최소 단어 이상 선택하여야 합니다.
최대 10 단어까지만 선택 가능합니다.
다음과 같은 기능을 한번의 로그인으로 사용 할 수 있습니다.
NTIS 바로가기감성과학 = Science of emotion & sensibility, v.25 no.1, 2022년, pp.55 - 66
김재희 (연세대학교 인지과학 협동과정) , 한광희 (연세대학교 심리학과)
Many studies have shown that musical dissonance generally evokes negative affect, but few studies detail how distinct dissonant intervals, ranging in various roughness, influence emotions and cognition. This research entailed two experiments to confirm whether varying musical intervals of dissonance...
Athanasopoulos, G., Eerola, T., Lahdelma, I., & Kaliakatsos-Papakostas, M. (2021) Harmonic organisation conveys both universal and culture specific cues for emotional expression in music. PLoS ONE, 16(1), e0244964. DOI: 10.1371/journal.pone.0244964
Bakker, D. R., & Martin, F. H. (2015). Musical chords and emotion: Major and minor triads are processed for emotion. Cognitive, Affective, & Behavioral Neuroscience, 15(1), 15-31. DOI: 10.3758/s13415-014-0309-4
Bidelman, G. M. (2013). The role of the auditory brainstem in processing musically relevant pitch. Frontiers in psychology, 4, 264. DOI: 10.3389/fpsyg.2013.00264
Bonin, T., & Smilek, D. (2016). Inharmonic music elicits more negative affect and interferes more with a concurrent cognitive task than does harmonic music. Attention, Perception & Psychophysics, 78(3), 946-959. DOI: 10.3758/s13414-015-1042-y
Bush, G., Whalen, P. J., Rosen, B. R., Jenike, M. A., McInerney, S. C., & Rauch, S. L. (1998). The counting Stroop: An interference task specialized for functional neuroimaging-validation study with functional MRI. Human Brain Mapping, 6(4), 270-282. DOI: 10.1002/(SICI)1097-0193(1998)6:4 3.0.CO;2-0
Chan, M., & Singhal, A. (2015). Emotion matters: Implications for distracted driving. Safety Science, 72, 302-309. DOI: 10.1016/j.ssci.2014.10.002
Costa, M., Fine, P., & Ricci Bitti, P. E. (2004). Interval distributions, mode, and tonal strength of melodies as predictors of perceived emotion. Music Perception, 22(1), 1-14. DOI: 10.1525/mp.2004. 22.1.1
Ekman, P. (1992). An argument for basic emotions. Cognition & Emotion, 6(3-4), 169-200. DOI: 10.1080/02699939208411068
Fredrickson, B. L. (2004). The broaden-and-build theory of positive emotions. Philosophical Transactions of the Royal Society of London. Series B: Biological Sciences, 359(1449), 1367-1377. DOI: 10.1098/rstb.2004.1512
Hargreaves, D. J., & North, A. C. (1999). The functions of music in everyday life: Redefining the social in music psychology. Psychology of Music, 27(1), 71-83. DOI: 10.1177/0305735699271007
Helmholtz, H. L. (1885/1954). On the Sensations of Tone as a Physiological Basis for the Theory of Music. A.J. Ellis, Trans, Dover Publications (Ed.), New York: Cambridge University Press.
Hevner, K. (1936). Experimental studies of the elements of expression in music. The American Journal of Psychology, 48(2), 246-268. DOI: 10.2307/1415746
Isen, A. M., Daubman, K. A., & Nowicki, G. P. (1987). Positive affect facilitates creative problem solving. Journal of Personality and Social Psychology, 52(6), 1122-1131. DOI: 10.1037/0022-3514.52.6.1122
Kim, S. G., Lepsien, J., Fritz, T. H., Mildner, T., & Mueller, K. (2017). Dissonance encoding in human inferior colliculus covaries with individual differences in dislike of dissonant music. Scientific Reports, 7(1), 1-10. DOI: 10.1038/s41598-017-06105-2
Koelsch, S., Fritz, T., V. Cramon, D. Y., Muller, K., & Friederici, A. D. (2006). Investigating emotion with music: An fMRI study. Human Brain Mapping, 27(3), 239-250. DOI: 10.1002/hbm.20180
Komeilipoor, N., Rodger, M. W., Craig, C. M., & Cesari, P. (2015). (Dis-) Harmony in movement: effects of musical dissonance on movement timing and form. Experimental Brain Research, 233(5), 1585-1595. DOI: 10.1007/s00221-015-4233-9
Kwak, S. Y. (1999). Cognition of dissonance: Specifically on double pure tone, (Doctoral dissertation) Korea University, Seoul, Republic of Korea. Retrieved from http://www.riss.kr/
Lahdelma, I., & Eerola, T. (2016). Single chords convey distinct emotional qualities to both naive and expert listeners. Psychology of Music, 44(1), 37-54. DOI: 10.1177/0305735614552006
Lee, K. M., Skoe, E., Kraus, N., & Ashley, R. (2015). Neural transformation of dissonant intervals in the auditory brainstem. Music Perception: An Interdisciplinary Journal, 32(5), 445-459. DOI: 10.1525/mp.2015.32.5.445
Lee, S. W. (2001). 협화음과 불협화음[Consonance and Dissonance], Nangman Eumak, 191-228.
