A researcher’s job begins from the understanding that emotions and the primary meaning behind them should be lost first despite the connections between differing situations and its subjects within the community. The researcher’s interest in emotions transitions into his own personal experience with ...
A researcher’s job begins from the understanding that emotions and the primary meaning behind them should be lost first despite the connections between differing situations and its subjects within the community. The researcher’s interest in emotions transitions into his own personal experience with his own emotions. Through the inspection of an emotion’s perception process, the researcher acknowledged that emotions are principal agents birthed through another principal agent and through this process obtains independence. The researcher constructs various symbolic pieces to represent the independence of emotions within a space. Within the displayed space, the researcher paid attention to the researcher, subject, and audience’s participation. In order to verify the legitimacy of the researcher’s works he suggested the theoretical background of the corps’ perception. This is substituted through an explanation of how emotions are perceived through various structures and by using ‘être-au-monde’ as a basis of a perception system, proved the emotion’s perception process. Since the intervention of typewrite was the beginning of minimal art, it is proposed that its representative writers, ‘Robert Morris’ and ‘Tony Smith’ and through their research decipher similarities and differences between these writers and the researchers. Furthermore, the researcher’s works are seen through the principal agent’s study of emotions and its pieces to interpret its inherent characteristics that were portrayed in the appearance of an infant’s form. The point of research seen within the researcher’s works can be found below. First, the researcher used ‘corps’ perception’ as the primary concept behind his works and the emotions rising from principal agents are explained the emotions’ perception process in typewrite viewpoint. Secondly, in the researcher’s works, emotion as the perception’s subject comes out of the principal agent and is interpreted as ‘a form that obtains an independent identity’, and its feature is that emotions will not serve in any relation. Thirdly, the attributes of the image of the infant’s form appearing in the researcher’s works is about the subject, situation, shape, etc. of dichotomous classification or the phase built before the resting experience appearing also as a substitute symbolic icon of a body’s sensible experience. Fourthly, the researcher displays the substitute emotion, which is the perception subject, within a space. The researcher provides the official space where present (continuity) of the situations between the subject (works) and the audience is theatrically induced. In conclusion, through research of the aforementioned studies mentioned above of the beginning of the researcher’s operation, background of formation, and work procedure, the job’s legitimacy was proven through the perceptions about the subject also providing the direction in which the job will spread out into.
A researcher’s job begins from the understanding that emotions and the primary meaning behind them should be lost first despite the connections between differing situations and its subjects within the community. The researcher’s interest in emotions transitions into his own personal experience with his own emotions. Through the inspection of an emotion’s perception process, the researcher acknowledged that emotions are principal agents birthed through another principal agent and through this process obtains independence. The researcher constructs various symbolic pieces to represent the independence of emotions within a space. Within the displayed space, the researcher paid attention to the researcher, subject, and audience’s participation. In order to verify the legitimacy of the researcher’s works he suggested the theoretical background of the corps’ perception. This is substituted through an explanation of how emotions are perceived through various structures and by using ‘être-au-monde’ as a basis of a perception system, proved the emotion’s perception process. Since the intervention of typewrite was the beginning of minimal art, it is proposed that its representative writers, ‘Robert Morris’ and ‘Tony Smith’ and through their research decipher similarities and differences between these writers and the researchers. Furthermore, the researcher’s works are seen through the principal agent’s study of emotions and its pieces to interpret its inherent characteristics that were portrayed in the appearance of an infant’s form. The point of research seen within the researcher’s works can be found below. First, the researcher used ‘corps’ perception’ as the primary concept behind his works and the emotions rising from principal agents are explained the emotions’ perception process in typewrite viewpoint. Secondly, in the researcher’s works, emotion as the perception’s subject comes out of the principal agent and is interpreted as ‘a form that obtains an independent identity’, and its feature is that emotions will not serve in any relation. Thirdly, the attributes of the image of the infant’s form appearing in the researcher’s works is about the subject, situation, shape, etc. of dichotomous classification or the phase built before the resting experience appearing also as a substitute symbolic icon of a body’s sensible experience. Fourthly, the researcher displays the substitute emotion, which is the perception subject, within a space. The researcher provides the official space where present (continuity) of the situations between the subject (works) and the audience is theatrically induced. In conclusion, through research of the aforementioned studies mentioned above of the beginning of the researcher’s operation, background of formation, and work procedure, the job’s legitimacy was proven through the perceptions about the subject also providing the direction in which the job will spread out into.
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