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NTIS 바로가기Journal of cultural economics, v.21 no.3, 1997년, pp.219 - 228
Ginsburgh, V. (Université) , Penders, A.-F. (Libre de Bruxelles, CP 139, 50 Av. Franklin Roosevelt, 1050 Brussels, Belgium)
This paper focuses on the relations of land artists to the art market. As landworks are by their very nature site specific, what is sold is most often the documentation of the project. This paper examines whether there is a market for Land Art and if so, whether it shares the same characteristics as markets for Minimal and Conceptual Art, which started at about the same time. Data collected on auctions over the period 1972–1992, show that this market is very thin. This was probably realized by Land artists who later seem to have turned to more marketable creations.
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