초록 ▼

The invention relates to an image support medium for creation of an aesthetic image that is an work or object for display. This support medium includes a polymer in an amount sufficient to enable the image to have at least one aesthetic element. In different embodiments, the image support medium is

The invention relates to an image support medium for creation of an aesthetic image that is an work or object for display. This support medium includes a polymer in an amount sufficient to enable the image to have at least one aesthetic element. In different embodiments, the image support medium is an image support stabilizer, the polymer is a synthetic absorbent or conductive polymer, or the polymer is a transparent or synthetic translucent polymer and a property of this transparent or translucent polymer is enhanced to facilitate the creation or preservation of the image by at least one stabilizer. The invention also relates to a method for preparing this image support medium. The method includes forming a reaction mixture comprising a monomer in an amount sufficient to provide or enable the image to have an aesthetic element, and processing the reaction mixture into a 2-or 3-dimensional shape.

대표청구항 ▼

What is claimed is: 1. A method for making a synthetic fine-artist's image-making canvas support medium as a new reinvented version of the conventional utilitarian fine artist's canvas, wherein the new reinvented canvas support medium facilitates the creation of art, design or architecture therewit

What is claimed is: 1. A method for making a synthetic fine-artist's image-making canvas support medium as a new reinvented version of the conventional utilitarian fine artist's canvas, wherein the new reinvented canvas support medium facilitates the creation of art, design or architecture therewith, thereupon or therefrom, referred to herein as an image, which method comprises: preparing the canvas support medium with at least one non-conductive or poorly conductive polymer and forming the canvas support medium so that it can support its own weight or be free standing and the method requires one or more of A)-(F): (A) the at least one polymer is non-absorbent, the canvas support medium is formed with a visible surface that is transparent, translucent or both to allow light to pass into it or through it, the canvas support medium is made with at least one fine-art stabilizer present to provide or enhance a property of the polymer, and the canvas support medium is made with polymer or with polymer and a fine-art stabilizer providing sufficient mechanical or structural properties so that the canvas support medium can support its own weight or be freestanding, and additionally, the canvas support medium is prepared according to A-1 or A-2: A-1 the at least one polymer is partially or entirely poly(methyl methacrylate) or acrylic, or it is partially or entirely a polymer made with a methacrylate ester or methacrylamide derivative, and (i) an impact modifier stabilizer is present; a stabilizer is present that affects surface flow or leveling, or a stabilizer is present that facilitates superimposing applications; a stabilizer is present to further enhance the ability of the formed canvas support medium or the image to remain color stable or to remain unchanged with exposure to ultraviolet light; or a stabilizer is present that enhances bonding or that is a surface preparation stabilizer layer, (ii) the at least one polymer is: (a) partially or entirely 2D planar; or (b) partially but not completely poly(methyl methacrylate) or acrylic, or it is partially but not completely polymer made with a methacrylate ester or methacrylamide derivative; or (iii) the canvas support medium has: deckled edges, irregularities throughout resembling the texture of handmade paper, texture resembling conventional canvas, or a polymer form that is partially rigid and partially flexible, or, A-2 when the at least one polymer is a different non-absorbent polymer than that described in A-1 above, it has a stabilizer present to enhance the ability of the formed polymer, the canvas support medium or the image to remain color stable or to remain unchanged with exposure to ultraviolet light, and the canvas support medium also has one or more of (i)-(iii): (i) the at least one polymer is made with only one monomer or one polymer and this at least one polymer is: (i-a) consistently rigid, 2D planar polyvinyl chloride with a stabilizer to enhance bonding, or (i-b) one that differs from polyvinyl chloride, (ii) the at least one polymer is a copolymer, the at least one polymer is a mixture with more than one polymer, or the at least one polymer is superimposed by a second polymer that differs from it, (iii) the canvas support medium has a stabilizer present that enhances bonding or that is a surface preparation stabilizer layer; it has a stabilizer present that affects surface flow or leveling, or it has a stabilizer present that facilitates superimposing applications; it has deckled edges, irregularities throughout resembling the texture of handmade paper, or texture resembling conventional canvas, (B) making at least part of the canvas support medium with: its at least one polymer being a synthetic absorbent polymer; one or more conductive polymers in addition to its at least one polymer; or an organic light emitting diode (OLED) made with one or more conductive polymers; (C) enhancing the ability to develop the aesthetic image by additive processes, or providing this development by: (i) making the canvas support medium as a transparent or translucent form with a surface preparation stabilizer layer or other stabilizer in or on it's surface that enhances or enables bonding to at least one conventional artist's medium; (ii) forming the canvas support medium with a polymer surface made with a stabilizer ingredient in it that bonds or fortifies the bond between it and one or more superimposed conventional artist's mediums, wherein this stabilizer ingredient is at least one conventional artist's painting medium, primer or binder; or (iii) developing the aesthetic image by using the at least one polymer to prepare one or more transparent or translucent separating layers separating applications, layers or attachments of one or more other kinds of aesthetic, design or pictorial elements on it's or on their opposing sides, and, the method requires at least one of (iii-1)-(iii-5) plus at least one of (iii-a)-(iii-f): (iii-1) two or more of these transparent or translucent polymeric layers separate applications or layers of one or more kinds of conventional artist's mediums from this group: oil paint, encaustic, other oil based artist's mediums, paint stick, casein paint, vinyl paint, alkyd paint, watercolor, gouache, tempera, egg tempera, ink, pastel, charcoal, conte crayon, pencil, graphite, collage, photographic transparencies, and photographic emulsions; (iii-2) one or more of these polymeric layers separate applications, layers or attachments of one or more kinds of aesthetic elements in (D) (i)-(iv) below, either with one or more applications described above in (iii-1) or free of them; (iii-3) two or more of these polymeric layers separate applications, layers or attachments of one or more elements in (iii-1) or (iii-2) above, from an application or layer of acrylic paint; (iii-4) two or more of these polymeric layers separate one or more kinds of applications, layers or attachments in (iii-1)-(iii-3) above from carving or incising that is free or nearly free of legible text; or (iii-5) two or more of these polymeric layers separate one or more kinds of applications, layers or attachments in (iii-1)-(iii-4) above from at least one LED, OLED or light source; moreover, in addition, the method requires that all of these layers bond to one another or that they be bonded to one another to make one whole form, and one or more of (iii-a)-(iii-f): (iii-a) the form is made according to (iii-2) above; (iii-b) the polymeric separating layers are: poly(methyl methacrylate) or acrylic and also non uniform, irregular, perforated or with a negative space; they are made with a methacrylate ester or methacrylamide derivative and also non uniform, irregular, perforated or with a negative space; they are made with polymer according to section (A) above; they are a polymer that is different from these; or they are a combination of these; (iii-c) a stabilizer or surface preparation stabilizer is added to enhance or enable bonding; (iii-d) both opposing sides of each polymeric separating layer are cleaned sufficiently to render them receptive to a conventional artist's medium named in (iii-1) above and to provide enhanced bond strength and permanence to facilitate development of the aesthetic image; (iii-e) the canvas support medium or image is accompanied by instructions for the development or further development of the aesthetic image; or (iii-f) the work is prepared with a means or a key part of a means of installation or display; (D) preparing the canvas support medium or image with a polymeric, visible, aesthetic element: (i) at least part of the positive or negative form of which functions as a lens, a Fresnel lens, a grating, a diffraction grating or a prism; a transparent or translucent lenticular lens or form; or two or more of these; (ii) with a photochromic effect and a form made for viewing apart from the human face, unsuitable or uncomfortable to wear on the human face or incapable of fitting on the human face, or with a dichroic effect; or (iii) with an electrochromic effect whereby it responds to changes in electrical current by changing or by changing it's state of or it's level of: transparency, translucency, reflectivity, light emission employing conductive polymer, it changes the path or color of the light passing through it, or a combination of these; (iv) one or more of (i)-(iii) that serves as part or all of an image support, an image support stabilizer or an underlayer; and this canvas support medium prepared according to (i), (ii), (iii), or (iv) is also prepared with one or more of (1)-(4): (1) a conductive polymer or an absorbent polymer, (2) a stabilizer that provides or enhances it's color stability or it's ability to remain unchanged with exposure to ultraviolet light; (3) it is cleaned sufficiently to render it receptive to artist's paint and to provide enhanced bond strength and permanence to facilitate development of the aesthetic image; or (4) it is developed into an aesthetic image by being used as an underlayer, as an image support, or as an image support stabilizer for a work with painting, drawing, a photographic transparency or collage; it is developed into an aesthetic image by the addition of a pictorial or a design element free of visible legible text or it is developed into an image of fine art; or the photochromic, dichroic or eletrochromic effect of (ii) or (iii) above provides a pictorial or design element, a picture or a drawing thereby developing the aesthetic image; (E) preparing the canvas support medium according to (a) or (b): (a) with a form that is transparent, translucent or both and with a strengthening stabilizer that is internal or on it's underside that is invisible or largely invisible to viewers, wherein it is also prepared with (1) or (3) below; or (b) preparing the at least one polymer so that it is at least partially poly(methyl methacrylate) or acrylic, or it is at least partially polymer made with a methacrylate ester or methacrylamide derivative, and also this polymer is stiffened with one or more of: a different second polymer, an impact modifier stabilizer, a strengthening stabilizer of a different, stronger or more rigid polymer; or the fiber strengthening stabilizer in (3) below; moreover this canvas support medium prepared according to (a) or (b) is also prepared with at least one of (1)-(4): (1) a stabilizer that provides or enhances it's color stability or it's ability to remains unchanged with exposure to ultraviolet light or alternately, a stabilizer that enables or enhances bonding to conventional artist's mediums; (2) it is cleaned sufficiently to render it receptive to artist's paint and to provide enhanced bond strength and permanence facilitating development of the aesthetic image; (3) a strengthening stabilizer that is a surfacing veil fiberglass or a fiber that becomes largely invisible or invisible to the unaided human eye when used within or under transparent colorless polymer or when used within or under transparent colorless polymer that penetrates it, that is at least about a quarter of an inch thick, or both, or (4) it is developed into an image by the application a conventional artist's drawing or painting medium to which it bonds, or it is developed into an image of fine art; or (F) preparing the canvas support medium or aesthetic image as or with a visible display device that includes multiple non-light-emissive colorants capable of changing their visibility, their color or both, with energy from a source that is part of the canvas support medium or image, or with energy conducted by the canvas support medium or image, so that the overall visual effect is sufficient to enable at least a portion of the canvas support medium or the aesthetic image to have a display that is a visible aesthetic, design or pictorial element, and the canvas support medium prepared with one or more of (A)-(F) above, is made with it's at least one polymer, or with one or more conductive polymers in an amount sufficient to provide or enable the image to have at least one aesthetic element, so that the reinvented canvas support medium facilitates artistic expression, and the creation and display of an aesthetic image that is art, design or architecture made therewith, thereupon or therefrom that is a work or object for visual observation or display and a whole in and of itself with distinct boundaries or edges; and the method also requires one or more of a)-h) below: a) developing the canvas support medium into an aesthetic image that is art, design or architecture, wherein the canvas support medium has polymer providing or enabling at least one aesthetic element, and at least one of (a-i)-(a-iv): (a-i) the at least one aesthetic element is provided or enabled by an absorbent polymer; (a-ii) the at least one aesthetic element is provided or enabled by at least one non-conductive or poorly conductive polymer and: (a-ii-a) the image is made according to (A), (C), (D), or (E) above, or alternately, it is made according to (B) above with a conductive polymer OLED or free of the specifications of (F) above, or (a-ii-b) the image is made according to (F) above wherein the display device has conductive polymer or is free of conductive polymer and wherein the image is otherwise free of the specifications in (B) above and it is free of the specifications in (A), and (C)-(E) above, moreover, this image is fine art, it is architecture, or it is a work of design for viewing or display apart from direct contact with the human body rather than worn on it as fashion design; (a-iii) making the canvas support medium into an image of fine art with a flexible, 2D planar, light-sensitive photographic recording material that has conductive polymer, wherein the canvas support medium also has conductive polymer that is separate from this photographic recording material which provides or enables at least one aesthetic element; or making the canvas support medium into an image of fine art free of this photographic recording material wherein the canvas support medium has conductive polymer that provides or enables at least one aesthetic element; (a-iv) developing the canvas support medium into another kind of aesthetic image, or an image of design or architecture using a conductive polymer that provides or enables at least one aesthetic element and (1) or (2): (1) conductive polymer that is separate from that in the canvas support medium's photographic recording material (above) or conductive polymer in a canvas support medium free of this photographic recording material provides or enables at least one aesthetic element and this conductive polymer: (1-i) leaves the thermal and static electrical properties of canvas support medium and the image substantially unchanged or constant; (1-ii) provides or enables an aesthetic element by conducting electricity, or by its use with