Japan has several unique traditional colors. The traditional colors of Japan include a collection of colors used in traditional Japanese literature, textiles such as the kimono, and other Japanese arts. Japanese color system has a long history, leading to some consistencies in color and naming. Duri...
Japan has several unique traditional colors. The traditional colors of Japan include a collection of colors used in traditional Japanese literature, textiles such as the kimono, and other Japanese arts. Japanese color system has a long history, leading to some consistencies in color and naming. During the Edo period(1603~1867), the unique color sense of 'iki' produced many color names that are often related to mouse(nezumi) and tea(cha), and fashion color originated as kabuki actors. As for colors named after animals, the most popular appears to be the mouse, which is used to express grey tones. Recently, many fashion companies in Japan have been working on reviving an interest in traditional Japanese colors. Ordinary people of Edo named even slightly different color tones, each with individual exquisite and mind valuing 'iki' senses. They translated these into their livelihood and culture. The colorimetry result of 49 restored dyed fabrics were as follows; Hue difference was 7.8, value difference was 2.9, chroma difference was 1.8 of prefix siro. Hue difference was 3.8, value difference was 1.6, chroma difference was 1.7 of prefix usu. Hue difference was 3.5, value difference was 1.5, chroma difference was 1.4 of prefix cha. Hue difference was 6.4, value difference was 1.1, chroma difference was 1.6 of prefix koi. Hue difference was 7.5, value difference was 0.8, chroma difference was 3.3 of prefix nezumi.
Japan has several unique traditional colors. The traditional colors of Japan include a collection of colors used in traditional Japanese literature, textiles such as the kimono, and other Japanese arts. Japanese color system has a long history, leading to some consistencies in color and naming. During the Edo period(1603~1867), the unique color sense of 'iki' produced many color names that are often related to mouse(nezumi) and tea(cha), and fashion color originated as kabuki actors. As for colors named after animals, the most popular appears to be the mouse, which is used to express grey tones. Recently, many fashion companies in Japan have been working on reviving an interest in traditional Japanese colors. Ordinary people of Edo named even slightly different color tones, each with individual exquisite and mind valuing 'iki' senses. They translated these into their livelihood and culture. The colorimetry result of 49 restored dyed fabrics were as follows; Hue difference was 7.8, value difference was 2.9, chroma difference was 1.8 of prefix siro. Hue difference was 3.8, value difference was 1.6, chroma difference was 1.7 of prefix usu. Hue difference was 3.5, value difference was 1.5, chroma difference was 1.4 of prefix cha. Hue difference was 6.4, value difference was 1.1, chroma difference was 1.6 of prefix koi. Hue difference was 7.5, value difference was 0.8, chroma difference was 3.3 of prefix nezumi.
일본은 한반도와 지리적으로 가장 가까운 인국으로서 예로부터 교류가 빈번하였다. 이러한 인국 일본의 전통색을 이해하는 것은 일본 고유의 색채 문화를 이해하는 바탕이 됨과 동시에 한국 전통색의 고유성을 확인하는 계기도 된다. 더불어 글로벌 사회 속에 남아있는 민족 특유의 색채감정을 파악하여, 일본을 타겟으로 하는 상품기획 등의 참고자료로도 활용될 수 있다.
일본의 색채 문화는 어디에서 전개되었으며 어떤 색인가?
일본의 색채 문화는 예로부터 일본 열도를 중심으로 전개되었으므로, 열도의 독특한 자연적 풍토와 사회적 환경 중에 길러져 온 색이다. 일본은 한반도와 지리적으로 가장 가까운 인국으로서 예로부터 교류가 빈번하였다.
일본의 전통색을 이해하는 것을 통해 어떤 참고자료로 활용할 수 있는가?
이러한 인국 일본의 전통색을 이해하는 것은 일본 고유의 색채 문화를 이해하는 바탕이 됨과 동시에 한국 전통색의 고유성을 확인하는 계기도 된다. 더불어 글로벌 사회 속에 남아있는 민족 특유의 색채감정을 파악하여, 일본을 타겟으로 하는 상품기획 등의 참고자료로도 활용될 수 있다.
참고문헌 (12)
Ebata, J. (1982). Origin of Color Name. Tokyo: Tokyoshoseki.
Hukuda, K. (2009). Japanese Traditional Color. Tokyo: Tokyobijutu.
Katsumi N. (2007). Japanese Traditional Color through History. Tokyo: PHP.
KOSODE: HAUTE COUTURE KIMONOS OF THE EDO PERIOD. (2008). Kyoto: Matyzakaya Kyoto Senshoku Sankoukan.
Lee, K. (2011). Transition of Japanese Kimono Design. Journal of The Korean Society for Clothing Industry. 13(1). 36-37.
Lee . Kim, (2015). Color Culture and Clothes of Japanese Heian Period, Journal of Korean Traditional Costume, 18(2). 63-76.
Lee . Kim, (2015). Color Culture of Japanese Medieval Age, Journal of Fashion Business, 19(1). 95-105.
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