresses the square as the image of ideal life which is immanent in his idea or an unrealistic space. The former (the image of ideal life) is the square created in his thought by interpreting subjectively social circumstances, a system and ideology in the concrete and objective realities where all people live, and the latter (unrealistic space) is the square or secret room to pursue an individual life where Myeong-Jun gets discouraged in the life of objective realities, escapes from and then creates. Author, 'Choi, In-Hoon' tried to formalize the consciousness for the tragic division of the Korean peninsula via the main character 'Lee, Myeong-Jun' in 『Gwangjang (A Square)』. By the way, Myeong-Jun's consciousness for the realities between the South Korea and the North Korea was extremely ideal and phenomenal and he comes and goes between the South Korea and the North Korea without clear confidence in accordance with his situation. However, he did not adapt to any system of the North Korea and the South Korea because of his insufficient confidence and ideal attitude, and finally he who was an idealist with the propensity to individualism chose 3rd country. After that, he went through conflict on a ship 'Tagore' and then he lost all desire to live and threw into the ocean which was expressed as 'a Blue Square'. Though his death is vain in realities, it can be considered as the death for a fundamental life such as another positive jump, an ideology, a system and so on if you look at reality in a wide viewpoint. In this viewpoint, the literary value of 『Gwangjang (A Square)』which has been considered that it dealt with an ideology, love or troubles of a life should be assessed in another dimension that it tried to show the original meaning of a human life by unifying them all. It makes us recognize that the way to the end is connected with another world for the way of life.
『Gwangjang (A Square)』of an author 'Choi, In-Hoon' established his artistic status, and simultaneously it was the one of monumental milestones in Korean modern literature. His drastic desire to recognize Korean modern society shown in his literature was stirred from his individual history, but after all, it brought to a conclusion into the attempt to discern the nature stipulating the entire period called 'Modern Times'. In this process, he pointed out that the most fundamental contradictory of Korean modern society results from what Korea did not accomplish spontaneous - independent modern times, and tried to search for the way to overcome it. He is an author who has made an abundant literary world and by applying the recognition of the division of Korea which is easily difficult to express in the history of Korean fiction to the external factor in a work, and he has put together the structure and meaning of the work which has adapted author's consciousness for social realities 7 times. Author's eye which has modified the space of a work from the first edition in 1960 to the last adaptation in 1996 focusing on impossibility of nth edition, pro-activity in 1970's, sticking to political position in 1980's and etc. It needs to deal again with his discernment for modern times shown in 『Gwangjang (A Square)』, the unique ideality that it is rare to discover in a narrative text and his challenging spirit for fictitious grammars at present when it is the turning point of social•cultural paradigm. The key background of 『Gwangjang (A Square)』is just before the Korean war (6•25 disturbance), during and directly after the war. For that reason, the historical consciousness of an author appears all over the story and author's eye shows the changes of the historical consciousness via adaptation process. This study examined the main character 'Lee, Myeong-Jun' focusing on his selective activity and thinking. He is ideological and introvert, but he is dimensional character who always tries to change himself in the issues regarding his life. He shows subjective and spontaneous and voluntary selection for the purpose of converting such negative circumstances around him, strongly feels and experiences a sense of alienation from a family, a society and a lover. Compared with his great effort to live hard, however, he shows immature personality as the human being who is relatively isolated. 'Yun-Ae' belongs to an intellectual class as a university student. But, she sometimes accepts her love for Myeong-Jun, or denies his love due to obscure force. Myeong-Jun decides to go to North Korea for the sake of searching for hope because of Yun-Ae's unknown refusal. When he came back to Seoul, he met again Yun-Ae who became Tae-Sik's wife. She is interpreted as the woman who escapes from ideality, molds her destiny by herself and pursues her ideal. Eun-Hye is a ballerina who Myeong-Jun met in North Korea. She empties her mind and meekly accepts and loves him. She is a woman like a secret room for Myeong-Jun. She is the character who makes the subject of this work give weight to not ideology but love. The author creates a new activity and his conscious position through Myeong-Jun's arrogant intellectual looseness, passive recognition for surroundings, etc. under the mutual conflict with concrete reality by eliminating completely or almost his being. Myeong-Jun's way of life to search for a ideal square is signified and symbolized as a confrontational relation between a secret room and a square. So, what discovers the meaning of a secret room and a square plays the role of essential medium to disclose the subject of 『Gwangjang (A Square)』. Myeong-Jun thinks that there is a square to live his ideal life and creates a ideal life in his ideology. He expresses the square as the image of ideal life which is immanent in his idea or an unrealistic space. The former (the image of ideal life) is the square created in his thought by interpreting subjectively social circumstances, a system and ideology in the concrete and objective realities where all people live, and the latter (unrealistic space) is the square or secret room to pursue an individual life where Myeong-Jun gets discouraged in the life of objective realities, escapes from and then creates. Author, 'Choi, In-Hoon' tried to formalize the consciousness for the tragic division of the Korean peninsula via the main character 'Lee, Myeong-Jun' in 『Gwangjang (A Square)』. By the way, Myeong-Jun's consciousness for the realities between the South Korea and the North Korea was extremely ideal and phenomenal and he comes and goes between the South Korea and the North Korea without clear confidence in accordance with his situation. However, he did not adapt to any system of the North Korea and the South Korea because of his insufficient confidence and ideal attitude, and finally he who was an idealist with the propensity to individualism chose 3rd country. After that, he went through conflict on a ship 'Tagore' and then he lost all desire to live and threw into the ocean which was expressed as 'a Blue Square'. Though his death is vain in realities, it can be considered as the death for a fundamental life such as another positive jump, an ideology, a system and so on if you look at reality in a wide viewpoint. In this viewpoint, the literary value of 『Gwangjang (A Square)』which has been considered that it dealt with an ideology, love or troubles of a life should be assessed in another dimension that it tried to show the original meaning of a human life by unifying them all. It makes us recognize that the way to the end is connected with another world for the way of life.
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