본 논문에서 연구하는 다비드동맹무곡 Op.6이 그것이다. 총 18곡으로 구성되어져 있고, 춤곡형식의 소품들로 구성되어 있다. 이 작품은 클라라에 대한 슈만의 마음을 표현한 작품이라 할 수 있겠다. 허구의 등장인물을 설정해 곡을 작곡했는데, 힘차고 정렬적인 플로레스탄, 선율적이고 우아한 오이제비우스가 나온다. 이 캐릭터를 흥미롭고도 확실히 그려내었다. 슈만 특유의 기법과 색채를 가지고 많은 시도를 한 곡이다. 또한 그의 마음속에 잠재되어 있는 자신의 사상을 표현하였다. 그러므로 이 작품을 올바르게 이해하고 연주하기 위해서는 당시의 ...
본 논문에서 연구하는 다비드동맹무곡 Op.6이 그것이다. 총 18곡으로 구성되어져 있고, 춤곡형식의 소품들로 구성되어 있다. 이 작품은 클라라에 대한 슈만의 마음을 표현한 작품이라 할 수 있겠다. 허구의 등장인물을 설정해 곡을 작곡했는데, 힘차고 정렬적인 플로레스탄, 선율적이고 우아한 오이제비우스가 나온다. 이 캐릭터를 흥미롭고도 확실히 그려내었다. 슈만 특유의 기법과 색채를 가지고 많은 시도를 한 곡이다. 또한 그의 마음속에 잠재되어 있는 자신의 사상을 표현하였다. 그러므로 이 작품을 올바르게 이해하고 연주하기 위해서는 당시의 성격소품이 어떤지와, 문학적 배경에 대해서도 충분한 연구가 필요할 것이다.
본 논문에서 연구하는 다비드동맹무곡 Op.6이 그것이다. 총 18곡으로 구성되어져 있고, 춤곡형식의 소품들로 구성되어 있다. 이 작품은 클라라에 대한 슈만의 마음을 표현한 작품이라 할 수 있겠다. 허구의 등장인물을 설정해 곡을 작곡했는데, 힘차고 정렬적인 플로레스탄, 선율적이고 우아한 오이제비우스가 나온다. 이 캐릭터를 흥미롭고도 확실히 그려내었다. 슈만 특유의 기법과 색채를 가지고 많은 시도를 한 곡이다. 또한 그의 마음속에 잠재되어 있는 자신의 사상을 표현하였다. 그러므로 이 작품을 올바르게 이해하고 연주하기 위해서는 당시의 성격소품이 어떤지와, 문학적 배경에 대해서도 충분한 연구가 필요할 것이다.
When it comes to what makes the romantic music of the 19th century separated from others of different centuries, how freely it deals with personal thoughts and feelings features in the romantic music. Mass production and development of capitalism caused by the Industrial Revolution back then did cha...
When it comes to what makes the romantic music of the 19th century separated from others of different centuries, how freely it deals with personal thoughts and feelings features in the romantic music. Mass production and development of capitalism caused by the Industrial Revolution back then did change everything about traditional ways of living, and people started to get obsessed with dreams, ideals and fantasies and as a consequence, music took over the most influential position in every field of arts. Such changes during the Industrial Revolution had a huge influence on music, and finally, composers who had never felt unrestricted were given a chance to pour out their artistic senses and personal feelings without limits.
As far as Schumann, a composer of romanticism, understands, this exposure of feelings is the most significant factor and, today, Schumann is regarded as a composer who had worked on an impressive sense of literary imagination.
Schumann wrote many inspiring pieces of music in these different genres such as songs, chamber music, symphonies and others, and as for a difference between Schumann and other composers, he even invented this new genre, “Character Piece”, which had never been seen before, and there, Schumann tried to pursue fantasies, humors, humane aspects and others as expressing his own unrestricted feelings or subjective thoughts. Schumann found himself very much close to literature and therefore, as trying to go beyond musical elements, he introduced literature to his own music work and enjoyed creating his some private world.
Now, in the light of what has been described about Schumann, this paper looks into Davidsbündlertänze Op. 6. As work consisting of these 18 pieces, it plays character pieces in a form of dance music. After all, the work is considered a piece that Schumann had dedicated to Clara. Schumann created fictional characters to compose the piece and, strong, enthusiastic Florestan and melodic, refined Eusebius make appearances. Schumann succeeded in representing the characters interesting and real. To complete the piece, Schumann tried so many of his original techniques and colors, and not only that, he was not afraid of expressing his belief hidden inside. That is why this study suggests that if the field of music wants to see musicians perform the piece correctly with right understanding on it, they should encourage follow-up researches to focus even on features of the character pieces and cultural backgrounds of those times.
When it comes to what makes the romantic music of the 19th century separated from others of different centuries, how freely it deals with personal thoughts and feelings features in the romantic music. Mass production and development of capitalism caused by the Industrial Revolution back then did change everything about traditional ways of living, and people started to get obsessed with dreams, ideals and fantasies and as a consequence, music took over the most influential position in every field of arts. Such changes during the Industrial Revolution had a huge influence on music, and finally, composers who had never felt unrestricted were given a chance to pour out their artistic senses and personal feelings without limits.
As far as Schumann, a composer of romanticism, understands, this exposure of feelings is the most significant factor and, today, Schumann is regarded as a composer who had worked on an impressive sense of literary imagination.
Schumann wrote many inspiring pieces of music in these different genres such as songs, chamber music, symphonies and others, and as for a difference between Schumann and other composers, he even invented this new genre, “Character Piece”, which had never been seen before, and there, Schumann tried to pursue fantasies, humors, humane aspects and others as expressing his own unrestricted feelings or subjective thoughts. Schumann found himself very much close to literature and therefore, as trying to go beyond musical elements, he introduced literature to his own music work and enjoyed creating his some private world.
Now, in the light of what has been described about Schumann, this paper looks into Davidsbündlertänze Op. 6. As work consisting of these 18 pieces, it plays character pieces in a form of dance music. After all, the work is considered a piece that Schumann had dedicated to Clara. Schumann created fictional characters to compose the piece and, strong, enthusiastic Florestan and melodic, refined Eusebius make appearances. Schumann succeeded in representing the characters interesting and real. To complete the piece, Schumann tried so many of his original techniques and colors, and not only that, he was not afraid of expressing his belief hidden inside. That is why this study suggests that if the field of music wants to see musicians perform the piece correctly with right understanding on it, they should encourage follow-up researches to focus even on features of the character pieces and cultural backgrounds of those times.
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#R. Schuman 「Davidsb?ndlert?nze Op. 6」에 관한 연구
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