Jeong Cheol as an famous poet, all of his poem deeply expressed elegant min d. Ideological roots of our nation, traditional elegant spirit and Jeong Cheol’s aesthe tic consciousness can be revealed through research of Jeong Cheol’s elegant mind. This thesis is an analysis of Jeong Cheol’s elegant mi...
Jeong Cheol as an famous poet, all of his poem deeply expressed elegant min d. Ideological roots of our nation, traditional elegant spirit and Jeong Cheol’s aesthe tic consciousness can be revealed through research of Jeong Cheol’s elegant mind. This thesis is an analysis of Jeong Cheol’s elegant mind. Firstly, it introduced what is the elegant mind and pointed out the Jeong Cheol’s elegant view. Then the thesis analyzed the aspect of his elegance, and concluded the elegant reception and its historical significance. The author understood the elegant mind by research of Jeong Cheol’s life; and focused on Jeong Cheol’s views of “literary elegance”, explained his “literary eleg ance”.Then attempted to synthesis the notion of elegance, the philosophical significa nce and aesthetical significance. There are three different kinds of elegant aspect. The first is the natural elegan ce. As a literati and officialdom, Jeong Cheol had his affectionate nature. It shows the elegant character of him. But he didn’t realize the seclusion at last. From that, we can find out the pursuit of reality through the natural is related to his elegant mind. Second is the drinking elegance. When he was satisfied with real life, he wo uld enjoy the elegance with ‘fun’. Instead, reject from the real life, he would appea r the ‘regret’ plot make use of wine. It’s a good case of expressing his elegance. Third is the elegance which is beyond the reality. It’s a special himself visualizatio n that show up as faerie realms and female characters. Faerie realms showed his tr anscended attitude that regarded gods and himself as an equal being, expressed his “anatta”. Besides, Female character was also an attempting of his transcending whic h expressed his emotion of ‘regret’ consciously. Jeong Cheol’s elegance was not only popular at the Joseon Dynasty era, but al so was shared or imitated by his later generations. His elegant mind is closely link ed with inner world of our nations and aesthetic consciousness. The thesis aimed to comprehend the aesthetic of elegance and aspect of Jeong Cheol’s elegance more deeply, and also aimed to his elegant blood and consciousn ess. By this research, it can be expected to get know about elegant mind of literati and officialdom at that time and to understand objectively national cultural conscio usness expressed in Jeong Cheol’s elegant poem.松江郑澈作为风靡一时的风流人物，他所创造的诗里也都深深内含着风流精神。 对郑澈风流美学进行考察是对我们民族的根源思想, 以及对我们民族最核心的传统 风流思想进行理解，对进一步揭示郑澈的美意识提供了重要的契机。 本论文对表现在郑澈诗中的风流美学进行了分析。首先对郑澈的创作过程和他 的风流美学进行了探索, 然后对风流的根源以及哲学、美学意义进行了解，其次对 郑澈诗的风流样相进行了分析，最后对他的风流诗受容样相和其时代意义进行了归 纳。 首先，连贯郑澈的生平，了解了他的风流思想, 并对他的美学追求进行了分析。 然后,以对郑澈“文学风流”的意见为中心，对他的“文学风流”进行了解释。其次, 综合了对风流的概念，以及风流的哲学意义和美学意义。 郑澈诗的风流样相可以分为三种。第一是，自然风流。郑澈身为士大夫中的一 人，始终对大自然怀有向往之心，由此表露出他的风流性格。但是根据他最终还是 没能实现隐居生活的前提下，我们能看出，通过自然的现实向往性格与他的风流思 想是有着关联的。第二是，饮酒风流。当郑澈满足于现实生活时，他会以‘兴’的 方式享受风流。相反，受到现实生活的排斥时，他就会借酒显现出‘憾’的情节， 这也是能够表现他风流一面的好例子。第三是，郑澈脱离现实的风流。他以自我独 特的形象化，选择了仙界或女性话者。神仙意识是他超脱的一面，显现出自身与神 仙和为一体的‘无心’的世界。而且，女性话者的出现也是一种脱离现实的试图， 是他有意识显现‘憾’情节的一个表现。 郑澈的风流诗不仅在朝鲜朝时期，经过后代，至今还有很多人共享和模仿他的 风流诗，并进行创造。这种现象说明郑澈风流诗的美意识得到了充分的认可，同时 启示着他的风流思想与我们民族共同的内心世界及美意识有着紧密联系。 本论文不仅能更进一步了解风流美学及松江诗中所表现的风流样相，还能进一 步表明流淌在松江内心的风流性和美意识。从而最终能够对当时士大夫们的风流思 想，以及内在于郑澈风流诗中的民族文化意识有比较客观的了解。
