「Carnaval Op.9」is one of the initial piano works written by Schumann. For this character piece, the musician worked to show his characteristics as many as possible comparing to what he had done with his other works. In consideration of such fact, the study aimed to propose the most appropriate pedal...
「Carnaval Op.9」is one of the initial piano works written by Schumann. For this character piece, the musician worked to show his characteristics as many as possible comparing to what he had done with his other works. In consideration of such fact, the study aimed to propose the most appropriate pedaling method in describing the characteristics and intentions of Schumann which he had worked on for this「Carnaval Op.9」.
The study first looked into particularities of the Romantic period while it researched into life and music of Schumann as well as features of his piano works. In addition, functions and developments of pedals were reviewed while various pedaling methods were discussed in the study. Afterwards, the most proper pedaling method that would satisfy the initial intentions of Schumann found in his work was observed from references.
According to the results, the pedaling method of Schumann would have characteristics as follows.
First, although Schumann would not provide any detailed pedaling instructions, the piece should be played by different pedaling methods in consideration of hemiola as well as changes in beats when hemiola and different beats are required. Second, in terms of a pedal point for the single note which is the distinctive feature of Schumann, the damper pedal needs to be used long with the based played by the left hand. Third, when the pedal is found to be not waltz while the piece is still demanded to be played as waltz, pedaling should be conducted differently by rhythm and rest. Fourth, a long legato pedal could be used by the right pedal in order to create other musical effects through a big sound. Fifth, in case of borrowing melodies and styles from other contemporary composers of Schumann, different pedaling should also be applied. Sixth, as to certain pedaling which has been considered most necessary for a change of atmosphere, it should be performed at the instructions of Schumann.
Now, basic understanding on 「Carnaval Op.9」by Schumann was gained through various references and advanced research. Based on the information, the piece was analyzed and in the end, the study came up with performance technique and pedaling which would be the most proper to satisfy the initial intentions of Schumann.
Pedaling is one of the performance techniques that pianists would use to prove their artistic, intellectual abilities since how make a use of pedaling would give variety to tone, sound and sound duration. Hence, it suggests that the performers conduct in-depth research on musical background and theories of a composer so that they could play a piece with pedaling which would be the most appropriate to fulfill initial intentions of the composer. Such right pedaling will help the performers with proper interpretation and objective performance on the piece while it will be a contribution to generalization of the performance technique.
「Carnaval Op.9」is one of the initial piano works written by Schumann. For this character piece, the musician worked to show his characteristics as many as possible comparing to what he had done with his other works. In consideration of such fact, the study aimed to propose the most appropriate pedaling method in describing the characteristics and intentions of Schumann which he had worked on for this「Carnaval Op.9」.
The study first looked into particularities of the Romantic period while it researched into life and music of Schumann as well as features of his piano works. In addition, functions and developments of pedals were reviewed while various pedaling methods were discussed in the study. Afterwards, the most proper pedaling method that would satisfy the initial intentions of Schumann found in his work was observed from references.
According to the results, the pedaling method of Schumann would have characteristics as follows.
First, although Schumann would not provide any detailed pedaling instructions, the piece should be played by different pedaling methods in consideration of hemiola as well as changes in beats when hemiola and different beats are required. Second, in terms of a pedal point for the single note which is the distinctive feature of Schumann, the damper pedal needs to be used long with the based played by the left hand. Third, when the pedal is found to be not waltz while the piece is still demanded to be played as waltz, pedaling should be conducted differently by rhythm and rest. Fourth, a long legato pedal could be used by the right pedal in order to create other musical effects through a big sound. Fifth, in case of borrowing melodies and styles from other contemporary composers of Schumann, different pedaling should also be applied. Sixth, as to certain pedaling which has been considered most necessary for a change of atmosphere, it should be performed at the instructions of Schumann.
Now, basic understanding on 「Carnaval Op.9」by Schumann was gained through various references and advanced research. Based on the information, the piece was analyzed and in the end, the study came up with performance technique and pedaling which would be the most proper to satisfy the initial intentions of Schumann.
Pedaling is one of the performance techniques that pianists would use to prove their artistic, intellectual abilities since how make a use of pedaling would give variety to tone, sound and sound duration. Hence, it suggests that the performers conduct in-depth research on musical background and theories of a composer so that they could play a piece with pedaling which would be the most appropriate to fulfill initial intentions of the composer. Such right pedaling will help the performers with proper interpretation and objective performance on the piece while it will be a contribution to generalization of the performance technique.
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