The primary focus of this thesis is to look at Scythai's historical, geographical and ethnologic background in order to understand Scythai's garment types and styles as described in Scythai-related documented records, previous studies and excavated artifacts. Based upon this, another objective lies ...
The primary focus of this thesis is to look at Scythai's historical, geographical and ethnologic background in order to understand Scythai's garment types and styles as described in Scythai-related documented records, previous studies and excavated artifacts. Based upon this, another objective lies in comparing and contrasting this information with ancient Korean garments to identify what kind of relationship exists between the two. The result from this study's objectives is summarized as follows. Firstly, ancient Korean and Scythai share similarities in art work, craftwork, accessories and the like, which allows us to make a guess at the relationship between ancient Korea and Scythai of that time. Secondly, Scythai garments are based on the tight and well-fitted Caftan Yugoje, which is tightly fit to the body, as well as including garments similar to the drapery Kiton and Tunic found in ancient Greek garments, from which can be seen that the garment of culture medium passing between the East and the West had nomadic horse-riders' ethnic characteristics and Eurasian characteristics. Thirdly, ancient Korean Scythai garments were found to have homogeneity in their garment culture in that northern nomadic cultural district's Hobok-Goseupje, i.e., open-front Caftan Jeogori and pants called Sangeuihago is its basic with a triangular cone hat shape (transformed hat) and boots, which is the basis for considering that ancient Korea exchanged culture with Scythai, who once lived as active northern nomads. However, it can also be seen that ancient Korea and Scythai garments differed in form depending on region, weather, culture, custom and the like. As such, Scythai and ancient Korea have an aesthetic bond because northern nomads and Scythai exchanged their cultural traits of the times. The evidence supports this idea as it seems that the characteristics of garments that can be considered to be Scythain in style are also commonly discovered in ancient Korean garments.
The primary focus of this thesis is to look at Scythai's historical, geographical and ethnologic background in order to understand Scythai's garment types and styles as described in Scythai-related documented records, previous studies and excavated artifacts. Based upon this, another objective lies in comparing and contrasting this information with ancient Korean garments to identify what kind of relationship exists between the two. The result from this study's objectives is summarized as follows. Firstly, ancient Korean and Scythai share similarities in art work, craftwork, accessories and the like, which allows us to make a guess at the relationship between ancient Korea and Scythai of that time. Secondly, Scythai garments are based on the tight and well-fitted Caftan Yugoje, which is tightly fit to the body, as well as including garments similar to the drapery Kiton and Tunic found in ancient Greek garments, from which can be seen that the garment of culture medium passing between the East and the West had nomadic horse-riders' ethnic characteristics and Eurasian characteristics. Thirdly, ancient Korean Scythai garments were found to have homogeneity in their garment culture in that northern nomadic cultural district's Hobok-Goseupje, i.e., open-front Caftan Jeogori and pants called Sangeuihago is its basic with a triangular cone hat shape (transformed hat) and boots, which is the basis for considering that ancient Korea exchanged culture with Scythai, who once lived as active northern nomads. However, it can also be seen that ancient Korea and Scythai garments differed in form depending on region, weather, culture, custom and the like. As such, Scythai and ancient Korea have an aesthetic bond because northern nomads and Scythai exchanged their cultural traits of the times. The evidence supports this idea as it seems that the characteristics of garments that can be considered to be Scythain in style are also commonly discovered in ancient Korean garments.
스키타이 문화의 특징을 나타내는 유물로 아키나케스(akinakes)식 단검, 아가리에 입체장식이 있는 청동솥, 장대, 손잡이가 하나인 주발형 흑색 토기, 각종 장식판 등이 있으며, 특히 러시아 에르미타주 박물관의 전시품이나 파지리크(Pazyryk) 고분군에서 출토된 스키타이 동물의장(動物意匠)과 귀금속을 핵심으로 하는 스키타이 미술과 공예품은 한국 고대 신라의 금속 장신구들과 유사점을 보여 당시 신라와 스키타이와의 연관성을 짐작하게 한다(채금석, 2017). 스키타이 금관에는 생명수(生命樹)인 자작나무와 사슴, 산과 새 등의 모양 장식이 있는데 이는 신라 금관에서 보이는 단순화하여 도안화된 산(山)자형 장식, 새 장식등과 유사하다.
스키타이 인종은 무엇인가?
스키타이 인종에 관해서는 이견(異見)이 분분한데 스키타이인들이 여러 인종의 혼합을 겪어왔지만, 본래 인종은 이란인의 한 계통이라는 데 견해가 모아지고 있다. 헤로도토스의 『역사』에는 스키타이 시조에 관한 두 가지 전설이 기록되어 있는데 두 전설의 공통점은 스키타이 시조의 출현이 드네프르(Днепр) 강과 관련이 있다는 것이다.
스키타이 관모의 재질은 무엇인가?
Akishev) 교수 의견에 따르면 나무가 하늘로 올라가는 사다리의 기능을 한다고 생각하여 가지의 단이 많을수록 더 높은 절대자와 교감하는 샤먼이었다고 한다(김소현, 2003). 착용된 모자가 뾰족한 형태를 유지하는 점이나 모자에 표현된 주름으로 보아 모자의 재질로는 가죽이 사용되었을 것으로 짐작된다(채금석, 2017).
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