최소 단어 이상 선택하여야 합니다.
최대 10 단어까지만 선택 가능합니다.
다음과 같은 기능을 한번의 로그인으로 사용 할 수 있습니다.
NTIS 바로가기Musicae scientiae : journal of the European Society for the Cognitive Sciences of Music, v.20 no.3, 2016년, pp.345 - 360
Lehmann, Andreas C. , Goldhahn, Stephan
Studying musical improvisation is methodologically difficult because improvisations are hardly reproducible, and no established theory exists regarding their formation. In particular it is unclear when and if jazz musicians invent new (innovative) melodic patterns or rely on previously overlearned (...
Gehort, gedacht, gesehen: Zehn Aufsatze zum visuellen, kreativen und theoretischen Umgang mit Musik Behne K. E. 113 1994
John Coltrane: The heavyweight champion. The complete Atlantic recordings Coltrane J. 1995
Someday my prince will come Davis M. 1999
John Coltrane plays Giant Steps: Complete transcriptions of every recorded solo by jazz master John Coltrane on his legendary composition Giant Steps - all 96 choruses Demsey D. 1996
Ericsson, K.A.. Why expert performance is special and cannot be extrapolated from studies of performance in the general population: A response to criticisms. Intelligence, vol.45, 81-103.
Ericsson, K. A., Lehmann, A. C.. EXPERT AND EXCEPTIONAL PERFORMANCE: Evidence of Maximal Adaptation to Task Constraints. Annual review of psychology, vol.47, 273-305.
Sprache und Naturlichkeit Fenk-Oczlon G. 75 2005
Fenk-Oczlon, Gertraud, Fenk, August. Some parallels between language and music from a cognitive and evolutionary perspective. Musicae scientiae : journal of the European Society for the Cognitive Sciences of Music, vol.13, no.2, 201-226.
Fraisse, P. Perception and Estimation of Time. Annual review of psychology, vol.35, 1-37.
Frieler, Klaus, Pfleiderer, Martin, Zaddach, Wolf-Georg, Abeßer, Jakob. Midlevel analysis of monophonic jazz solos: A new approach to the study of improvisation. Musicae scientiae : journal of the European Society for the Cognitive Sciences of Music, vol.20, no.2, 143-162.
Canadian Journal of Research in Music Education Hargreaves D. 47 33 1991
Uben & Musizieren Hoffmann J. 35 20 1 2003
Johnson-Laird, P. N.. How Jazz Musicians Improvise. Music perception, vol.19, no.3, 415-442.
Free Jazz: Stilkritische Untersuchungen zum Jazz der 60er Jahre Jost E. 1975
Kreativitat - Struktur und Emotion Lothwesen K. 256 2012
Cognitive Science Society Conference 2004 Mendonca D. 2004
Norgaard, Martin. How Jazz Musicians Improvise. Music perception, vol.31, no.3, 271-287.
Proceedings of the 7th ICMPC Parncutt R. 39 2002
Pöppel, Ernst. A hierarchical model of temporal perception. Trends in cognitive sciences, vol.1, no.2, 56-61.
In the course of performance: Studies in the world of musical improvisation Pressing J. 47 1998
What contributes to the perception of musical phrases in western classical music? Spiro N. 2007
Psychologie der Veranderungsauffassung Stern L. W. 1898
Tanida, Koji, Pöppel, Ernst. A hierarchical model of operational anticipation windows in driving an automobile. Cognitive processing, vol.7, no.4, 275-287.
Proceedings of the Conference on Interdisciplinary Musicology (CIM04) Weisberg R. 2004
Wittmann, Marc, Pöppel, Ernst. Temporal mechanisms of the brain as fundamentals of communication - with special reference to music perception and performance. Musicae scientiae : journal of the European Society for the Cognitive Sciences of Music, vol.3, no.1, 13-28.
*원문 PDF 파일 및 링크정보가 존재하지 않을 경우 KISTI DDS 시스템에서 제공하는 원문복사서비스를 사용할 수 있습니다.
※ AI-Helper는 부적절한 답변을 할 수 있습니다.