electrical current, with electricity that flows or that can flow, or with non-static electricity, or (1-iii) provides or enables at least one visible aesthetic element; or alternately, (2) the conductive polymer provides or enables the canvas support medium and the image to have at least one aesthetic element that is audible, interactive or a light emitting; b) accompanying the canvas support medium with instructions on developing it into an aesthetic image that is art, design or architecture and (i), (ii) or (iii): (i) making the canvas support medium with a flexible, 2D planar, light-sensitive photographic recording material having conductive polymer and at least one other ingredient and accompanying it with instructions on how it's other ingredient or ingredients might be further developed to form an aesthetic image for viewing; (ii) making the canvas support medium according to (F) above wherein the display device has conductive polymer or is free of conductive polymer and wherein the canvas support medium is otherwise free of the specifications in (B) above and it is free of the specifications in (A), (C)-(E) above, and wherein the canvas support medium is made for forming an image of fine art, an image of architecture, or an image of design for viewing or display apart from direct contact with the human body rather than worn on it as fashion design; or alternately, (iii) making the canvas support medium entirely free of the photographic recording medium, and: (iii-1) free of the specifications of (F) above; (iii-2) according to (A), (C), (D), or (E) above; or (iii-3) according to (B) above with absorbent polymer, or with conductive polymer that is separate from it's display made according to (F) above; c) forming the canvas support medium with a polymer surface made with a stabilizer ingredient in it that bonds or fortifies the bond between it and one or more superimposed conventional artist's mediums, wherein this stabilizer ingredient is at least one conventional artist's painting medium, primer or binder; d) forming the canvas support medium with an aesthetic texture made by taking one or more negative or positive impressions from one or more organic or natural materials, to make texture on the canvas support medium that resembles the organic or natural material's texture or each organic or natural materials' texture, a negative impression of it or them, or a combination of these, or such a texture made on the canvas support medium from at least part of a Nymphaeaceae Victoria also known as an Amazon Water-lily, however when the canvas medium is formed only according to (A) above and is free from the specifications in (B)-(F), the method requires making the canvas support medium in an overall form that is abstract or geometric, that appears unnatural, inorganic and nonhuman, or that is otherwise free from looking like the real natural or organic form or forms from which the texture was made, and therefore free from being: a realistic portrayal; a human, animal or plant form; or a specimen or model that looks like the real, natural or organic form or forms, e) forming the canvas support medium with: deckled edges, irregularities throughout resembling the texture of handmade paper, or texture resembling conventional canvas, or forming the canvas support medium with an aesthetic texture and a display having conductive polymer, an OLED having conductive polymer or with the display in (F) above, such that the aesthetic texture is deeper than small surface irregularities, or an ordinary sandblasted or sanded surface; (f) preparing the canvas support medium with a means or a key part of the means of installation or display as an aesthetic image wherein the canvas support medium is formed: (i) according to (A), (C), (D) or (E) above, or with an absorbent polymer; (ii) with either a conductive polymer OLED or with the display in (F) above whereupon it is free or nearly free of visible legible text; or (iii) with conductive polymer that is not part of any OLED or display in (F) above; g) preparing the canvas support medium with conductive polymer, with an OLED made with conductive polymer, or according to (C) or (F) above, and also cleaning it sufficiently to render it receptive to a superimposed artist's medium and to enhance the strength and permanence of the bond formed between that surface and an artist's medium; or h) the canvas support medium is prepared according to D (ii) or D (iii) above and the photochromic, dichroic or eletrochromic effect provides a pictorial or design element, a picture or a drawing thereby developing it into an aesthetic image. 2. A method for making a synthetic fine-artist's image-making canvas support medium as a new reinvented version of the conventional utilitarian fine artist's canvas, wherein the new reinvented canvas support medium facilitates the creation of art, design or architecture therewith, thereupon or therefrom, referred to herein as an image, which method comprises: preparing the canvas support medium with at least one non-conductive or poorly conductive polymer and making the canvas support medium into a plurality of associated sheets arranged in a pad or book for image-making, or in a pad or a book with a form of or similar to a conventional blank paper pad or blank book for image-making, and one or more of (A)-(F): (A) the at least one polymer is non-absorbent, the canvas support medium is made with at least one fine-art stabilizer present to provide or enhance a property of the polymer, the canvas support medium is made with a visible surface that is transparent, translucent or both to allow light to pass into it or through it, and the canvas support medium has at least one of these specifications marked (i)-(vi): (i) the at least one polymer is flexible cellulose acetate, flexible polyester or polyvinyl chloride that is thicker than 2D planar, or it is flexible cellulose acetate, flexible polyester or polyvinyl chloride made with a stabilizer to enable or enhance bonding that is a conventional image making paint, size, or primer or a binder used in a conventional image making medium or material; alternately, the at least one polymer is made with a different polymer and: (a) a stabilizer to enhance or provide the ability of the formed canvas medium or the image to remain color stable or to remain unchanged with exposure to ultraviolet light, (b) a stabilizer to enhance or provide the ability to bond, or (c) both (a) and (b), (ii) the at least one polymer is a co-polymer, or a mixture of more than one polymer; or the at least one polymer is partially or entirely poly(methyl methacrylate) or acrylic, or it is partially or entirely made with a methacrylate ester or methacrylamide derivative; or preparing the at least one polymer so that it is at least partially poly(methyl methacrylate) or acrylic, or it is at least partially made with a methacrylate ester or methacrylamide derivative, and also stiffening this polymer with one or more of: a different second polymer, an impact modifier stabilizer, a strengthening stabilizer of a different, stronger or more rigid polymer; or the fiber strengthening stabilizer in (iv-c) below; (iii) the canvas support medium is partially or entirely thicker than 2D planar; or it is 2D planar with a strengthening stabilizer on or in it's polymer that is one or more of: a rigid layer, part or area; a layer or a part that is or that functions as a crossbar, as a reinforcing rib or strut, as a frame, as a stretcher, as a mat, or as a framework to enhance strength or as reinforcement; a partial or discontinuous layer to enhance strength or reinforce; a strengthening stabilizer that is not visible to viewers in its use within the polymer form; or a strengthening stabilizer that is fiber, (iv) the canvas support medium's form is made transparent, translucent or both with a strengthening stabilizer that is internal or on its underside, which is invisible or largely invisible to viewers; additionally, the canvas support medium is prepared with one or more of: (iv-a) a stabilizer that enables or enhances bonding to conventional artist's mediums, (iv-b) it is made color stable or so that it remains unchanged with exposure to ultraviolet light or it is made with a stabilizer providing or enhancing this feature, or (iv-c) a strengthening stabilizer that is a surfacing veil fiberglass or a fiber that becomes largely invisible or invisible to the unaided human eye when used within or under transparent colorless polymer or when used within or under transparent colorless polymer that penetrates it, that is at least about a quaffer of an inch thick, or both, (v) the canvas support medium has: at least one substantially inflexible curve, angle or other feature; it is non-planar; it has or it is accompanied by a means of display or a key part thereof; it has texture resembling conventional canvas; it has a surface, form or underlayer that is irregular or non-uniform; it has deckled edges; it has irregularities throughout resembling the texture of handmade paper; its transparent or translucent surface is textured with a texture deeper than small surface irregularities, or an ordinary sandblasted or sanded surface; or the canvas support medium is either consistently rigid 2D planar polyvinyl chloride with a stabilizer to enhance bonding, or it is made with another specification and it is (a) rigid or partially rigid, (b) capable of self support or freestanding, or (c) both (a) and (b), or (vi) preparing the canvas support medium as a form with one or more of: a dichroic or photochromic effect; a lens, a prism or a grating; embedded air bubbles; embedding, or at least two different light properties in separate locations, (B) making at least part of the canvas support medium with: its at least one polymer being a synthetic absorbent polymer; one or more conductive polymers in addition to its at least one polymer; or an OLED made with one or more conductive polymers; (C) forming the canvas support medium with a polymer surface made with a stabilizer ingredient in it that bonds or fortifies the bond between it and one or more superimposed conventional artist's mediums, wherein this stabilizer ingredient is at least one conventional artist's painting medium, primer or binder; or preparing the canvas support medium with a stabilizer that affects surface flow or leveling, or with a stabilizer that facilitates superimposing applications; (D) preparing the canvas support medium or aesthetic image as or with a visible display device that includes multiple non-light-emissive colorants capable of changing their visibility, their color or both, with energy from a source that is part of the canvas support medium or image or with energy conducted by the canvas support medium or image, so that the overall visual effect is sufficient to enable at least a portion of the canvas support medium or the aesthetic image to have a display that is a visible aesthetic, design or pictorial element, (E) preparing the canvas support medium or image with a polymeric, visible, aesthetic element: (i) at least part of the positive or negative form of which functions as a lens, a Fresnel lens, a lenticular lens or form; a grating, a diffraction grating or a prism; or two or more of these; (ii) with a dichroic effect, or with a photochromic effect; (iii) with an electrochromic effect whereby it responds to changes in electrical current by changing or changing it's state of or it's level of: transparency, translucency, reflectivity, light emission employing conductive polymer, it changes the path or color of the light passing through it, or a combination of these; or (iv) one or more of (i)-(iii) that serves as part or all of an image support, an image support stabilizer or an underlayer; (F) forming the canvas support medium with an aesthetic texture made by taking one or more negative or positive impressions from one or more organic or natural materials, to make texture on the canvas support medium that resembles the organic or natural material's texture or each organic or natural materials' texture, a negative impression of it or them, or a combination of these, or such a texture made on the canvas support medium from at least part of a Nymphaeaceae Victoria also known as an Amazon Water-lily, and the canvas support medium prepared according to one or more of (A)-(F) above, is made with it's at least one polymer, or with one or more conductive polymers in an amount sufficient to provide or enable the image to have at least one aesthetic element, so that the reinvented canvas support medium facilitates artistic expression, and the creation and support of an aesthetic image that is art, design or architecture made therewith, thereupon or therefrom that is a work or object for visual observation or display and a whole in and of itself with distinct boundaries or edges. 3. A method for making a synthetic fine-artist's image-making canvas support medium as a new reinvented version of the conventional utilitarian fine artist's canvas, wherein the new reinvented canvas support medium facilitates the creation of art, design or architecture therewith, thereupon or therefrom, referred to herein as an image, which method comprises: preparing the canvas support medium with at least one non-conductive or poorly conductive polymer and making the canvas support medium in a form that is sufficiently flexible so that it is incapable of supporting its own weight or so that it is drapable, and is: (I) non-uniform, irregular, or both, (II) a nonplanar, uniform, regular form, or (III) a planar, uniform, regular form that is partially or entirely thicker than 2D planar, and the method also requires one or more of (A)-(F): (A) the at least one polymer is non-absorbent, the canvas support medium is made with at least one fine-art stabilizer present to provide or enhance a property of the polymer, the canvas support medium is formed with a visible surface that is transparent, translucent or both to allow light to pass into it or through it, and the canvas support medium has at least one of these 7 specifications marked (i)-(vii): (i) it has a stabilizer present to enhance the ability of the formed canvas medium or the image made therewith, thereupon or therefrom to remain color stable or to remain unchanged with exposure to ultraviolet light, and: it is polyvinyl chloride and made with the specifications of (I) above; it is polyvinyl chloride made according to (II) or (III) above with a stabilizer present to enhance bonding; or it is made with another polymer; (ii) it has a stabilizer present to enhance or enable bonding, or that is a surface preparation stabilizer layer; (iii) it has: deckled edges; irregularities throughout resembling the texture of handmade paper; texture on its main surface resembling conventional canvas; it's transparent or translucent surface is textured more deeply than small surface irregularities, or an ordinary sandblasted or sanded surface; it has embedded air bubbles or pockets; it has at least one substantially inflexible curve or angle; it has a rigid part or area; or it is made according to (I) above and it has: (a) a surface or an underlayer that is irregular and non-uniform or (b) a form that is uneven and non-uniform in thickness; (iv) the at least one polymer is partially or entirely poly(methyl methacrylate) or acrylic, or partially or entirely made with a methacrylate ester or methacrylamide derivative; (v) the canvas support medium has a strengthening stabilizer on or in it's polymer; the canvas support medium is made according to (I) above with a mount, a means of display or installation or a key part thereof; the nonplanar canvas support medium is made according to (II) above with a mount, another means of display or installation, or a key part thereof that may maintain it's uniformity and its regularity or that may interrupt it; or the canvas support medium is made according to (III) above with a means of display or part thereof that may maintain its uniformity and regularity, or that may interrupt it which is: embedded; one or more rigid or inflexible areas that enhances or enables its display; part of the canvas support medium's form; or a supportive rigid or inflexible part for another part of the canvas support medium that folds, unfolds, rolls out or scrolls, (vi) the canvas support medium has a dichroic or