Masataka, N., & Perlovsky, L. (2013). Cognitive interference can be mitigated by consonant music and facilitated by dissonant music. Scientific Reports, 3(1), 1-6. DOI: 10.1038/srep02028
Moser, S. J., Cutini, S., Weber, P., & Schroeter, M. L. (2009). Right prefrontal brain activation due to Stroop interference is altered in attention-deficit hyperactivity disorder-a functional near-infrared spectroscopy study. Psychiatry Research: Neuroimaging, 173(3), 190-195. DOI: 10.1016/j.pscychresns.2008.10.003
Pallesen, K. J., Brattico, E., Bailey, C., Korvenoja, A., Koivisto, J., Gjedde, A., & Carlson, S. (2005). Emotion processing of major, minor, and dissonant chords: A functional magnetic resonance imaging study. Annals of the New York Academy of Sciences, 1060(1), 450-453. DOI: 10.1196/annals.1360.047
Pereira, A. G., Cruz, A., Lima, S. Q., & Moita, M. A. (2012). Silence resulting from the cessation of movement signals danger. Current Biology, 22(16), R627-R628. DOI: 10.1016/j.cub.2012.06.015
Plomp, R., & Levelt, W. J. M. (1965). Tonal consonance and critical bandwidth. The Journal of the Acoustical Society of America, 38(4), 548-560. DOI: 10.1121/1.1909741
Russell, J. A. (1980). A circumplex model of affect. Journal of Personality and Social Psychology, 39(6), 1161. DOI: 10.1037/h0077714
Salters-Pedneault, K., Gentes, E., & Roemer, L. (2007). The role of fear of emotion in distress, arousal, and cognitive interference following an emotional stimulus. Cognitive Behaviour Therapy, 36(1), 12-22. DOI: 10.1080/16506070600874281
Sammler, D., Grigutsch, M., Fritz, T., & Koelsch, S. (2007). Music and emotion: Electrophysiological correlates of the processing of pleasant and unpleasant music. Psychophysiology, 44(2), 293-304. DOI: 10.1111/j.1469-8986.2007.00497.x
Sanada, M., Kuwamoto, T., & Katayama, J. I. (2021). Deviant consonance and dissonance capture attention differently only when task demand is high: An ERP study with three-stimulus oddball paradigm. International Journal of Psychophysiology, 166, 1-8. DOI: 10.1016/j.ijpsycho.2021.04.008
Schroeter, M. L., Zysset, S., Wahl, M., & von Cramon, D. Y. (2004). Prefrontal activation due to Stroop interference increases during development-an event-related fNIRS study. Neuroimage, 23(4), 1317-1325. DOI: 10.1016/j.neuroimage.2004.08.001
Sloboda, J. A., & Juslin, P. N. (2001). Psychological perspectives on music and emotion. In P. N. Juslin & J. A. Sloboda (Eds.), Music and emotion: Theory and research, Oxford University Press.
Song, M. K. (2018), 연주자를 위한 조성 음악 분석 2[Analysis of tonal music for musical players 2], Yesol, Seoul.
Storbeck, J., & Clore, G. L. (2007). On the interdependence of cognition and emotion. Cognition and Emotion, 21(6), 1212-1237. DOI: 10.1080/ 02699930701438020
Watson, D., & Tellegen, A. (1985). Toward a consensual structure of mood. Psychological Bulletin, 98(2), 219. DOI: 10.1037/0033-2909.98.2.219
Watson, D., Clark, L. A., & Tellegen, A. (1988). Development and validation of brief measures of positive and negative affect: the PANAS scales. Journal of personality and social psychology, 54(6), 1063. DOI: 10.1037/0022-3514.54.6.1063
Watson, D. (1988). The vicissitudes of mood measurement: effects of varying descriptors, time frames, and response formats on measures of positive and negative affect. Journal of Personality and Social Psychology, 55(1), 128. DOI: 10.1037/0022-3514.55.1.128
※ AI-Helper는 부적절한 답변을 할 수 있습니다.