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NTIS 바로가기Pólemos : journal of law, literature and culture, v.10 no.1, 2016년, pp.157 - 178
Watt, Gary
AbstractInstead of reading William Golding’sLord of the Fliesin standard terms of the boys’ descent from clothing to nakedness, or in terms of truth disguised in false appearance, this paper reads the novel in terms of the constancy of dress. The form of the dress may change from clothes to painted masks, but the fundamental fact of dress remains. The boys’ relationship to rules can be read in a similar way. Instead of reading their story in terms of descent from law and order to lawlessness and disorder, it is read in terms of the on-going presence of rules of some sort. The form of the rules changes, but the essential fact of government by rules remains. It is argued that dress and law are constant in the novel and that Golding is warning us, through the parallel performance of law and dress, that we should suspect that external indicators of civilization are hollow; that we should be cynical about all systems of norms established by society and look, instead, to be saved by individual insight and self-sacrifice.
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