photochromic effect; a lens, a prism a grating or two or more of these; at least two different light properties in separate locations; or it has a reflective side or backside visible through its transparent or translucent surface, or (vii) the canvas support medium has a rigid or inflexible part, area or feature in its polymer or in its form, or it has a strengthening stabilizer that is one or more of: one or more rigid or inflexible parts or areas in it's polymer; a layer or a part in it's polymer that is or that functions as a crossbar, as a reinforcing rib or strut, as a mat, or as a framework to enhance strength or reinforce; a partial or discontinuous layer to enhance strength or reinforce; or fiber in it's polymer; or (B) making at least part of the canvas support medium with: its at least one polymer being a synthetic absorbent polymer; one or more conductive polymers in addition to its at least one polymer; or an OLED made with one or more conductive polymers; (C) enhancing the ability to develop the aesthetic image by additive processes, or providing this development by: (i) making the canvas support medium as a transparent or translucent form with a surface preparation stabilizer layer or other stabilizer in or on it's surface that enhances or enables bonding to at least one conventional artist's medium; (ii) forming the canvas support medium with a polymer surface made with a stabilizer ingredient in it that bonds or fortifies the bond between it and one or more superimposed conventional artist's mediums, wherein this stabilizer ingredient is at least one conventional artist's painting medium, primer or binder; or preparing the canvas support medium with a stabilizer that affects surface flow or leveling, or with a stabilizer that facilitates superimposing applications; (iii) developing the aesthetic image by using the at least one polymer to prepare one or more transparent or translucent separating layers which meet the specifications in (I), (II) or (III) above, and using the layer or layers to separate applications, layers or attachments of one or more other kinds of aesthetic, design or pictorial elements on it's or on their opposing sides, and: (iii-1) two or more of these transparent or translucent polymeric layers separate applications or layers of one or more kinds of conventional artist's mediums from this group: oil paint, encaustic, other oil based artist's mediums, paint stick, casein paint, vinyl paint, alkyd paint, watercolor, gouache, tempera, egg tempera, ink, pastel, charcoal, conte crayon, pencil, graphite, collage, photographic transparencies, and photographic (iii-2) one or more of these polymeric layers separate applications, layers or attachments of one or more kinds of aesthetic elements in (D) (i)-(iv) below, either with one or more applications described above in (iii-1) or free of them; (iii-3) two or more of these polymeric layers separate applications, layers or attachments of one or more elements in (iii-1) or (iii-2) above, from an application or layer of acrylic paint; (iii-4) two or more of these polymeric layers separate one or more kinds of applications, layers or attachments in (iii-1)-(iii-3) above from carving or incising that is free or nearly free of legible text; or (iii-5) two or more of these polymeric layers separate one or more kinds of applications, layers or attachments in (iii-1)-(iii-4) above from at least one LED, OLED or light source; moreover, in addition, the method requires that all of these layers bond to one another or that they be bonded to one another to make one whole form; (D) preparing the canvas support medium or image with a polymeric, visible, aesthetic element: (i) at least part of the positive or negative form of which functions as a lens, a Fresnel lens, a grating, a diffraction grating or a prism; a transparent or translucent lenticular lens or form; or two or more of these; (ii) with a photochromic effect and a form made for viewing apart from the human face, unsuitable or uncomfortable to wear on the human face or incapable of fitting on the human face, or with a dichroic effect; (iii) with an electrochromic effect whereby it responds to changes in electrical current by changing or by changing it's state of or it's level of: transparency, translucency, reflectivity, light emission employing conductive polymer, it changes the path or color of the light passing through it, or a combination of these; or (iv) one or more of (i)-(iii) that serves as part or all of an image support, an image support stabilizer or an underlayer; and this canvas support medium prepared according to (i), (ii), (iii) or (iv) is also prepared with one or more of (1)-(6): (1) a stabilizer that provides or enhances it's color stability or it's ability to remain unchanged with exposure to ultraviolet light; (2) it is cleaned sufficiently to render it receptive to artist's paint and to provide enhanced bond strength and permanence to facilitate development of the aesthetic image; (3) it is prepared with a lenticular lens and developed into an aesthetic image by being used as an underlayer, an image support, or an image support stabilizer for a work with painting, drawing, a photographic transparency, collage, design or a pictorial element free of text that is incised or carved; or it is free of lenticular lenses and it is developed into an aesthetic image; (4) it is prepared according to (I) above; (5) it is made with absorbent polymer or conductive polymer; or (6) it is prepared with the photochromic, dichroic or eletrochromic effect in (ii) or (iii) above that provides a pictorial or design element, a picture or a drawing thereby developing it into an aesthetic image; (E) preparing the canvas support medium according to (a) or (b): (a) with a form that is transparent, translucent or both and with a strengthening stabilizer that is internal or on it's underside that is invisible or largely invisible to viewers, wherein it is also prepared with (1) or (3) below; or (b) preparing the at least one polymer so that it is at least partially but not completely poly(methyl methacrylate) or acrylic, or that it is at least partially made with a methacrylate ester or methacrylamide derivative, and also this polymer is stiffened with one or more of: a different second polymer, an impact modifier stabilizer, a strengthening stabilizer of a different, stronger or more rigid polymer; or the fiber strengthening stabilizer in (3) below; moreover this canvas support medium prepared according to (a) or (b) is also prepared with at least one of (1)-(4): (1) a stabilizer that provides or enhances it's color stability or it's ability to remains unchanged with exposure to ultraviolet light or alternately, stabilizer that enables or enhances bonding to conventional artist's mediums; (2) it is cleaned sufficiently to render it receptive to artist's paint and to provide enhanced bond strength and permanence facilitating development of the aesthetic image; (3) a strengthening stabilizer that is a surfacing veil fiberglass or a fiber that becomes largely invisible or invisible to the unaided human eye when used within or under transparent colorless polymer or when used within or under transparent colorless polymer that penetrates it, that is at least about a quarter of an inch thick, or both, or (4) it is developed into an image by the application a conventional artist's drawing or painting medium to which it bonds, or it is developed into an image of fine art; or (F) preparing the canvas support medium or aesthetic image as or with a visible display device that includes multiple non-light-emissive colorants capable of changing their visibility, their color or both, with energy from a source that is part of the canvas support medium or image, or with energy conducted by the canvas support medium or image, so that the overall visual effect is sufficient to enable at least a portion of the canvas support medium or the aesthetic image to have a display that is a visible aesthetic, design or pictorial element, and the canvas support medium prepared with one or more of (A)-(F) above, is made with it's at least one polymer, or with one or more conductive polymers in an amount sufficient to provide or enable the image to have at least one aesthetic element, so that the reinvented canvas support medium facilitates artistic expression, and the creation and support of an aesthetic image that is art, design or architecture made therewith, thereupon or therefrom that is a work or object for visual observation or display and a whole in and of itself with distinct boundaries or edges; and the method also requires one or more of a)-h) below: a) developing the canvas support medium into an aesthetic image that is art, design or architecture, wherein the canvas support medium has polymer providing or enabling at least one aesthetic element, and at least one of (a-i)-(a-iv) below: (a-i) the at least one aesthetic element is provided or enabled by an absorbent polymer; (a-ii) the at least one aesthetic element is provided or enabled by at least one non-conductive or poorly conductive polymer and: (a-ii-a) the image is made according to (A), (C), (D) or (E) above, or it is made according to (B) above with a conductive polymer OLED or free of the specifications of (F) above, or alternately, (a-ii-b) the image is made according to (F) above wherein the display device has conductive polymer or is free of conductive polymer and wherein the image is otherwise free of the specifications in (B) above and it is free of the specifications in (A), (C), (D) and (E) above, and this image is fine art, it is architecture or it is a work of design for viewing or display apart from direct contact with the human body rather than worn on it as fashion design; (a-iii) making the canvas support medium into an image of fine art with a flexible, 2D planar, light-sensitive photographic recording material that has conductive polymer wherein the canvas support medium has conductive polymer that is separate from this photographic recording material which provides or enables at least one aesthetic element; or making the canvas support medium into an image of fine art free of this photographic recording material wherein the canvas support medium has conductive polymer that provides or enables at least one aesthetic element; (a-iv) developing the canvas support medium into another kind of aesthetic image, or an image of design or architecture using a conductive polymer that provides or enables at least one aesthetic element and (1) or (2): (1) conductive polymer that is separate from that in the canvas support medium's photographic recording material (above) or conductive polymer in a canvas support medium free of this photographic recording material provides or enables at least one aesthetic element and this conductive polymer: (1-i) leaves the thermal and static electrical properties of the canvas support medium and the image substantially unchanged or constant; (1-ii) provides or enables an aesthetic element by conducting electricity, or by its use with electrical current, with electricity that flows or that can flow, or with non-static electricity, or (1-iii) provides or enables at least one visible aesthetic element; or alternately, (2) the conductive polymer provides or enables the canvas supportive medium and the image to have at least one aesthetic element that is audible, interactive or light emitting; b) accompanying the canvas support medium with instructions on developing it into an aesthetic image that is art, design or architecture and (i), (ii) or (iii): (i) making the canvas support medium with a flexible, 2D planar, light-sensitive photographic recording material having conductive polymer and at least one other ingredient and accompanying it with instructions on how it's other ingredient or ingredients might be further developed to make the form into an aesthetic image for viewing; (ii) making the canvas support medium according to (F) above wherein the display device has conductive polymer or is free of conductive polymer and wherein the canvas support medium is otherwise free of the specifications in (B) above and it is free of the specifications in (A), (C), (D) and (E) above, and wherein the canvas support medium is made for forming an image of fine art, an image of architecture, or an image of design for viewing or display apart from direct contact with the human body rather than worn on it as fashion design; or alternately, (iii) making the canvas support medium entirely free of the photographic recording medium, and: (iii-1) free of the specifications of (F); (iii-2) according to (A), (C), (D), or (E) above; or (iii-3) according to (B) above with absorbent polymer, or with conductive polymer that is separate from it's display made according to (F) above; c) forming the canvas support medium with a polymer surface made with a stabilizer ingredient in it that bonds or fortifies the bond between it and one or more superimposed conventional artist's mediums, wherein this stabilizer ingredient is at least one conventional artist's painting medium, primer or binder; d) forming the canvas support medium with an aesthetic texture made by taking one or more negative or positive impressions from one or more organic or natural materials, to make texture on the canvas support medium that resembles the organic or natural material's texture or each organic or natural materials' texture, a negative impression of it or them, or a combination of these, or such a texture made on the canvas support medium from at least part of a Nymphaeaceae Victoria also known as an Amazon Water-lily, however when the canvas medium is formed only according to (A) above and is free from the specifications in (B)-(F), the method requires making the canvas support medium in an overall form that is abstract or geometric, that appears unnatural, inorganic and nonhuman, or that is otherwise free from looking like the real natural or organic form or forms from which the texture was made, and therefore free from being: a realistic portrayal; a human, animal or plant form; or a specimen or model that looks like the real, natural or organic form or forms, e) forming the canvas support medium with: deckled edges, irregularities throughout resembling the texture of handmade paper, or texture resembling conventional canvas, or forming the canvas support medium with an aesthetic texture and a display having conductive polymer, an OLED having conductive polymer, or with the display in (F) above, such that the aesthetic texture is deeper than small surface irregularities, or an ordinary sandblasted or sanded surface (f) preparing the canvas support medium with a means or a key part of the means of installation or display as an aesthetic image wherein the canvas support medium is formed: (i) according to (A), (C), (D) or (E) above, or with an absorbent polymer; (ii) with either a conductive polymer OLED or with the display in (F) above whereupon it is free or nearly free of visible legible text; or (iii) with conductive polymer that is not part of any OLED or display in (F) above; g) preparing the canvas support medium with conductive polymer, with an OLED made with conductive polymer, or according to (C) or (F) above, and also cleaning it sufficiently to render it receptive to a superimposed artist's medium and to enhance the strength and permanence of the bond formed between that surface and an artist's medium; or h) the canvas support medium is prepared according to D (ii) or D (iii) above and the photochromic, dichroic or eletrochromic effect provides a pictorial or design element, a picture or a drawing thereby developing it into an aesthetic image. 