세르게이 프로코피에프(S. Prokofiev, 1891-1953)는 20세기를 대표하는 러시아의 피아니스트이자 작곡가이다. 소나타, 실내악, 교향곡, 협주곡, 오페라, 성악곡 등 거의 모든 장르에 걸쳐 작곡된 그의 작품은 고전적, 혁신적, 서정적, 토카타적, 해학적 요소에 기초하여 작곡되었다. 그는 19세기 낭만 기법과 18세기 고전주의 기법을 기초로 하는 신고전주의 형식을 더하여 자신만의 독특한 작곡 스타일을 추구하였다.
그의 작품 <Sonata for Flute and Piano in D, Op.94>는 프로...
세르게이 프로코피에프(S. Prokofiev, 1891-1953)는 20세기를 대표하는 러시아의 피아니스트이자 작곡가이다. 소나타, 실내악, 교향곡, 협주곡, 오페라, 성악곡 등 거의 모든 장르에 걸쳐 작곡된 그의 작품은 고전적, 혁신적, 서정적, 토카타적, 해학적 요소에 기초하여 작곡되었다. 그는 19세기 낭만 기법과 18세기 고전주의 기법을 기초로 하는 신고전주의 형식을 더하여 자신만의 독특한 작곡 스타일을 추구하였다.
그의 작품 <Sonata for Flute and Piano in D, Op.94>는 프로코피에프의 신고전주의적 작곡 스타일이 잘 나타나 있는 대표적인 곡이다. 이 곡은 프랑스의 플루티스트 게오르게스 바렌스(G. Barrence)의 영향으로 탄생 되었다. 그 후 바이올리니스트 다비드 오이스트라흐(D. Oistrakh, 1908-1974)의 제안에 의해 Op. 94a라는 작품번호로 바이올린을 위해 편곡되면서 더욱 유명해진 프로코피에프의 유일한 플루트 소나타는 아름다운 선율과 생기있는 리듬, 그리고 대담한 화성 등이 잘 나타나 있는 작품이다.
세르게이 프로코피에프(S. Prokofiev, 1891-1953)는 20세기를 대표하는 러시아의 피아니스트이자 작곡가이다. 소나타, 실내악, 교향곡, 협주곡, 오페라, 성악곡 등 거의 모든 장르에 걸쳐 작곡된 그의 작품은 고전적, 혁신적, 서정적, 토카타적, 해학적 요소에 기초하여 작곡되었다. 그는 19세기 낭만 기법과 18세기 고전주의 기법을 기초로 하는 신고전주의 형식을 더하여 자신만의 독특한 작곡 스타일을 추구하였다.
그의 작품 <Sonata for Flute and Piano in D, Op.94>는 프로코피에프의 신고전주의적 작곡 스타일이 잘 나타나 있는 대표적인 곡이다. 이 곡은 프랑스의 플루티스트 게오르게스 바렌스(G. Barrence)의 영향으로 탄생 되었다. 그 후 바이올리니스트 다비드 오이스트라흐(D. Oistrakh, 1908-1974)의 제안에 의해 Op. 94a라는 작품번호로 바이올린을 위해 편곡되면서 더욱 유명해진 프로코피에프의 유일한 플루트 소나타는 아름다운 선율과 생기있는 리듬, 그리고 대담한 화성 등이 잘 나타나 있는 작품이다.
Sergei Prokofeiv(1891-1953) is a composer performed under the Russian Revolution in the 20th century and social turmoil. In this time context, he composed new simple works. By his late period, he considered melody. He attempted to use simple melody with which the public is accessible and pursue the ...
Sergei Prokofeiv(1891-1953) is a composer performed under the Russian Revolution in the 20th century and social turmoil. In this time context, he composed new simple works. By his late period, he considered melody. He attempted to use simple melody with which the public is accessible and pursue the novelty with his original melody at the same time.
