초록

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Abstract ▼ AI-Helper

Psychoanalytic feminist film theory has emerged since the mid- 1970s. For more than a decade psychoanalysis has been the dominant paradigm in feminist film theory. Feminist Film theorists have tried to establish the status of "female" as a subject of film spectator. In the process of theorization, p...

Psychoanalytic feminist film theory has emerged since the mid- 1970s. For more than a decade psychoanalysis has been the dominant paradigm in feminist film theory. Feminist Film theorists have tried to establish the status of "female" as a subject of film spectator. In the process of theorization, psychoanalysis has been gradually settled down as a basic framework which could explain the female subject and female identity. Laura Mulvey"s essay, "Visual Pleasure and Narrative Cinema", was one of the most widely influential articles of this issue. She adopted Lacanian psychoanalysis to explain gendered subjectivity, desire, and visual pleasure. However, her view has been criticized because of limiting possibilities of critical female spectatorship, In this paper I"d like to search the ways of theoretical possibilities by examining debates on the female spectatorship.

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