Jeong Cheol as an famous poet, all of his poem deeply expressed elegant min d. Ideological roots of our nation, traditional elegant spirit and Jeong Cheol’s aesthe tic consciousness can be revealed through research of Jeong Cheol’s elegant mind. This thesis is an analysis of Jeong Cheol’s elegant mind. Firstly, it introduced what is the elegant mind and pointed out the Jeong Cheol’s elegant view. Then the thesis analyzed the aspect of his elegance, and concluded the elegant reception and its historical significance. The author understood the elegant mind by research of Jeong Cheol’s life; and focused on Jeong Cheol’s views of “literary elegance”, explained his “literary eleg ance”.Then attempted to synthesis the notion of elegance, the philosophical significa nce and aesthetical significance. There are three different kinds of elegant aspect. The first is the natural elegan ce. As a literati and officialdom, Jeong Cheol had his affectionate nature. It shows the elegant character of him. But he didn’t realize the seclusion at last. From that, we can find out the pursuit of reality through the natural is related to his elegant mind. Second is the drinking elegance. When he was satisfied with real life, he wo uld enjoy the elegance with ‘fun’. Instead, reject from the real life, he would appea r the ‘regret’ plot make use of wine. It’s a good case of expressing his elegance. Third is the elegance which is beyond the reality. It’s a special himself visualizatio n that show up as faerie realms and female characters. Faerie realms showed his tr anscended attitude that regarded gods and himself as an equal being, expressed his “anatta”. Besides, Female character was also an attempting of his transcending whic h expressed his emotion of ‘regret’ consciously. Jeong Cheol’s elegance was not only popular at the Joseon Dynasty era, but al so was shared or imitated by his later generations. His elegant mind is closely link ed with inner world of our nations and aesthetic consciousness. The thesis aimed to comprehend the aesthetic of elegance and aspect of Jeong Cheol’s elegance more deeply, and also aimed to his elegant blood and consciousn ess. By this research, it can be expected to get know about elegant mind of literati and officialdom at that time and to understand objectively national cultural conscio usness expressed in Jeong Cheol’s elegant poem.松江郑澈作为风靡一时的风流人物，他所创造的诗里也都深深内含着风流精神。 对郑澈风流美学进行考察是对我们民族的根源思想, 以及对我们民族最核心的传统 风流思想进行理解，对进一步揭示郑澈的美意识提供了重要的契机。 本论文对表现在郑澈诗中的风流美学进行了分析。首先对郑澈的创作过程和他 的风流美学进行了探索, 然后对风流的根源以及哲学、美学意义进行了解，其次对 郑澈诗的风流样相进行了分析，最后对他的风流诗受容样相和其时代意义进行了归 纳。 首先，连贯郑澈的生平，了解了他的风流思想, 并对他的美学追求进行了分析。 然后,以对郑澈“文学风流”的意见为中心，对他的“文学风流”进行了解释。其次, 综合了对风流的概念，以及风流的哲学意义和美学意义。 郑澈诗的风流样相可以分为三种。第一是，自然风流。郑澈身为士大夫中的一 人，始终对大自然怀有向往之心，由此表露出他的风流性格。但是根据他最终还是 没能实现隐居生活的前提下，我们能看出，通过自然的现实向往性格与他的风流思 想是有着关联的。第二是，饮酒风流。当郑澈满足于现实生活时，他会以‘兴’的 方式享受风流。相反，受到现实生活的排斥时，他就会借酒显现出‘憾’的情节， 这也是能够表现他风流一面的好例子。第三是，郑澈脱离现实的风流。他以自我独 特的形象化，选择了仙界或女性话者。神仙意识是他超脱的一面，显现出自身与神 仙和为一体的‘无心’的世界。而且，女性话者的出现也是一种脱离现实的试图， 是他有意识显现‘憾’情节的一个表现。 郑澈的风流诗不仅在朝鲜朝时期，经过后代，至今还有很多人共享和模仿他的 风流诗，并进行创造。这种现象说明郑澈风流诗的美意识得到了充分的认可，同时 启示着他的风流思想与我们民族共同的内心世界及美意识有着紧密联系。 本论文不仅能更进一步了解风流美学及松江诗中所表现的风流样相，还能进一 步表明流淌在松江内心的风流性和美意识。从而最终能够对当时士大夫们的风流思 想，以及内在于郑澈风流诗中的民族文化意识有比较客观的了解。
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