4. A method for making a synthetic fine-artist's image-making canvas support medium as a new reinvented version of the conventional utilitarian fine artist's canvas, wherein the new reinvented canvas support medium facilitates the creation of art, design or architecture therewith, thereupon or therefrom, referred to herein as an image, which method comprises: preparing the canvas support medium with at least one non-conductive or poorly conductive polymer and making the canvas support medium to be (a) sufficiently flexible so that it is incapable of supporting its own weight or so that it is drapable, (b) entirely 2D planar, and (c) in a form that is planar, uniform and regular, with the form of the canvas support medium made sufficiently supportive and stable to be capable of hanging free from added reinforcement in an aesthetic image, and the method requires one or more of (A)-(G), (A) the at least one polymer is non-absorbent, the canvas support medium is made with at least one fine-art stabilizer present to provide or enhance a property of the polymer, the canvas support medium is formed with a visible surface that is transparent, translucent or both to allow light to pass into it or through it, and the canvas support medium has at least one of these three specifications (A-1)-(A-3): (A-1) the at least one polymer is principally or entirely poly(methyl methacrylate) or acrylic or it is principally or entirely a polymer of a methacrylate ester or methacrylamide derivative; (A-2) the canvas support medium is made with inconsistent flexibility; with one or more rigid or inflexible areas or parts in its polymer or in its form; with at least two different light properties in separate locations; with embedded air bubbles; with deckled edges; with irregularities throughout resembling the texture of handmade paper; its transparent or translucent surface is textured with a texture deeper than small surface irregularities, or an ordinary sandblasted or sanded surface; or it has a strengthening stabilizer that is one or more of: one or more rigid or inflexible parts or areas in it's polymer; a layer or a part in it's polymer that is or that functions as a crossbar, as a reinforcing rib or strut, as a mat or as a framework to enhance strength or reinforce; a partial or discontinuous layer to enhance strength or reinforce; or fiber in it's polymer; or (A-3) the at least one polymer is cellulose acetate, polyvinyl chloride or polyester made with a stabilizer to enable or enhance bonding that is a conventional image making paint, size, or primer or a binder used in a conventional image making medium or material; or another polymer is used and at least one stabilizer is present (a) to enhance the ability of the formed canvas medium or the image to remain color stable or to remain unchanged with exposure to ultraviolet light, (b) to enable or enhances bonding or that is a surface preparation stabilizer layer, or an absorbent polymer is present that enables or enhances bonding so that the canvas support medium bonds well to at least one kind of conventional artist's paint that is oil paint, water soluble oil paint, acrylic paint, alkyd paint, encaustic, watercolor, tempera, egg tempera, casein paint, vinyl paint, ink, or gouache, or (c) to affect surface flow or leveling, or to facilitate superimposing applications; (B) the at least one polymer is absorbent or the canvas support medium is at least partially made with a synthetic absorbent polymer; and forming the canvas support medium so that it has one or more of (B-1)-(B-5): (B-1) a form that is partially but not completely poly(methyl methacrylate) or acrylic, or a form that is partially made with polymer of a methacrylate ester or methacrylamide derivative wherein this form has one or more of (a)-(c): (a) an impact modifier stabilizer, a stabilizer present to enhance the ability of the formed canvas support medium or the image to remain color stable or to remain unchanged with exposure to ultraviolet light, a stabilizer is present to enhance or enable flexibility or or a stabilizer is present that affects surface flow or leveling, or that facilitates superimposing applications; (b) a stabilizer or a stabilizer that is an absorbent polymer is present specifically to enhance or enable bonding to at least one kind of conventional artist's paint or conventional artist's drawing medium that is: oil paint, water soluble oil paint, acrylic paint, alkyd paint, encaustic, paint sticks, watercolor, tempera, egg tempera, casein paint, vinyl paint, ink, gouache, pastel, pencil, conte crayon or charcoal, (c) the canvas support medium has a drapable form; or a light effect that is reflective or iridescent, (B-2) the canvas support medium is made with inconsistent flexibility; with one or more rigid or inflexible areas or parts in its polymer or in its form; with deckled edges; with irregularities throughout resembling the texture of handmade paper; its transparent or translucent surface is textured with a texture deeper than small surface irregularities, or an ordinary sandblasted or sanded surface; or it has a strengthening stabilizer that is one or more of: one or more rigid or inflexible parts or areas in it's polymer; a layer or a part in it's polymer that is or that functions as a crossbar, as a reinforcing rib or strut, as a mat or as a framework to enhance strength or reinforce; a partial or discontinuous layer to enhance strength or reinforce; or fiber in it's polymer; (B-3) the canvas support medium bonds well to at least one kind of conventional artist's paint that is oil paint, water soluble oil paint, acrylic paint, alkyd paint, encaustic, watercolor, tempera, egg tempera, casein paint, vinyl paint, ink, or gouache, and this bond is enabled or enhanced by: (a) a stabilizer or a surface preparation stabilizer layer when the at least one polymer is non absorbent, (b) by a synthetic absorbent polymer which is a polymer of a chelating absorbent monomer or a crosslinked polymer of a chelating absorbent monomer, with a stabilizer present to enhance the ability of the formed canvas medium or the image to remain color stable or to remain unchanged with exposure to ultraviolet light, (c) by a different absorbent polymer or by a stabilizer that enhances or enables bonding present in a canvas support medium with a different absorbent polymer, or (d) by a combination of these, (B-4) the canvas support medium has a means of display or part thereof that may maintain its uniformity and regularity, or that may interrupt it which is: one or more rigid or inflexible areas or parts that enhance or enable display; embedded; part of its form; or a supportive rigid or inflexible part for another part of the canvas support medium that unfolds, rolls out or scrolls out for viewing, or (B-5) the canvas support medium has at least two different light properties in separate locations; embedded air bubbles; texture that resembles conventional canvas; or it is prepared according to (b), (c), (e) or (h) below; (C) forming the canvas support medium with one or more conductive polymers, or with an OLED made with one or more conductive polymers; (D) forming the canvas support medium with a polymer surface made with a stabilizer ingredient in it that bonds or fortifies the bond between it and one or more superimposed conventional artist's mediums, wherein this stabilizer ingredient is at least one conventional artist's painting medium, primer or binder; (E) preparing the canvas support medium or image with a polymeric, visible, aesthetic element: (i) at least part of the positive or negative form of which functions as a lens, a Fresnel lens, a grating, a diffraction grating or a prism; a transparent or translucent lenticular lens or form; or two or more of these; (ii) with a photochromic effect or with a dichroic effect; (iii) with an electrochromic effect whereby it responds to changes in electrical current by changing or by changing it's state of or it's level of: transparency, translucency, reflectivity, light emission employing conductive polymer, it changes the path or color of the light passing through it, or a combination of these; or (iv) one or more of (i)-(iii) that serves as part or all of an image support, an image support stabilizer or an underlayer; and this canvas support medium prepared according to (i), (ii), (iii) or (iv) is also prepared with one or more of (1)-(5): (1) an absorbent polymer or a conductive polymer, (2) a stabilizer that provides or enhances it's color stability or it's ability to remain unchanged with exposure to ultraviolet light; (3) it is cleaned sufficiently to render it receptive to artist's paint and to provide enhanced bond strength and permanence to facilitate development of the aesthetic image; (4) it is prepared with a lenticular lens and developed into an aesthetic image by being used as an underlayer, an image support, or an image support stabilizer for a work with painting, drawing, a photographic transparency, collage, or a design or pictorial element free of text that is incised or carved; or it is free of lenticular lenses and it is developed into an aesthetic image; or (5) it is prepared according to (ii) or (iii) above and the photochromic, dichroic or eletrochromic effect provides a pictorial or design element, a picture or a drawing thereby developing it into an aesthetic image; (F) preparing the canvas support medium according to (a) or (b): (a) with a form that is transparent, translucent or both and with a strengthening stabilizer that is internal or on it's underside that is invisible or largely invisible to viewers, wherein it is also prepared with (1), (2), (4) or (5) below; or (b) preparing the at least one polymer so that it is at least partially but not completely poly(methyl methacrylate) or acrylic, or that it is at least partially made with a methacrylate ester or methacrylamide derivative, and also this polymer is stiffened with one or more of: a different second polymer, an impact modifier stabilizer, a strengthening stabilizer of a different, stronger or more rigid polymer; or the fiber strengthening stabilizer in (4) below; moreover this canvas support medium prepared according to (a) or (b) is also prepared with at least one of (1)-(5): (1) an absorbent polymer; (2) stabilizer that provides or enhances it's color stability or it's ability to remains unchanged with exposure to ultraviolet light, or alternately, stabilizer that enables or enhances bonding to conventional artist's mediums; (3) it is cleaned sufficiently to render it receptive to artist's paint and to provide enhanced bond strength and permanence facilitating development of the aesthetic image; (4) a strengthening stabilizer that is a surfacing veil fiberglass or a fiber that becomes largely invisible or invisible to the unaided human eye when used within or under transparent colorless polymer or when used within or under transparent colorless polymer that penetrates it, that is at least about a quarter of an inch thick, or both, or (5) it is developed into an image by the application a conventional artist's drawing or painting medium to which it bonds, or it is developed into an image of fine art; or (G) preparing the canvas support medium or aesthetic image as or with a visible display device that includes multiple non-light-emissive colorants capable of changing their visibility, their color or both, with energy from a source that is part of the canvas support medium or image, or with energy conducted by the canvas support medium or image, so that the overall visual effect is sufficient to enable at least a portion of the canvas support medium or the aesthetic image to have a display that is a visible aesthetic, design or pictorial element, and the canvas support medium prepared with one or more of (A)-(G) above, is made with it's at least one polymer, or with one or more conductive polymers in an amount sufficient to provide or enable the image to have at least one aesthetic element, so that the reinvented canvas support medium facilitates artistic expression, and the creation and support of an aesthetic image that is art, design or architecture made therewith, thereupon or therefrom that is a work or object for visual observation or display and a whole in and of itself with distinct boundaries or edges; whereupon the method also requires one or more of a)-i): a) developing the canvas support medium into an aesthetic image that is art, design or architecture, wherein the canvas support medium has polymer providing or enabling at least one aesthetic element, and at least one of (a-i)-(a-iv) below: (a-i) the at least one aesthetic element is provided or enabled by an absorbent polymer; (a-ii) the at least one aesthetic element is provided or enabled by at least one non-conductive or poorly conductive polymer and: (a-ii-a) the image is made according to (A), (B), (C), (D), (E) or (F) above, or it is made according to (C) above and either with a conductive polymer OLED or free of the specifications of (G) above, or alternately, (a-ii-b) the image is made according to (G) above, wherein the display device has conductive polymer or is free of conductive polymer and wherein the image is otherwise free of the specifications in (C) above and it is free of the specifications in (A), (B), (D), (E) and (F) above, and this image is fine art, it is architecture or it is a work of design for viewing or display apart from direct contact with the human body rather than worn on it as fashion design; (a-iii) making the canvas support medium into an image of fine art with a flexible, 2D planar, light-sensitive photographic recording material that has conductive polymer, wherein the canvas support medium has conductive polymer that is separate from this photographic recording material which provides or enables at least one aesthetic element; or making the canvas support medium into an image of fine art free of this photographic recording material wherein the canvas support medium has conductive polymer that provides or enables at least one aesthetic element; or (a-iv) developing the canvas support medium into another kind of aesthetic image, or an image of design or architecture using a conductive polymer that provides or enables at least one aesthetic element and (1) or (2): (1) conductive polymer that is separate from that in the canvas support medium's photographic recording material (above) or conductive polymer in a canvas support medium free of this photographic recording material provides or enables at least one aesthetic element and this conductive polymer: (1-i) leaves the thermal and static electrical properties of the canvas support medium and the image substantially unchanged or constant; (1-ii) provides or enables an aesthetic element by conducting electricity, or by its use with electrical current, with electricity that flows or that can flow, or with non-static electricity, or (1-iii) provides or enables at least one visible aesthetic element; or alternately, (2) the conductive polymer provides or enables the canvas support medium and the image to have at least one aesthetic element that is audible, interactive or light emitting; b) accompanying the canvas support medium with instructions on developing it into an aesthetic image that is art, design or architecture and (i), (ii) or (iii): (i) jmaking the canvas support medium with a flexible, 2D planar, light-sensitive photographic recording material having conductive polymer and at least one other ingredient and accompanying it with instructions on how it's other ingredient or ingredients might be further developed to make the form into an aesthetic image for viewing; (ii) making the canvas support medium according to (G) above, wherein the display device has conductive polymer or is free of conductive polymer and wherein the canvas support medium is otherwise free of the specifications in (C) above and it is free of the specifications in (A), (B), (D), (E) and (F) above and wherein the canvas support medium is made for forming an image of fine art, an image of architecture, or an image of design for viewing or display apart from direct contact with the human body rather than worn on it as fashion design; or alternately, (iii) making the canvas support medium entirely free of the photographic recording medium, and; (iii-1) free of the specifications of (G) above; (iii-2) according to (A), (B), (D), (E) or (F) above; or (iii-3) according to (C) above with conductive polymer that is separate from it's display made according to (G) above; c) forming the canvas support medium with a polymer surface made with a stabilizer ingredient in it that bonds or fortifies the bond between it and one or more superimposed conventional artist's mediums, wherein this stabilizer ingredient is at least one conventional artist's painting medium, primer or binder; d) forming the canvas support medium with an aesthetic texture made by taking one or more negative or positive impressions from one or more organic or natural materials, to make