[논문]Morphological Categorization and its Role in Design Method

Kwun, Joon-Bum; Whang, Hee-Joon

doi:10.5659/aikar.2011.13.4.11

Morphological Categorization and its Role in Design Method 원문보기

Architectural research, v.13 no.4, 2011년, pp.11 - 18

Kwun, Joon-Bum (Department of Architecture, Sejong University) , Whang, Hee-Joon (Department of Architecture, Hanyang University)

Abstract ▼ AI-Helper

The first attempt in architectural design theory to consider the perceptual and metaphysical dimension separately with a fully modern scientific manner, which exist in contrast to the Renaissance idea, was Claude Perrault, who emphasized the cognitive factors as an important scientific human issue in building design in 1683 in his book "Ordonnance". Even today many elaborated works to reveal the mysterious design processes based on a set of rational approaches have been introduced since the Design Method movement in 1960's. Their pioneering and challenging efforts to rationalize design process have been mostly rely on the cultural issues whether it takes a qualitative or quantitative stance. On the other hand, however, today's computer generated free form architecture seems not to be aware of those lessons learned from the past and, therefore, this study conducted an extensive research through exploring on morphological building forms with cultural issues to fill up the missing and/or lacking characteristics of today trend in building design.

주제어

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문제 정의

However, this study collected and reviewed a wide range of contemporary theories that stressed up the morphological forms with cultural integrity to emphasize the importance of common cultural sense and cognitive intentions. Consequently, among the researchers working within the fields of problem solving, information theory and artificial intelligence, there seems to be some agreement in the consideration that the creative process of the mind depends on the existence of certain patterns, or mind structure.
The objective of this study is not to introduce a new theory regarding morphological notion in architectural form or design process in general. However, it seems that it would be necessary to provide a conservative stance and precaution against to today’s cultureless computer generated free form architecture.
Therefore, this study will explore the role of the pre-conceived notion of form in the design process as an important method that affects architect’s decision making on the formation of contemporary architecture.
In summary, this study synthesized a wide range of literature review regarding building morphology and it s rel ate d methodological notions in design process. This study was also conducted with a qualitative stance, which is an inductive way to come to the conclusion of the value of culturally gained image in architecture. However, the intention of this study is not to claim that a culturally known image must be the basis in architectural design in general because it would be difficult for an architect to ignore the contemporary trend in building form.

제안 방법

The significant of this study is to collect and review a wide range of contemporary theories that has stressed up the role of morphological form, which has gained common cultural sense and cognitive intentions. Consequently, this study hopefully provide an opportunity to re-evaluate the missing and lacking aspects of today’s design trend, which is the extreme opposite of the Modern and Postmodern architecture in the sense of culture based morphological notion.

성능/효과

Consequently, this study hopefully provide an opportunity to re-evaluate the missing and lacking aspects of today’s design trend, which is the extreme opposite of the Modern and Postmodern architecture in the sense of culture based morphological notion.
Therefore, the problematic view and the hypotheses of this study is that today’s design process, in general, trends toward simplicity based on digital information technology (i.e. CAD, BIM, Rhino etc.), whereas architects desire complexity based on strong visual dynamics and multifarious sequences that does not deliver its cultural or symbolic meaning.

후속연구

This study was also conducted with a qualitative stance, which is an inductive way to come to the conclusion of the value of culturally gained image in architecture. However, the intention of this study is not to claim that a culturally known image must be the basis in architectural design in general because it would be difficult for an architect to ignore the contemporary trend in building form. Therefore, for further studies, it would be interesting to empirically evaluate variables that this inductive speculation provided regarding identifiable cultural image in today’s free form architecture.
However, the intention of this study is not to claim that a culturally known image must be the basis in architectural design in general because it would be difficult for an architect to ignore the contemporary trend in building form. Therefore, for further studies, it would be interesting to empirically evaluate variables that this inductive speculation provided regarding identifiable cultural image in today’s free form architecture.

참고문헌 (19)

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상세보기
Gelernter, M. (1995) Source of Architectural Form. Manchester: Manchester University Press
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상세보기
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