E. Grieg was one of the representative national style of Norwegian composer since the late of 19th century. His works inspired by Norwegian poet based on the movements of Nationalism. Also, his national style of composition based on melodies from Folk song and dance music. This thesis is concerned w...
E. Grieg was one of the representative national style of Norwegian composer since the late of 19th century. His works inspired by Norwegian poet based on the movements of Nationalism. Also, his national style of composition based on melodies from Folk song and dance music. This thesis is concerned with the life of E. Grieg and his Nationalism musical characters, musical type based on German Traditional Romanticism and analysis of performing technique in violin Sonata No.3 op.45. His Third violin sonata consists of three movements: the first movement has a Sonata-allegro form, the second movement has A-B-A' structure based on the idea of sonata form, and the last movement has a sonata structure as well, such as A-B-A'-B' with coda. Grieg applied Norwegian Nationalism combining with German Traditional Romanticism. In this sonata, it can be often shown by Grieg's personal passion on National elements, such as applying Norwegian Folk song melody on Romantic Chromatic scales, using simple short-motive, which has a strongly mainly transformed throughout end it led piece, and presenting various rhythmic elements inspired by danse music, such as , dotted, triple, syncopation and unexpected accents, and so on. Speaking of performance, a violinist has been importantly asked by correctly using the bow and a proper vibrato. In this sonata, the Rhythmic element is very important essence. For presenting a perfect rhythmic effect , performers need to use the bow very carefully. Such as, in the opening movement, continuous dotted-rhythm needs to be sounded very even. For that, a violinist needs to be perfectly understood the portion of the bow, the speed of the bow, and the proper -weight of the bow. In the last movement, showing a perfect "spiccato", the bow needs to be lightly bounced with a right weight. The difference between "staccato" and " non-staccato", performers need to precisely use the bow when it need to be on and off the string. Of course, the weight of right hand is very important issue for a violinist presenting a better sound. To present a lyrical romantic melody on string, the vibrato also properly need to be moved wider or narrower combing with the perfect bowing to get a better dynamic, such as crescendo and decrescendo, performers are also required to keep a balance how to match between bowing and vibrato.
E. Grieg was one of the representative national style of Norwegian composer since the late of 19th century. His works inspired by Norwegian poet based on the movements of Nationalism. Also, his national style of composition based on melodies from Folk song and dance music. This thesis is concerned with the life of E. Grieg and his Nationalism musical characters, musical type based on German Traditional Romanticism and analysis of performing technique in violin Sonata No.3 op.45. His Third violin sonata consists of three movements: the first movement has a Sonata-allegro form, the second movement has A-B-A' structure based on the idea of sonata form, and the last movement has a sonata structure as well, such as A-B-A'-B' with coda. Grieg applied Norwegian Nationalism combining with German Traditional Romanticism. In this sonata, it can be often shown by Grieg's personal passion on National elements, such as applying Norwegian Folk song melody on Romantic Chromatic scales, using simple short-motive, which has a strongly mainly transformed throughout end it led piece, and presenting various rhythmic elements inspired by danse music, such as , dotted, triple, syncopation and unexpected accents, and so on. Speaking of performance, a violinist has been importantly asked by correctly using the bow and a proper vibrato. In this sonata, the Rhythmic element is very important essence. For presenting a perfect rhythmic effect , performers need to use the bow very carefully. Such as, in the opening movement, continuous dotted-rhythm needs to be sounded very even. For that, a violinist needs to be perfectly understood the portion of the bow, the speed of the bow, and the proper -weight of the bow. In the last movement, showing a perfect "spiccato", the bow needs to be lightly bounced with a right weight. The difference between "staccato" and " non-staccato", performers need to precisely use the bow when it need to be on and off the string. Of course, the weight of right hand is very important issue for a violinist presenting a better sound. To present a lyrical romantic melody on string, the vibrato also properly need to be moved wider or narrower combing with the perfect bowing to get a better dynamic, such as crescendo and decrescendo, performers are also required to keep a balance how to match between bowing and vibrato.
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