texture on the canvas support medium that resembles the organic or natural material's texture or each organic or natural materials' texture, a negative impression of it or them, or a combination of these, or such a texture made on the canvas support medium from at least part of a Nymphaeaceae Victoria also known as an Amazon Water-lily, however when the canvas medium is formed only according to (A) above and is free from the specifications in (B)-(G), the method requires making the canvas support medium in an overall form that is abstract or geometric, that appears unnatural, inorganic and nonhuman, or that is otherwise free from looking like the real natural or organic form or forms from which the texture was made, and therefore free from being: a realistic portrayal; a human, animal or plant form; or a specimen or model that looks like the real, natural or organic form or forms, e) forming the canvas support medium with: deckled edges, irregularities throughout resembling the texture of handmade paper, or texture resembling conventional canvas, or forming the canvas support medium with an aesthetic texture and a display having conductive polymer, an OLED having conductive polymer, or with the display in (G) above, such that the aesthetic texture is deeper than small surface irregularities, or an ordinary sandblasted or sanded surface; f) preparing the canvas support medium with a means or a key part of the means of installation or display as an aesthetic image wherein the canvas support medium is formed: (i) according to (A), (B), (D), (E) or (F) above; (ii) with either a conductive polymer OLED or with the display in (G) above whereupon it is free or nearly free of visible legible text; or (iii) with conductive polymer that is not part of any OLED or display in (G) above; g) preparing the canvas support medium according to (C), (D), (F) or (G) above, and also cleaning it sufficiently to render it receptive to a superimposed artist's medium and to enhance the strength and permanence of the bond formed between that surface and an artist's medium; (h) developing the aesthetic image by using the at least one polymer to prepare one or more transparent or translucent separating layers and separating applications, layers or attachments of one or more other kinds of aesthetic, design or pictorial elements on it's or on their opposing sides, and: (1) two or more of these transparent or translucent polymeric layers separate applications or layers of one or more kinds of conventional artist's mediums from this group: oil paint, encaustic, other oil based artist's mediums, paint stick, casein paint, vinyl paint, alkyd paint, watercolor, gouache, tempera, egg tempera, ink, pastel, charcoal, conte crayon, pencil, graphite, collage, photographic transparencies, and photographic emulsions; (2) one or more of these polymeric layers separate applications, layers or attachments of one or more kinds of aesthetic elements in (E) (i)-(iv) above, either with one or more of the applications described above in (1) or free of them; (3) two or more of these polymeric layers separate applications, layers or attachments of one or more elements in (1) or (2) above, from an application or layer of acrylic paint; (4) two or more of these polymeric layers separate one or more kinds of applications, layers or attachments in (1)-(3) above from carving or incising that is free or nearly free of legible text; or (5) two or more of these polymeric layers separate one or more kinds of applications, layers or attachments in (1)-(4) above from at least one LED, OLED or light source; moreover, in addition, the method requires that all of these layers bond to one another or that they be bonded to one another to make one whole form; or i) the canvas support medium is prepared according to E (ii) or E (iii) above and the photochromic, dichroic or eletrochromic effect provides a pictorial or design element, a picture or a drawing thereby developing it into an aesthetic image. 5. A method for making a synthetic fine-artist's image-making canvas support medium as a new reinvented version of the conventional utilitarian fine artist's canvas, wherein the new reinvented canvas support medium facilitates the creation of art, design or architecture therewith, thereupon or therefrom, referred to herein as an image, which method comprises: preparing the canvas support medium with at least one polymer and (I), (II) or both: (I) this at least one polymer is one or more conductive polymers, or it is at least one conductive polymer that is part of an OLED; (II) a visible display device that includes multiple non-light-emissive colorants capable of changing their visibility, their color or both, with energy from a source that is part of the canvas support medium or image or with energy conducted by the canvas support medium or image, so that the overall visual effect is sufficient to enable at least a portion of the canvas support medium or the aesthetic image to have a display that is a visible aesthetic, design or pictorial element, and the canvas support medium prepared with one or more of (I) or (II) above, is made so that one or more of it's polymers are in an amount sufficient to provide or enable the image to have at least one aesthetic element, so that the reinvented canvas support medium facilitates artistic expression, and the creation and display of an aesthetic image that is art, design or architecture made therewith, thereupon or therefrom that is a work or object for visual observation or display and a whole in and of itself with distinct boundaries or edges; and the method also requires one or more of A)-K) below: A) developing the canvas support medium into an aesthetic image that is art, design or architecture, wherein the canvas support medium has at least one of A-i)-A-iv) below: A-i) the at least one aesthetic element provided or enabled by an absorbent polymer; A-ii) the at least one aesthetic element provided or enabled by at least one non-conductive or poorly conductive polymer and (1) or (2): (1) the canvas support medium or image is made according to (I) above with: (a) conductive polymer enabling, enhancing or a part of an audible or light emitting element, an aesthetic element, an OLED, a solar cell, a battery, a power source, or an interactive feature; (b) conductive polymer that is separate from it's flexible, 2D planar, light-sensitive photographic recording material made with conductive polymer; or (c) conductive polymer in a form made of composition that is free from such a photographic recording material, wherein in the preceding (b) or (c) the conductive polymer conducts electricity that flows, it provides or contributes to an aesthetic element, it emits light, it is part of an image of fine art, or the conductive polymer enables or is part of an audible or light emitting element, an OLED, a solar cell, a battery, a power source, or an interactive feature; or (2) the canvas support medium or the image is made according to (II) above, wherein the display device of (II) above has conductive polymer or is free of conductive polymer and wherein the image is otherwise free of the specifications in (I) above, and this image is fine art, it is architecture or it is a work of design for viewing or display apart from direct contact with the human body rather than worn on it as fashion design; A-iii) making the canvas support medium into fine art with a flexible, 2D planar, light-sensitive photographic recording material that has conductive polymer, wherein the canvas support medium also has conductive polymer that is separate from this photographic recording material which provides, enables, or is a part of: at least one aesthetic, audible or light emitting element, an OLED, a solar cell, a battery, a power source, or an interactive feature; or making the canvas support medium and the image of fine art with other ingredients, free of this photographic recording material wherein the canvas support medium and the image of fine art have conductive polymer that provides, enables, or is a part of: at least one aesthetic, audible or light emitting element, an OLED, a solar cell, a battery, a power source, or an interactive feature; or A-iv) developing the canvas support medium into another kind of aesthetic image, or an image of design or architecture using a conductive polymer and (1) or (2): (1) the canvas support medium either has conductive polymer that is separate from that in the it's photographic recording material (above) or it has conductive polymer and it is free of this photographic recording material, and prepared one of these 3 ways: (1-i) it's conductive polymer leaves the thermal and static electrical properties substantially unchanged or constant; (1-ii) it's conductive polymer provides, enables or is a part of an aesthetic element by conducting electricity, or is used with electrical current, with electricity that flows or that can flow, or with non-static electricity, or (1-iii) it's conductive polymer provides, enables, or is a part of at least one aesthetic element that is visible, audible, interactive or light emitting, an OLED, a solar cell, a battery, or a power source, or alternately, (2) the conductive polymer provides or enables at least one aesthetic element that is audible, interactive, or light emitting; B) developing the canvas support medium or aesthetic image so that viewers see an overall visual aesthetic element or effect, that is free or nearly free of visible legible text, and that is: a pictorial element, a design, a design that is abstract, an image, drawing, painting, at least partially made with a conventional image making medium; at least partially drawn, incised, carved or painted; a portrayal with or of a figure, figures, a still life, landscape, the sky, skylight or a combination of these, wherein the method requires (i) or (ii): (i) the canvas support medium or image is made according to (I) above and: it has substantially unchanging or constant thermal and static electrical properties, it has conductive polymer that leaves it's thermal and static electrical properties substantially unaffected or constant, it has conductive polymer providing or enabling light emission or conducting electrical current that flows; it has an OLED, a solar cell, a battery or a power source made with conductive polymer; it has conductive polymer providing, enabling or part of an aesthetic, design or pictorial element, or it is fine art; moreover, in addition, this canvas support medium or image made according to (I) above either; (a) has conductive polymer separate from it's flexible, 2D planar, light-sensitive photographic recording material, or (b) it is free of such a photographic recording material, or, (ii) the canvas support medium or the image is made according to (II) above, wherein the display device of (II) above has conductive polymer or is free of conductive polymer and wherein the canvas support medium or the image is otherwise free of the specifications in (I) above, and is; fine art, architecture or a work of design for viewing or display apart from direct contact with the human body rather than worn on it as fashion design; C) accompanying the canvas support medium with instructions on developing it into an aesthetic image that is art, design or architecture and (i), (ii) or (iii): (i) making the canvas support medium with a flexible, 2D planar, light-sensitive photographic recording material having conductive polymer, and also with the specification of (I) or of (II) above separate from the photographic recording material, and accompanying the canvas support medium with instructions on how part of it other than it's photographic recording material might be further developed to make the form into an aesthetic image for viewing; (ii) making the canvas support medium according to (II) above, wherein the display device has conductive polymer or is free of conductive polymer and making the canvas support medium otherwise free of the specifications in (I) above, wherein the canvas support medium is made for forming an image of fine art, an image of architecture, or an image of design for viewing or display apart from direct contact with the human body rather than worn on it as fashion design; or alternately, (iii) making the canvas support medium entirely free of this photographic recording medium that has conductive polymer, and free of the specifications of (II), according to (I) above; D) forming the canvas support medium or image with deckled edges, irregularities throughout resembling the texture of handmade paper, or texture resembling conventional canvas; forming the canvas support medium or image with an aesthetic texture deeper than small surface irregularities, or an ordinary sandblasted or sanded surface; or forming the canvas support medium or image with an aesthetic texture made by taking one or more negative or positive impressions from one or more organic or natural materials to make aesthetic texture on the canvas support medium or image; E) developing the canvas support medium by creating a visible aesthetic element free or nearly free of visible legible text, that is pictorial, that is a design, or developing it into a work of fine art, and (a) or (b): (a) the aesthetic element is created by painting, drawing, incising, carving, or by the application of a conventional artist's medium; or (b) the aesthetic element employs electric current; it employs light emitted by the canvas support medium, the image or conductive polymer; it is seen according to the visibility or lack of visibility of non-light-emissive colorants in (II) above; or conductive polymer provides, enhances or contributes to the aesthetic element, moreover, the canvas support medium either: (i) has conductive polymer that is separate from it's flexible, 2D planar, light-sensitive photographic recording material made with conductive polymer; or (ii) it is made with another composition so that it is free of such a flexible, 2D planar, light-sensitive photographic recording material and either; (1) made according to (II) above and it is for forming an image of fine art, an image of architecture, or an image of design for viewing or display apart from direct contact with the human body rather than worn on it as fashion design; or (2) made according to (I) above and either free of the specification in (II) above or with conductive polymer that is separate from it's display made according to (II) above; F) preparing the canvas support medium as or with a display, and also with one or more interactive features that enable an image maker, an artist or a viewer to change at least one visible aesthetic element which is free of alphabetic, numeric or other typographical characters, thereby either developing the canvas support medium into an aesthetic image free or nearly free of visible legible text or changing the aesthetic image; G) applying at least one conventional artist's painting or drawing medium to the canvas support medium to develop it into an aesthetic image; forming the canvas support medium with a polymer surface made with a stabilizer ingredient in it that bonds or fortifies the bond between it and one or more superimposed conventional artist's mediums, wherein this stabilizer ingredient is at least one conventional artist's painting medium, primer or binder; preparing the canvas support medium with a surface preparation stabilizer which enhances or enables bonding to at least one conventional artist's medium; or making the canvas support medium or aesthetic image with an overall form that is representational or figurative; H) preparing the canvas support medium free or nearly free of visible legible text capable of making an aesthetic image that is also free or nearly free of visible legible text, with a means or a key part of a means for installation or display which either: (i) is a rigid mount system, a wire mount system, or a combination rigid and wire mount system; or (ii) enables it to be installed or displayed like a conventional aesthetic image wherein the canvas support medium either: (a) has conductive polymer that is separate from it's flexible, 2D planar, light-sensitive photographic recording material made with conductive polymer; or (b) it is made with another composition so that it is free of such a flexible, 2D planar, light-sensitive photographic