본 연구는 동양의 각 시대별 典籍의 형태적 흐름과 裝訂制度의 발전에 관하여 고찰하고 아울러 典籍의 형태별 裝訂技術法을 이론적으로 정리함으로써, 우리 傳統文化의 復元에 一助하고자 하는 목적에서 연구되었다. 본 연구에서 고구된 古典籍의 형태적 특징과 裝訂制度의 변천 및 전통 장정기법의 특징은 다음과 같다. (1) 甲骨書와 靑銅銘文書 등은 正式의 典籍制度가 아니었으며, 竹簡書와 木牘書 및 帛書 등에 이르러 비로소 정식의 전적제도가 탄생되었다. 그리고 종이(紙)가 발명된 후로는 시대에 따라 다양한 典籍制度가 발전되었다. (2) 竹簡書와 ...
본 연구는 동양의 각 시대별 典籍의 형태적 흐름과 裝訂制度의 발전에 관하여 고찰하고 아울러 典籍의 형태별 裝訂技術法을 이론적으로 정리함으로써, 우리 傳統文化의 復元에 一助하고자 하는 목적에서 연구되었다. 본 연구에서 고구된 古典籍의 형태적 특징과 裝訂制度의 변천 및 전통 장정기법의 특징은 다음과 같다. (1) 甲骨書와 靑銅銘文書 등은 正式의 典籍制度가 아니었으며, 竹簡書와 木牘書 및 帛書 등에 이르러 비로소 정식의 전적제도가 탄생되었다. 그리고 종이(紙)가 발명된 후로는 시대에 따라 다양한 典籍制度가 발전되었다. (2) 竹簡書와 木牘書의 장정방식은 韋編이나 絲編이었으나, 帛書의 유통과 아울러 종이의 발명으로 紙書가 유통되면서부터 장정방식도 다양하게 발전되었다. (3) 帛書와 紙書가 나타난 이후로 오늘날에 이르기까지 古典籍의 장정은 卷軸裝-旋風裝-蝴蝶裝-包背裝-線裝 등으로 발전되었으며, 최종단계의 선장은 2매의 표지를 책지의 앞뒤로 각각 1매씩 대고 綴絲로 꿰매어 背面이 튼튼하여 쉽게 훼손되지 않는 장점으로 말미암아 현대에 이르기까지 古典籍의 裝訂으로 널리 사용되고 있다.
본 연구는 동양의 각 시대별 典籍의 형태적 흐름과 裝訂制度의 발전에 관하여 고찰하고 아울러 典籍의 형태별 裝訂技術法을 이론적으로 정리함으로써, 우리 傳統文化의 復元에 一助하고자 하는 목적에서 연구되었다. 본 연구에서 고구된 古典籍의 형태적 특징과 裝訂制度의 변천 및 전통 장정기법의 특징은 다음과 같다. (1) 甲骨書와 靑銅銘文書 등은 正式의 典籍制度가 아니었으며, 竹簡書와 木牘書 및 帛書 등에 이르러 비로소 정식의 전적제도가 탄생되었다. 그리고 종이(紙)가 발명된 후로는 시대에 따라 다양한 典籍制度가 발전되었다. (2) 竹簡書와 木牘書의 장정방식은 韋編이나 絲編이었으나, 帛書의 유통과 아울러 종이의 발명으로 紙書가 유통되면서부터 장정방식도 다양하게 발전되었다. (3) 帛書와 紙書가 나타난 이후로 오늘날에 이르기까지 古典籍의 장정은 卷軸裝-旋風裝-蝴蝶裝-包背裝-線裝 등으로 발전되었으며, 최종단계의 선장은 2매의 표지를 책지의 앞뒤로 각각 1매씩 대고 綴絲로 꿰매어 背面이 튼튼하여 쉽게 훼손되지 않는 장점으로 말미암아 현대에 이르기까지 古典籍의 裝訂으로 널리 사용되고 있다.
This study theoretically organized the book binding methods by the form of books as well as investigated the formative flow of old and rare books of the Orient by time period and the evolution of book designing and binding system to contribute to the restoration of Korean traditional culture. The fo...
