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한국의류산업학회지 = Journal of the Korean Society for Clothing Industry, v.14 no.6, 2012년, pp.906 - 917
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The purpose of this study is to examine the characteristics of expression and their effects of New painting in fashion illustration since 1990s. This study is focused on searching for the development in expressional techniques of the fashion illustration on the basis of various techniques of New pai...
| 핵심어 | 질문 | 논문에서 추출한 답변 |
|---|---|---|
| 모더니즘 미술의 지향점은 무엇인가? | 모더니즘 미술은 미술의 순수성이라는 절대 가치를 설정하고 이를 궁극적 목표로 삼아 끊임없는 실험의 과정을 지향해 왔다. 즉 전통적 주제나 그림을 그리는 규범을 거부하고 순수한 색채와 자유로운 회화적 표현을 중시하는 경향이나 기존의 예술 제도를 부정하면서 예술의 변혁을 추구하였다. | |
| 1970년대 말에 모더니즘 미술이 서서히 한계 상황을 맞게 된 이유는 무엇인가? | 1970년대 말에 오면서 이러한 모더니즘 미술은 서서히 한계상황을 맞게 되었다. 왜냐하면 다양한 지역과 개인양식의 공존, 기존 미술의 차용과 변형, 대중매체의 형상과 방법의 수용 등 다원화의 양상이 소위 포스트모더니즘이라는 명칭 아래 논의되었으며 이러한 현상들이 모더니즘의 대안으로 인식되었기 때문이다. | |
| 뉴 페인팅이란 무엇인가? | 뉴 페인팅은 미국에서의 신 표현주의적 경향으로 ‘뉴 이미지’나 ‘뉴 웨이브’ ‘배드 페인팅’등 다양한 용어로 불리며 이전의 액션 페인팅, 네오 다다, 팝 아트, 신사실주의를 결합시킨 일종의 결합 예술 또는 절충회화라고 할 수 있다(Park, 2004). |
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