recording material; I) making the canvas support medium into a plurality of associated sheets arranged in a pad or book for image-making, or in a pad or a book with a form of or similar to a conventional blank paper pad or blank book for image-making; or developing one or more of such a pad or book's pages or sheets into an image; J) the canvas support medium or image is prepared with an electrochromic effect whereby it responds to changes in electrical current by changing or by changing it's state of or it's level of: transparency, translucency, reflectivity or light emission, or by changing the path or color of the light passing through it, moreover, this electrochromic effect: (i) is uneven, inconsistent, irregular or non uniform, it makes the canvas support medium or image incapable of functioning as a window, or it is part of a form that is: non-planar, irregular, non-uniform, with one or more negative spaces, discontinuous or incapable of functioning as a window; with a pictorial or design element; or textured more deeply than small surface irregularities or an ordinary sandblasted or sanded surface; or (ii) the electrochromic effect provides or contributes to a design, drawing, a pictorial element or a picture to the canvas support medium or image; or (K) preparing the canvas support medium or aesthetic image so that it serves at least one of these additional specialized functions listed as (i)-(viii): (i) preparing the canvas support medium or aesthetic image so that it is recognizable an functioning altar, or a menorah, or as a canvas support medium or an aesthetic image for spiritual or religious use; (ii) preparing the canvas support medium or aesthetic image as a vase, a bowl, a placemat, stairs, a candelabrum, an awning, a costume, a fountain, a pitcher, a tureen, a goblet, a dish for food or display, a stage set or a basket; (iii) preparing the canvas support medium or aesthetic image according to (II) above, as a ceiling, floor, fountain, case, container, tent, basket, fence, stairs, tray, cup or door; as a partition, a screen or as a partition or screen with one or more negative spaces within it; (iv) preparing the canvas support medium or aesthetic image as furniture, a table, a chair, a bench, a stool or a chest, wherein it is made according to (II) above or it is made according to (I) above and it has: substantially unchanging or constant thermal and static electrical properties, conductive polymer that leaves it's thermal and static electrical properties substantially unaffected or constant conductive polymer providing or enabling light emission or conducting electrical current that flows, an OLED made with conductive polymer, or conductive polymer providing or enabling a visible aesthetic, design or pictorial element; (v) preparing the canvas support medium or image with an OLED made with conductive polymer or with conductive polymer providing or enabling light emission, and making the canvas support medium or image function as a door in an architectural structure, as a window, as a skylight, as a lunette, as a fence, as a tent, as a floor or part thereof; as a case or a container; as a partition, a screen or as a partition or screen with one or more negative spaces within it, wherein the canvas support medium or image is capable of emitting visible light; (vi) preparing the canvas support medium or image with an OLED made with conductive polymer or with conductive polymer providing or enabling light emission and making the canvas support medium or image function as clothing or as a clothing or fashion accessory, as a belt, a purse, a tote bag or as a hat wherein the canvas support medium or image is capable of emitting visible light and the main or the exclusive function of this light is non-utilitarian, visual and aesthetic; (vii) preparing the canvas support medium or image to function as jewelry, wherein it is made either according to (I) above and is free of the specifications of (II) above, or it is made according to (I) above and it has conductive polymer that is separate from it's display made according to (II) above, and also: (a) it has an OLED made with conductive polymer, or it has conductive polymer providing or enabling light emission or a visible aesthetic element, (b) it is incapable of storing or retrieving medical or related information and it is incapable of detecting radiation, or (c) it is an image making medium or an image that functions as jewelry free from any additional utilitarian function; or (viii) preparing the canvas support medium or aesthetic image so that it functions as a shade or a shutter that is made according to (I) above free of the specifications of (II) above, or that is made with conductive polymer that is separate from it's display made according to (II) above, wherein this shade or shutter: presents a representational or abstract picture, design or image; depicts a figure or figures, a still life, a landscape, the sky or skylight; has an OLED made with conductive polymer; is incapable of functioning as a window; has conductive polymer providing or enabling a visible aesthetic element that is irregular, uneven, non-uniform, discontinuous, pictorial, drawing, a design, predominately or entirely non-utilitarian; or emitted light; has it's main form, in addition to or instead of it's perimeter, that is at least partially opaque, or has a main surface or a form that is irregular, uneven, non-uniform, discontinuous, representational, with a negative space, with embedding, or textured more deeply than small surface irregularities or an ordinary sandblasted or sanded surface; or alternately, preparing the canvas support medium or aesthetic image according to (II) above so that it functions as a shade or a shutter. 6. The method of claim 5 wherein the canvas support medium or the art, design or architecture made therewith, thereupon or therefrom referred to herein as the image is prepared by one or more of (a)-(h): (a) providing it with an electrode, a power source, a battery, a solar cell, electrical current or energy, a computer, or part of a computer; an interactive feature, an interactive part or a means of being interactive; sound, music, a microphone or a speaker; a moving part or a means that makes it capable of movement; a control mechanism, or device; a viewer input device, a switch, a button, a touch control, a mechanism or device which enables control or change when pressure is applied, a drawing device, a trackball, a mouse, a means of responding to sound or voice command; voice recognition technology; a means of controlling or changing the canvas support medium or image from a distance, via wireless communication or via a broadcast method; a sensor, a means of detecting a viewer, movement or change in light or in the environment, a means so that an image maker or a viewer can control, change or vary the electrical current, color, light, form, movement or an aesthetic element; or providing it with a conventional artist's medium, a photograph, a photographic emulsion or a tangible photographic transparency; (b) preparing it's display device with non-light-emissive colorants in one or multiple microcapsules, or preparing it's display device by charging it's non-light-emissive colorants so that they are able to change from visible to hidden, or from hidden to visible with electrical current which causes their position to change within a fluid with respect to an electrode; (c) developing the canvas support medium, or the image, the part of it made with conductive polymer, it's OLED, it's display, it's other device, it's surface or it's form so that: (i) it shows at least part of a drawing, picture, design, or so that it shows one of these that is figurative, realistic, abstract, a landscape, a depiction of the sky or of sky light, or a still life, (ii) it shows one of these when given electrical current, (iii) it shows one of these with emitted light, (iii) it shows one of these with the visibility, or the visibility and the lack of visibility of non-light-emissive colorants; (iv) it is developed with a visible aesthetic element that is one or more of: pictorial, illusionary, abstract, representational, realistic, surrealistic, a landscape, a still life, figurative or with figures, accompanied by sound or music; or free or nearly free of visible legible text; (v) it or a part of it depicts the sky or the light of the sky (vi) it or a part of it depicts the sky or the light of the sky and this portrayal is at least partially formed by color or light changing as the sky changes or changing in a manner that portrays or represents the sky; or (vii) it shows one of these in manner that is static, that changes or can be changed, in an interactive way, in a way that responds to change in the environment, or in a way that enables a person to change it; (d) forming the canvas support medium or image with at least one non conductive or poorly conductive polymer, with absorbent polymer, with paper, or forming it with: an image support, a paper image support, a thin planar image support, a metal or metallic layer, indium tin oxide; a layer that is: transparent, translucent, partial, external or structurally supportive; with one of these made with non conductive or poorly conductive polymer, with glass or both; with one of these used in association with a conductive polymer, an OLED, a display or a device; or with one of these upon which conductive polymer is applied or superimposed; (e) preparing the canvas support medium or image, it's OLED, it's display or it's device with a form that is: rigid, flexible, rigid and flexible, capable of rolling or folding, a mural, a continuous form with at least one negative space open to light and air within it; a form that is a non geometric and visibly irregular; a form that is partially opaque, and partially transparent or translucent with light passing through it; a form made with: electronics, wires, cords, a battery, a power source or utilitarian parts that are visible or that are hidden from view; a form, a planar form or a planar two dimensional form that is transparent or translucent and made with polymer, which also has two or more light sources in it or attached to it; a transparent, planar, two dimensional form made with polymer that has multiple light sources, OLEDs or other LEDs in it or attached to it; forming or developing the canvas support medium or image so that it has two or more layers, with at least one layer that is: partially or entirely transparent or translucent or such a layer that is external; a polymeric or non polymeric image support, image support stabilizer or strengthening stabilizer; made with or of glass, fabric, embedding, polymer, conductive polymer, a device, a light effect, an aesthetic element that uses electricity, or a non polymeric aesthetic ingredient; providing color, or an internal layer or back layer providing color; or a combination of these; or a layered form that has conductive polymer in between two or more layers that are: transparent, translucent, polymeric, glass, non conductive or poorly conductive, or a combination of these, or such a layered form with conductive polymer capable of conducting electricity to one or more devices or light emitters that are also sandwiched in between these other layers; (f) preparing the canvas support medium or image with conductive polymer that conducts electricity, conducts ions, or emits light in one or more colors; preparing the canvas support medium, the image or a display that is the canvas support medium, the image or part thereof, with a property provided or enhanced by a fine-art stabilizer; preparing the canvas support medium so that it serves a second utilitarian function in addition to it's use for image making; developing the aesthetic image so that it serves a utilitarian function; (g) preparing the canvas support medium or image with conductive polymer applied by: a printing process, ink jet printing, screen or silk screen printing, a lithographic process, a coating process, blow molding, calendering, fiber spinning, a solution spinning process, compression molding, extrusion, brush, drawing or painting, writing, a rolling process, gel process, a spraying process, solution processing, a casting process, spin casting, blade coating, an evaporation process, conventional practices or conventional image making practices; the conductive polymer is applied thinly, unevenly or discontinuously; the conductive polymer is used to make pixels or it is used in a composition that is layered or (h) developing the canvas support medium into an aesthetic image that is art, design or architecture and displaying it; preparing the canvas support medium or aesthetic image with a means or part of a means for mounting, installation or display; or preparing the canvas support medium or aesthetic image with a means or a part of a means of installation or display which is: (i) a means or a part of a means for display on a wall or vertical surface or by hanging; a hook or wire attached to enable hanging; or holes to enable hanging, (ii) a base, a stand, a frame, a backing, reinforcement, a part or a form that enables it's installation or display, or a means that enables installation or display in a manner that resembles the manner in which conventional aesthetic images are displayed for viewing; (iii) a part, parts or the means by which it can scroll, roll, unroll, fold out or fold up or preparing it with a form that scrolls, rolls, unrolls, folds, or unfolds; (iv) a rigid mount system or a combination rigid and wire mount system capable of displaying the canvas support medium or the image from a wall; (v) a means of displaying the canvas support medium or image that leaves negative space between it and the wall, ceiling, floor or other structure from which it is displayed; or (vi) a means of being self supportive or freestanding. 7. The method of claim 5 wherein the canvas support medium or the art, design or architecture made therewith, thereupon or therefrom referred to herein as the image is prepared with a property provided or enhanced by a fine-art stabilizer that is: a supportive layer, an image support stabilizer, a separating layer stabilizer, a strengthening stabilizer, a surface preparation stabilizer that enhances or enables bonding to superimposed mediums, a stabilizer that provides or enhances color stability, a stabilizer that provides or enhances stability when exposed to ultraviolet light, a stabilizer that enhances permanence, or a stabilizer that is a processing aid; a fine-art stabilizer that partially or completely shields or blocks one or more vulnerable or potentially vulnerable parts of the canvas support medium or the image from moisture, oxygen, ultraviolet light, agents used to clean or care for it or them, or other agents that otherwise would or that otherwise have the risk of undesirably modifying, changing or damaging the shielded part or parts of, or the rest of the form of the canvas support medium and/or the image; a fine-art stabilizer that is a barrier, a means of encapsulation or a shield protecting the canvas support medium, the image, conductive polymer, the display, the OLED, or part of any of these against the ingress of moisture, water, oxygen or any agent that will or might modify, damage or destroy a property of the conductive polymer, the display, the canvas support medium, or the image, or a fine-art stabilizer that is: energy, electrical current or electricity conducted by the conductive polymer; a form, device, battery, solar cell, electrode, anode, cathode, or wire that supplies, conducts or carries energy to the conductive polymer; spin casting, ink jet printing or other printing process used to apply conductive polymer; an aid used to process the conductive polymer; a solvent or liquid that enables or enhances solution processing of the conductive polymer; a dopant or agent used to treat polymer so that it becomes conductive or more conductive or this doping process or treatment. 