This study theoretically organized the book binding methods by the form of books as well as investigated the formative flow of old and rare books of the Orient by time period and the evolution of book designing and binding system to contribute to the restoration of Korean traditional culture. The formative characteristics of old and rare books, changes in the book designing and binding system, and the characteristics of traditional book designing and binding techniques in this study were as follows. (1) The turtle shells and bones engraved with letters and the copper objects engraved with letters were not considered to be types of document made by formal book designing and binding system, whereas the bamboo books, the wooden tablet books, and the silk books were considered to be the beginning of the book designing and binding system. The book designing and binding system has been diversified since the invention of paper. (2) The bamboo books and the wooden tablet books were bound with leather straps or strings, whereas the distribution of silk books and the invention of paper diversified the book designing and binding technique. (3) The order of changes in the book designing and binding technique after the appearance of silk books and paper books is Gwonchukjang(卷軸裝: Scroll) - Seonpungjang(旋風裝: Accordion-Fold Binding) - Hojeopjang(蝴蝶裝: Butterfly-Fold Binding) - Pobaejang(包背裝: Wrapped Back Binding) - Seonjang(線裝: Tread Binding). Seonjang, the latest binding technique to put the front cover and back cover to the front and back of a book, bind them all together with a thread, and create a very strong and not easily damaged back cover, has been widely used even in the modern society. (4) The rare and old books had used silk, hemp cloth, and water caltrop flower patterned paper for their covers; in particular, the covers of Korean old and rare books were made of water caltrop flower patterned paper. The water caltrop flower patterned paper was created by putting a multi-layered paper on a waxed water caltrop flower patterned plate and printing the patterns with a pushing stone. In other words, the production of water caltrop flower patterned paper required a water caltrop flower patterned plate, wax, a pushing stone, and a multi-layered paper in color. (5) This bibliographic study investigated the formative flow of Korean old and rare books by their changes, considered the Korean traditional book designing and binding system including Gwonchukjang, Seonpungjang, Hojeopjang, Pobaejang, and Seonjang, and described the details of book designing and binding techniques based on the existing relics. In particular, this study reenacted and demonstrated the book designing and binding techniques of each type of book to understand not only the formative characteristics but also the processes of production, and described the theorized traditional book designing and binding techniques by the development stage of book designing and binding techniques of Korean traditional books. The author of this study hope to restore the Korean traditional book designing and binding techniques, establish the scientific ground, and transform the Korean traditional culture into the international culture based on the restoration of book designing and binding culture and the establishment of theories about the book designing and binding techniques by form.
This study theoretically organized the book binding methods by the form of books as well as investigated the formative flow of old and rare books of the Orient by time period and the evolution of book designing and binding system to contribute to the restoration of Korean traditional culture. The formative characteristics of old and rare books, changes in the book designing and binding system, and the characteristics of traditional book designing and binding techniques in this study were as follows. (1) The turtle shells and bones engraved with letters and the copper objects engraved with letters were not considered to be types of document made by formal book designing and binding system, whereas the bamboo books, the wooden tablet books, and the silk books were considered to be the beginning of the book designing and binding system. The book designing and binding system has been diversified since the invention of paper. (2) The bamboo books and the wooden tablet books were bound with leather straps or strings, whereas the distribution of silk books and the invention of paper diversified the book designing and binding technique. (3) The order of changes in the book designing and binding technique after the appearance of silk books and paper books is Gwonchukjang(卷軸裝: Scroll) - Seonpungjang(旋風裝: Accordion-Fold Binding) - Hojeopjang(蝴蝶裝: Butterfly-Fold Binding) - Pobaejang(包背裝: Wrapped Back Binding) - Seonjang(線裝: Tread Binding). Seonjang, the latest binding technique to put the front cover and back cover to the front and back of a book, bind them all together with a thread, and create a very strong and not easily damaged back cover, has been widely used even in the modern society. (4) The rare and old books had used silk, hemp cloth, and water caltrop flower patterned paper for their covers; in particular, the covers of Korean old and rare books were made of water caltrop flower patterned paper. The water caltrop flower patterned paper was created by putting a multi-layered paper on a waxed water caltrop flower patterned plate and printing the patterns with a pushing stone. In other words, the production of water caltrop flower patterned paper required a water caltrop flower patterned plate, wax, a pushing stone, and a multi-layered paper in color. (5) This bibliographic study investigated the formative flow of Korean old and rare books by their changes, considered the Korean traditional book designing and binding system including Gwonchukjang, Seonpungjang, Hojeopjang, Pobaejang, and Seonjang, and described the details of book designing and binding techniques based on the existing relics. In particular, this study reenacted and demonstrated the book designing and binding techniques of each type of book to understand not only the formative characteristics but also the processes of production, and described the theorized traditional book designing and binding techniques by the development stage of book designing and binding techniques of Korean traditional books. The author of this study hope to restore the Korean traditional book designing and binding techniques, establish the scientific ground, and transform the Korean traditional culture into the international culture based on the restoration of book designing and binding culture and the establishment of theories about the book designing and binding techniques by form.
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