Sonata for Flute and Piano Op.94 is one of best works that represents his thought. Excluding scherzo set in the third movement is actually set in the second movement and using classical sonata form, to see the introduction part of the first movement as if singing and smooth and sophisticated third movement reveals the importance of melody he pursues. This song consists of four movements. The first movement consists of a complete sonata with exposition-development-recapitulation with two topics. The second movement is scherzo movement, the third movement is a slow movement consisting of A-B-A' three parts. The fourth movement is rondo-sonata form. Although forms used in the second and third movements are not completely consistent with sonata form, his neo-classical inclination can be found as he does not deviate from the entire frame.
Melodically it represents romantic features. Overall long and unsplit melodies characterize this song. Moreover, many chromatic melodies and diatonic melodies are found in this song. In particular, the value and emotionality on his melodies are evoked from detailed and beautiful melodies in the first and third movements. On top of that, he used effects mainly identified in Baroque and Classical works such as sequence, semi-sequence, Ostinato, and Cannon and applied these neo-classical features in his songs.
To see rhythm, beat replacement, dynamic change, syncopation, beat change and strong beat change due to the change of intentional accent location, and percussion effects using continuous heats are shown. Concise and clear rhythm obtained from hemiola factors and ostinato base using both binary and triple beats were adequate for playing songs dynamically. The combined use of various rhythms adds vitality to works.
Frequent modulations, non-harmonic tones, and the use of short chromatic scales are found in harmony. In general, it does digress from the key frame. The first and fourth movements maintain D Major key. The second movement maintains a minor in the relationship with dominant key. The third movement naturally connects the entire work with F Major key above three keys in D Major.
It can be said that it is the best work expressing his diverse and innovative composition in harmony with modern, classical factors, toccatic factors, and romantic melody are generally balanced.
Sergei Prokofeiv(1891-1953) is a composer performed under the Russian Revolution in the 20th century and social turmoil. In this time context, he composed new simple works. By his late period, he considered melody. He attempted to use simple melody with which the public is accessible and pursue the novelty with his original melody at the same time.
Sonata for Flute and Piano Op.94 is one of best works that represents his thought. Excluding scherzo set in the third movement is actually set in the second movement and using classical sonata form, to see the introduction part of the first movement as if singing and smooth and sophisticated third movement reveals the importance of melody he pursues. This song consists of four movements. The first movement consists of a complete sonata with exposition-development-recapitulation with two topics. The second movement is scherzo movement, the third movement is a slow movement consisting of A-B-A' three parts. The fourth movement is rondo-sonata form. Although forms used in the second and third movements are not completely consistent with sonata form, his neo-classical inclination can be found as he does not deviate from the entire frame.
Melodically it represents romantic features. Overall long and unsplit melodies characterize this song. Moreover, many chromatic melodies and diatonic melodies are found in this song. In particular, the value and emotionality on his melodies are evoked from detailed and beautiful melodies in the first and third movements. On top of that, he used effects mainly identified in Baroque and Classical works such as sequence, semi-sequence, Ostinato, and Cannon and applied these neo-classical features in his songs.
To see rhythm, beat replacement, dynamic change, syncopation, beat change and strong beat change due to the change of intentional accent location, and percussion effects using continuous heats are shown. Concise and clear rhythm obtained from hemiola factors and ostinato base using both binary and triple beats were adequate for playing songs dynamically. The combined use of various rhythms adds vitality to works.
Frequent modulations, non-harmonic tones, and the use of short chromatic scales are found in harmony. In general, it does digress from the key frame. The first and fourth movements maintain D Major key. The second movement maintains a minor in the relationship with dominant key. The third movement naturally connects the entire work with F Major key above three keys in D Major.
It can be said that it is the best work expressing his diverse and innovative composition in harmony with modern, classical factors, toccatic factors, and romantic melody are generally balanced.
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#프로코피에프 20세기 러시아음악 현대음악 신고전주의 플루트 소나타
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