8. A method for making a synthetic fine-artist's image-making canvas support medium as a new reinvented version of the conventional utilitarian fine artist's canvas, wherein the new reinvented canvas support medium facilitates the creation of art, design or architecture therewith, thereupon or therefrom, referred to herein as an image, which method comprises: preparing the canvas support medium with at least one non-conductive or poorly conductive polymer and forming it with an aesthetic texture made by taking one or more negative or positive impressions from one or more organic or natural materials, to make texture on the canvas support medium that resembles the organic or natural material's texture or each organic or natural materials' texture, a negative impression of it or them, or a combination of these, or such a texture made on the canvas support medium from at least part of a Nymphaeaceae Victoria also known as an Amazon Water-lily, and the canvas support medium is made so that one or more of its polymers are in an amount sufficient to provide or enable the image to have at least one aesthetic element, so that the reinvented canvas support medium facilitates artistic expression, and the creation and display of an aesthetic image that is art, design or architecture made therewith, thereupon or therefrom that is a work or object for visual observation or display and a whole in and of itself with distinct boundaries or edges; and the method also requires one or more of (A)-(G) below: (A) making the canvas support medium: opaque, planar and two dimensional, or making the canvas support medium transparent, translucent or both to allow light to pass into it or through it, and the at least one polymer is poly(methyl methacrylate) or acrylic, or it is a polymer made with a methacrylate ester or methacrylamide derivative and one or more of (i)-(iv): (i) an impact modifier stabilizer is present, a stabilizer is present that enhances or enables bonding or that is a surface preparation stabilizer layer; a stabilizer is present that provides or enhances the ability of the canvas support medium, the image or both to remain color stable or to remain unchanged with exposure to ultraviolet light; or a stabilizer is present that affects surface flow or leveling, or that facilitates superimposing applications; (ii) the at least one polymer is partially or entirely 2D planar; (iii) the at least one polymer is partially but not completely made with poly(methyl methacrylate) or acrylic, or is made with a methacrylate ester or methacrylamide derivative with at least one different polymer or monomer, or with a strengthening stabilizer that is a surfacing veil fiberglass or that is fiber located in a transparent or translucent polymer part of the canvas support medium, wherein this fiber is capable of being largely invisible or invisible to the unaided human eye when used within or under transparent colorless polymer or when used within or under transparent colorless polymer that penetrates it, that is at least about a quarter of an inch thick, or both; or (iv) the at least one polymer is partially but not completely made with poly(methyl methacrylate) or acrylic, or a methacrylate ester or methacrylamide derivative and the canvas support medium is cleaned sufficiently to render it receptive to artist's paint and to provide enhanced bond strength and permanence to facilitate development of the aesthetic image; (B) preparing the canvas support medium as a form that is partially or entirely transparent, translucent or both, capable of bonding to conventional artist's mediums, with a stabilizer that provides or enhances the ability of the formed polymer, the formed canvas support medium and the image to remain color stable or to remain unchanged with exposure to ultraviolet light, and: (i) accompanying it with instructions on developing it into an aesthetic image; (ii) cleaning it sufficiently to render it receptive to artist's paint and to provide enhanced bond strength and permanence to facilitate development of the aesthetic image; (iii) making it with a strengthening stabilizer that is not visible to viewers within it's transparent or translucent polymer form and developing it into an aesthetic image; (iv) preparing it with a means or a key part of a means of display; or (v) making the canvas support medium with two or more layers, one of which is transparent or translucent polymer and another of which makes a visible aesthetic contribution to the canvas support medium as an underlayer, or it provides or assists in the support or structure of the canvas support medium; (C) preparing the canvas support medium with a surface preparation stabilizer layer or other stabilizer in or on it's surface that enhances or enables bonding and one or more of: (i) forming the canvas support medium with a polymer surface made with a stabilizer ingredient in it that bonds or fortifies the bond between it and one or more superimposed conventional artist's mediums, wherein this stabilizer ingredient is at least one conventional artist's painting medium, primer or binder; (ii) accompanying it with instructions on developing it into an aesthetic image; (iiii) cleaning it sufficiently to render it receptive to artist's paint and to provide enhanced bond strength and permanence to facilitate development of the aesthetic image; or (iv) making the canvas support medium: opaque, planar and two dimensional, or making the canvas support medium transparent, translucent or both to allow light to pass into it or through it, and the method requires one or more of: (iv-a) adding a stabilizer to provide or enhance the ability of the formed polymer, the formed canvas medium and the image to remain color stable or to remain unchanged with exposure to ultraviolet light, (iv-b) adding a means or a key part of a means of installation or display as an aesthetic image; or (iv-c) developing the canvas support medium with a conventional artist's painting or drawing medium, or developing the canvas support medium into an aesthetic image; (D) preparing the canvas support medium with at least one absorbent polymer, with at least one conductive polymer, or with an OLED made with conductive polymer; forming the canvas support medium with deckled edges, with irregularities throughout resembling the texture of handmade paper, or with texture resembling conventional canvas; preparing the canvas support medium with a stabilizer that affects surface flow or leveling, or with a stabilizer that facilitates superimposing applications; or providing the canvas support medium with a rigid mount system or a combination rigid and wire mount system capable of displaying the canvas support medium or the image from a wall or vertical surface; (E) forming the canvas support medium with texture from an Amazon Water-lily and developing it into an aesthetic image by one or more additions which contribute to it's aesthetic that are: collage or a drawing medium; a photographic picture, emulsion, or transparency; a film or video; an electrically active layer, part or device; embedding, inlay, crystal, a hologram, a monitor, a battery or a solar cell, an air pocket, air bubbles, a light reflective or iridescent material or medium; a means of detecting or sensing a person, the environment or change, and then responding or responding by changing a color, a light property or an aesthetic element; a light source or a means of emitting sound; the ability to be interactive or at least one interactive feature or part; or a means or a key part of a means of display as an aesthetic image; (F) preparing the canvas support medium or image with a polymeric, visible, aesthetic element: (i) at least part of the positive or negative form of which functions as a lens, a Fresnel lens, a grating, a diffraction grating or a prism; a transparent or translucent lenticular lens or form; or two or more of these; (ii) with a dichroic effect, or with a photochromic effect; (iii) with an electrochromic effect whereby it responds to changes in electrical current by changing or by changing it's state of or it's level of: transparency, translucency, reflectivity, light emission employing conductive polymer, it changes the path or color of the light passing through it, or a combination of these; (iv) one or more of (i)-(iii) that serves as part or all of an image support, an image support stabilizer or an underlayer; wherein this canvas support medium or image prepared according to (i), (ii), (iii) or (iv) above is also prepared with one or more of (1)-(5) as follows: (1) it is cleaned sufficiently to render it receptive to artist's paint and to provide enhanced bond strength and permanence to facilitate development of the aesthetic image; (2) it is prepared with a surface preparation stabilizer or another stabilizer that enables or enhances bonding to conventional artist's mediums; (3) it is developed into an aesthetic image; or it is prepared according to (ii) or (iii) above and the photochromic, dichroic or eletrochromic effect provides a pictorial or design element, a picture or a drawing thereby developing it into an aesthetic image; (4) it is accompanied by instructions on how it can be developed into an aesthetic image; or (5) it is made with absorbent polymer or conductive polymer; (G) making the canvas support medium in an overall form that is geometric, nonrepresentational, or free from looking like the real natural or organic form or forms from which it's texture was made, and therefore free from being: a realistic portrayal, specimen or model that looks like the real, natural or organic form or forms from which it's texture was made, wherein preparation of the canvas support medium requires one or more of (G-A)-(G-C): (G-A) making the canvas support medium opaque, planar and two dimensional or making it transparent, translucent or both to allow light to pass into it or through it, and one or more of (i)-(viii): (i) in a planar, two dimensional form or a sheet-like form; (ii) adding stabilizer to provide or enhance the ability of the polymer or the canvas support medium to remain color stable or to remain unchanged with exposure to ultraviolet light, (iii) preparing the canvas support medium's surface with a surface preparation stabilizer layer or other stabilizer in or on it to enhance or enable bonding; (iv) accompanying this canvas support medium with instructions on how it might be further developed into an aesthetic image; (v) cleaning the canvas support medium sufficiently to render it receptive to artist's paint and to provide enhanced bond strength and permanence to facilitate development of the aesthetic image; (vi) making it with a strengthening stabilizer that is not visible to viewers within it's transparent or translucent polymer form and developing it into an aesthetic image; (vii) preparing it with a means or a key part of a means of display and developing it into an aesthetic image; or (viii) preparing the canvas support medium according to the specifications in (F), subsection (i), (ii), (iii) or (iv) above; (G-B) developing the canvas support medium with (1) and (2) as follows: (1) it is prepared with all of (a)-(d): (a) it is opaque, planar and two dimensional, or it is transparent, translucent or both, to allow light to pass into it or through it, (b) it is prepared with an at least one polymer that is one or more of (i)-(v): (i) partially but not completely poly(methyl methacrylate) or acrylic, or that is partially made with a methacrylate ester or methacrylamide derivative, (ii) poly(methyl methacrylate) or acrylic, or a methacrylate ester or methacrylamide derivative and an impact modifier stabilizer is present; a stabilizer is present to further enhance the ability of the formed canvas support medium or the image to remain color stable or to remain unchanged with exposure to ultraviolet light; or a stabilizer is present that enhances bonding or that is a surface preparation stabilizer layer; (iii) poly(methyl methacrylate) or acrylic, or a methacrylate ester or methacrylamide derivative and the canvas support medium has: deckled edges, irregularities throughout resembling the texture of handmade paper, texture resembling conventional canvas; (iv) polv(methvl methacrylate) or acrylic, or a methacrylate ester or methacrylamide derivative with a form that is 2D planar; or (v) a different polymer; (c) it is made to be color stable, or to remain unchanged with exposure to ultraviolet light, or a stabilizer is present that provides or enhances one or both of these features; and (d) it is capable of bonding to at least one conventional artist's painting medium, artist's drawing medium or photographic emulsion, or a stabilizer is present to provide or enhance this bonding, and (2) developing the canvas support medium also requires one or more of (e)-(h): (e) a means or a key part of a means for installation or display as an aesthetic image; (f) it is cleaned sufficiently to render it receptive to conventional artist's paint and to provide enhanced bond strength and permanence to facilitate further development of the aesthetic image; (g) it is accompanied by instructions on developing it into an aesthetic image; or (h) it is developed into an aesthetic image; or (G-C) preparing the canvas support medium with texture made from at least part of a Nymphaeaceae Victoria or Amazon Water-lily. 9. The method of claim 1, wherein the canvas support medium or the art, design or architecture made therewith, thereupon or therefrom referred to herein as the image is prepared according to one or more of (a)-(f): (a) developing the canvas support medium into an aesthetic image that is art, design or architecture and displaying it; or preparing the canvas support medium or image with a means or a part of a means of installation or display which is: (i) a means or a part of a means for display on a wall or vertical surface or by hanging; a hook or wire attached to enable hanging; or holes to enable hanging, (ii) a base, a stand, a frame, a backing, reinforcement, a part or a form that enables it's installation or display, or a means that enables installation or display in a manner that resembles the manner in which conventional aesthetic images are displayed for viewing; (iii) a part, parts or the means by which it can scroll, roll, unroll, fold out or fold up or preparing it with a form that scrolls, rolls, unrolls, folds, or unfolds; (iv) a rigid mount system or a combination rigid and wire mount system capable of displaying the canvas support medium or the image from a wall; (v) a means of displaying the canvas support medium or image that leaves negative space between it and the wall, ceiling, floor or other structure from which it is displayed; or (vi) a means of being self supportive or freestanding; (b) preparing a surface on the canvas support medium or image that is clean or that is cleaned sufficiently to be receptive to a conventional artist's medium or to enhance the strength and permanence of the bond formed between that surface and an artist's medium; preparing the canvas support medium or image to bond to a conventional artist's medium so that the bond endures well through the image making process and through the use or display of the resultant image, or preparing it to bond as such wherein the conventional artist's painting medium is one or more of: oil paint, water soluble oil paint, acrylic paint, alkyd paint, encaustic, paint sticks, watercolor, tempera, egg tempera, casein paint, vinyl paint, ink or gouache; or forming the canvas support medium or image so that it is as stable over time or as permanent as possible; (c) forming or developing the canvas support medium or image using conventional image making practices or using conventional practices for making art; forming or developing the canvas support medium or image by adding: a conventional image making medium, a conventional artist's medium, a primer conventionally used to make images, an underlayer, an imprimatura, a Clarifying Imprimatura, a ground, underdrawing, underpainting, painting, drawing, or collage which bonds to the canvas support medium, the image or to its polymer; adding at least one paint, ink or other colorant at two or more different spatial depths which are visible to viewers within the transparent or translucent form of the canvas support medium or image; using one or more transparent or translucent separating layers of polymer to separate one or more applications, layers or attachments of aesthetic, design or pictorial elements on the separating layer or layers' opposite sides; adding a part or layer with a refractive index different from that of the rest of the canvas support medium, the image, the nearest part thereof or any