근대기 실내장식요소로서 벽지에 대한 인식과 디자인 전개에 관한 동서양 비교 연구 - 1900년대 전후 영국과 한국의 벽지사례를 중심으로 - A Study on the Wallpaper Design as the Interior Decorating Elements in Modern Period - Focused on England and Korea Wallpaper in the 1900s -원문보기
In the 1900s, the cultural crossing of East and West was realized through the acceptance and reproduction of culture. Cultural change in the Orient was the result of attempts to harmonize the West's images, which they chose in their respective countries, with their own culture. However, research on ...
In the 1900s, the cultural crossing of East and West was realized through the acceptance and reproduction of culture. Cultural change in the Orient was the result of attempts to harmonize the West's images, which they chose in their respective countries, with their own culture. However, research on design history until now has been centered on the West, and East was regarded as a beneficiary of civilization inherited from Western's. From the point of view of Western design history as a main trend, the unique characteristics of Korean design culture are not revealed. Therefore, through this studies, we want to distinguish Korea's modern design, which has been recognized as a minority. For the study, through the wallpaper, which is one of the detailed components of the interior space in modern times, we try to analyze the socio - cultural historical factors and design characteristics influencing the formation of the interior space in modern times. Summarizing a result of research. The early modern wallpaper of England mainly uses plants as motifs. But In Korea, animal patterns and letter patterns were used. The reason why European wallpaper was mainly a plant at the time was that the structure of the motif was useful for the process of creation. However, in the case of the Korean wallpaper pattern, the theme was selected according to the meaning of the motif, and it was abstracted appropriately for the 2D design. As a result, many geometric shapes were formed. In addition, European wallpaper pattern is more complex and organic than Korean wallpaper pattern. Therefore, the boundary of the central pattern as the basic unit is unclear and the patterns are connected. The pattern development method is not a simple repetition but a combination of symmetry and repetition. In Korea, on the other hand, the boundaries of unit patterns are clear and patterns are developed by simple repetition. There are many diamond-type repeating patterns in particular.
In the 1900s, the cultural crossing of East and West was realized through the acceptance and reproduction of culture. Cultural change in the Orient was the result of attempts to harmonize the West's images, which they chose in their respective countries, with their own culture. However, research on design history until now has been centered on the West, and East was regarded as a beneficiary of civilization inherited from Western's. From the point of view of Western design history as a main trend, the unique characteristics of Korean design culture are not revealed. Therefore, through this studies, we want to distinguish Korea's modern design, which has been recognized as a minority. For the study, through the wallpaper, which is one of the detailed components of the interior space in modern times, we try to analyze the socio - cultural historical factors and design characteristics influencing the formation of the interior space in modern times. Summarizing a result of research. The early modern wallpaper of England mainly uses plants as motifs. But In Korea, animal patterns and letter patterns were used. The reason why European wallpaper was mainly a plant at the time was that the structure of the motif was useful for the process of creation. However, in the case of the Korean wallpaper pattern, the theme was selected according to the meaning of the motif, and it was abstracted appropriately for the 2D design. As a result, many geometric shapes were formed. In addition, European wallpaper pattern is more complex and organic than Korean wallpaper pattern. Therefore, the boundary of the central pattern as the basic unit is unclear and the patterns are connected. The pattern development method is not a simple repetition but a combination of symmetry and repetition. In Korea, on the other hand, the boundaries of unit patterns are clear and patterns are developed by simple repetition. There are many diamond-type repeating patterns in particular.
1900년 전후의 시기는 동서양 공히 공간문화의 변혁을 경험한 시기이자 각자의 입장에서 상대 문화의 수용, 재생산을 통해 동서양의 문화교차가 이루어지던 시기였다. 유럽에서는 기계기술과 동력의 활용으로 산업시대를 맞이하며, 예술가와 사회개혁가들을 중심으로 기능주의적 조형방식에 따라 공간을 조직하는 실험들이 이루어졌다 여기에 교역을 통해 접하게 된 이국풍(인도, 중국 등)의 분위기가 접목되며 독특한 실내장식 경향이 더해졌다. 한국을 포함한 아시아 국가들은 서구 세력의 정치적 외압과 더불어 자국에 진출한 서양인들을 통하여 이전에 없었던 생활양식과 공간형식을 경험하게 되었고, 특히 정치외교의 최전선에서 이들과 교류하였던 상류층을 중심으로 동서양의 문화가 결합된 새로운 공간상을 재현시켜갔다.
1900년 전후의 시기의 특징은?
1900년 전후의 시기는 동서양 공히 공간문화의 변혁을 경험한 시기이자 각자의 입장에서 상대 문화의 수용, 재생산을 통해 동서양의 문화교차가 이루어지던 시기였다. 유럽에서는 기계기술과 동력의 활용으로 산업시대를 맞이하며, 예술가와 사회개혁가들을 중심으로 기능주의적 조형방식에 따라 공간을 조직하는 실험들이 이루어졌다 여기에 교역을 통해 접하게 된 이국풍(인도, 중국 등)의 분위기가 접목되며 독특한 실내장식 경향이 더해졌다.
근대주택의 벽지가 연구 대상이 된 이유는 무엇인가?
본 연구는 근대주택의 벽지를 그 대상으로 삼고 있다. 벽지를 연구의 대상으로 삼은 까닭은 벽지가 마감재라는 기능적 역할 이외에도 공간의 분위기와 스타일은 물론 가구, 소품 등 다른 실내의장의 구성물들의 선택에도 직접적인 영향을 끼친다는 점에서 당대의 디자인 사조와 취향의 특성을 종합적으로 살펴보는데 있어 유리하다고 판단하였기 때문이다.3) 또한 동양과 서양이 전혀 다른 실내 공간조형을 발전시켜왔음에도 근대시기를 기점으로 벽을 종이 또는 천으로 마감하는 방식의 장식기법을 공유한다는 점에서 실내디자인 비교연구의 대상으로 적절하다고 판단하였다.
참고문헌 (21)
Owen Nickerson Denny, Robert R. Swartout Jr., An American adviser in late Yi Korea : the letters of Owen Nickerson Denny, University of Alabama, 1984
Rechard C. Nylander, Wall papers for historic buildings, The preservation press, 1983
Watkinson, Ray. Red House Decorated. The Journal of William Morris Studies. 7(4), 1988
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