of these made of polymer; preparing the canvas support medium or image with at least one conductive polymer that provides or enables an aesthetic effect or emitted light, and also with at least one: lens, prism, grating, variation described in claim 1 (D), light effect, at least one of these that effects the light visible in or emitted from the canvas support medium or image, or one or more of these that serve as part of all of an image support; adding: an image support, a clear external layer of polymer, a colorant; a light source or a means of emitting light, a light effect or a material, a device or another means that effects light properties; a solar cell, a battery, a power source, a lens, a grating, a prism, a filter; crystal, gem, stone, fabric, paper, clay, ceramic, wood, embedding, an air bubble, a hologram, a photographic image, a photographic emulsion, or a photographic transparency; a dichroic or dichromatic ingredient; writing, text, incising, inlay, carving or embossing; texture or an ingredient that adds texture; a moving part or a means to be capable of movement, a photochromic effect; an electrically active feature, or adding an anti-glare, anti-scratch or anti-reflective coating, layer ingredient or surface; (d) making the canvas support medium or image in a shape or form that contributes to the image's aesthetic by being one or more of: representational, figurative, openwork, linear, discontinuous, non geometric, non-uniform, irregular, uneven, nonplanar, hollow, with a negative space, with an air pocket; with irregularities that make it look handmade; with at least one curve, angle or undulation; capable of folding, unfolding, rolling out or scrolling; with two or more parts that are joined or separate; with all edges deckled; with a form that is partially or entirely: layered, opaque, transparent, or translucent; with a form, a planar form or a planar two dimensional form that is transparent or translucent and polymeric, and that has two or more light sources in it or attached to it; or with a transparent, planar, two dimensional polymeric form that has multiple light sources, OLEDs or other LEDs in it or attached to it; or forming or developing the canvas support medium or image so that it has two or more layers, with at least one layer that is: partially or entirely transparent or translucent or such a layer that is external; a polymeric or non polymeric image support, image support stabilizer or strengthening stabilizer; made with or of glass, fabric, embedding, polymer, conductive polymer, a device, a light effect, an aesthetic element that uses electricity, or a non polymeric aesthetic ingredient; providing color, or an internal layer or back layer providing color; or a combination of these; (e) preparing the canvas support medium or image with: a computer or part of a computer, an interactive feature, an interactive part or a means of being capable of interactivity; sound, music, a microphone or a speaker; a control mechanism or device, a viewer input device, a switch, a button, a touch control, a mechanism or device which enables control or change when pressure is applied, a drawing device, a trackball, a mouse, a means of responding to sound or voice command; voice recognition technology; a means of controlling or changing the canvas support medium or image from a distance, via wireless communication or via a broadcast method; a sensor, a means of sensing or detecting a viewer, movement, sound, or change in light or in the environment, or such a means of sensing or detecting with a means of responding or of responding by changing an aesthetic element of the canvas support medium or image; or a means so that an image maker or viewer can control, change or vary the electrical current, color, light, form, movement or an aesthetic element in the canvas support medium or image; or making the canvas support medium, image or part thereof change in relation to change in natural light or skylight; or making it portray the sky or the light of the sky, wherein this portrayal is static, it changes, it can be changed, or an image maker or a viewer can change it this portrayal is abstract, representational, realistic, surrealistic, with figures, with landscape, with a still life or it is illusionary; this portrayal is at least partially formed with light in one or more colors, or this portrayal is at least partially formed by color or light changing as the sky changes or in a manner that portrays or represents the sky; or (f) the canvas support medium or image made with an aesthetic effect created by electricity that causes the positions of particles, of liquid crystals, or of liquid crystals in a polymer layer or matrix to change. 10. The method of claim 3, wherein the canvas support medium or the art, design or architecture made therewith, thereupon or therefrom referred to herein as the image is prepared by one or more of (a)-(f): (a) developing the canvas support medium into an aesthetic image that is art, design or architecture and displaying it or preparing the canvas support medium or image with a means or a part of a means of installation or display which is: (i) a means or a part of a means for display on a wall or vertical surface or by hanging; a hook or wire attached to enable hanging; or holes to enable hanging, (ii) a base, a stand, a frame, a backing, reinforcement, a part or a form that enables it's installation or display, or a means that enables installation or display in a manner that resembles the manner in which conventional aesthetic images are displayed for viewing; (iii) a part, parts or the means by which it can scroll, roll, unroll, fold out or fold up or preparing it with a form that scrolls, rolls, unrolls, folds, or unfolds; (iv) a rigid mount system or a combination rigid and wire mount system capable of displaying the canvas support medium or the image from a wall; (v) a means of displaying the canvas support medium or image that leaves negative space between it and the wall, ceiling, floor or other structure from which it is displayed; or (vi) a means of being self supportive or freestanding; (b) preparing a surface on the canvas support medium or image that is clean or that is cleaned sufficiently to be receptive to a conventional artist's medium or to enhance the strength and permanence of the bond formed between that surface and an artist's medium; preparing the canvas support medium or image to bond to a conventional artist's mediums so that the bond endures well through the image making process and through the use or display of the resultant image, or preparing it to bond as such wherein the conventional artist's painting medium is one or more of: oil paint, water soluble oil paint, acrylic paint, alkyd paint, encaustic, paint sticks, watercolor, tempera, egg tempera, casein paint, vinyl paint, ink or gouache; or forming the canvas support medium or image so that it is as stable over time or as permanent as possible; (c) forming or developing the canvas support medium or image using conventional image making practices or using conventional practices for making art; forming or developing the canvas support medium or image by adding: a conventional image making medium, a conventional artist's medium, a primer conventionally used to make images, an underlayer, an imprimatura, a Clarifying Imprimatura, a ground, underdrawing, underpainting, painting, drawing, or collage which bonds to the canvas support medium, the image or to its polymer; adding at least one paint, ink or other colorant at two or more different spatial depths which are visible to viewers within the transparent or translucent form of the canvas support medium or image; using one or more transparent or translucent separating layers of polymer to separate one or more applications, layers or attachments of aesthetic, design or pictorial elements on the separating layer or layers' opposite sides; adding a part or layer with a refractive index different from that of the rest of the canvas support medium, the image, the nearest part thereof or any of these made of polymer; preparing the canvas support medium or image with at least one conductive polymer that provides or enables an aesthetic effect or emitted light, and also with at least one: lens, prism, grating, variation described in claim 3 (D), light effect, at least one of these that effects the light visible in or emitted from the canvas support medium or image, or one or more of these that serve as part of all of an image support; adding: an image support, a clear external layer of polymer, a colorant; a light source or a means of emitting light, a light effect or a material, a device or another means that effects light properties; a solar cell, a battery, a power source, a lens, a grating, a prism, a filter; crystal, gem, stone, fabric, paper, clay, ceramic, wood, embedding, an air bubble, a hologram, a photographic image, a photographic emulsion, or a photographic transparency; a dichroic or dichromatic ingredient; writing, text, incising, inlay, carving or embossing; texture or an ingredient that adds texture; a moving part or a means to be capable of movement, a photochromic effect; an electrically active feature, or adding an anti-glare, anti-scratch or anti-reflective coating, layer, ingredient or surface; (d) making the canvas support medium or image in a shape or form that contributes to the image's aesthetic by being one or more of: representational, figurative, openwork, linear, discontinuous, non geometric, hollow, with a negative space, with an air pocket; with irregularities that make it look handmade; with at least one curve, angle or undulation; capable of folding, unfolding, rolling out or scrolling; with two or more parts that are joined or separate; with all edges deckled; with a form that is partially or entirely: layered, opaque, transparent, or translucent; with a form, a planar form or a planar two dimensional form that is transparent or translucent and polymeric, and that has two or more light sources in it or attached to it; or with a transparent, planar, two dimensional polymeric form that has multiple light sources, OLEDs or other LEDs in it or attached to it; or forming or developing the canvas support medium or image so that it has two or more layers, with at least one layer that is: partially or entirely transparent or translucent or such a layer that is external; a polymeric or non polymeric image support, image support stabilizer or strengthening stabilizer; made with or of glass, fabric, embedding, polymer, conductive polymer, a device, a light effect, an aesthetic element that uses electricity, or a non polymeric aesthetic ingredient; providing color, or an internal layer or back layer providing color; or a combination of these; (e) preparing the canvas support medium or image with: a computer or part of a computer, an interactive feature, an interactive part or a means of being capable of interactivity; sound, music, a microphone or a speaker; a control mechanism or device, a viewer input device, a switch, a button, a touch control, a mechanism or device which enables control or change when pressure is applied, a drawing device, a trackball, a mouse, a means of responding to sound or voice command; voice recognition technology; a means of controlling or changing the canvas support medium or image from a distance, via wireless communication or via a broadcast method; a sensor, a means of sensing or detecting a viewer, movement, sound, or change in light or in the environment, or such a means of sensing or detecting with a means of responding or of responding by changing an aesthetic element of the canvas support medium or image; or a means so that an image maker or viewer can control, change or vary the electrical current, color, light, form, movement or an aesthetic element in the canvas support medium or image; or making the canvas support medium, image or part thereof change in relation to change in natural light or skylight; or making it portray the sky or the light of the sky, wherein this portrayal is static, it changes, it can be changed, or an image maker or a viewer can change it; this portrayal is abstract, representational, realistic, surrealistic, with figures, with landscape, with a still life or it is illusionary; this portrayal is at least partially formed with light in one or more colors, or this portrayal is at least partially formed by color or light changing as the sky changes or in a manner that portrays or represents the sky; or (f) the canvas support medium or image made with an aesthetic effect created by electricity that causes the positions of particles, of liquid crystals, or of liquid crystals in a polymer layer or matrix to change; wherein the methods of developing the canvas support medium or aesthetic image listed in (a)-(f) above or other methods of development maintain, interrupt or change the uniformity, regularity or flexibility of their forms. 11. The method of claim 4, wherein the canvas support medium or the art, design or architecture made therewith, thereupon or therefrom referred to herein as the image is prepared by one or more of (a)-(f): (a) developing the canvas support medium into an aesthetic image that is art, design or architecture and displaying it or preparing the canvas support medium or image with a means or a part of a means of installation or display which is: (i) a means or a part of a means for display on a wall or vertical surface or by hanging; a hook or wire attached to enable hanging; or holes to enable hanging, (ii) a base, a stand, a frame, a backing, reinforcement, a part or a form that enables it's installation or display, or a means that enables installation or display in a manner that resembles the manner in which conventional aesthetic images are displayed for viewing; (iii) a part, parts or the means by which it can scroll, roll, unroll, fold out, or fold up, or preparing it with a form that scrolls, rolls, unrolls, folds, or unfolds; (iv) a rigid mount system or a combination rigid and wire mount system capable of displaying the canvas support medium or the image from a wall; or (v) a means of displaying the canvas support medium or image that leaves negative space between it and the wall, ceiling, floor or other structure from which it is displayed; or (vi) a means of being self supportive or freestanding; (b) preparing a surface on the canvas support medium or image that is clean or that is cleaned sufficiently to be receptive to a conventional artist's medium or to enhance the strength and permanence of the bond formed between that surface and an artist's medium; preparing the canvas support medium or image to bond to a conventional artist's mediums so that the bond endures well through the image making process and through the use or display of the resultant image, or preparing it to bond as such wherein the conventional artist's painting medium is one or more of: oil paint, water soluble oil paint, acrylic paint, alkyd paint, encaustic, paint sticks, watercolor, tempera, egg tempera, casein paint, vinyl paint, ink or gouache; or forming the canvas support medium or image so that it is as stable over time or as permanent as possible; (c) forming or developing the canvas support medium or image using conventional image making practices or using conventional practices for making art; forming or developing the canvas support medium or image by adding: a conventional image making medium, a conventional artist's medium, a primer conventionally used to make images, an underlayer, an imprimatura, a Clarifying Imprimatura, a ground, underdrawing, underpainting, painting, drawing, or collage which bonds to the canvas support medium, the image or to its polymer; using one or more transparent or translucent separating layers of polymer to separate one or more applications, layers or attachments of aesthetic, design or pictorial elements on the separating layer or layers' opposite sides; adding a part or layer with a refractive index different from that of the rest of the canvas support medium, the image, the nearest part thereof or any of these made of polymer; preparing the canvas support medium or image with at least one conductive polymer that provides or enables an aesthetic effect or emitted light, and also with at least one: lens, prism, grating, variation described in claim 4 (E), light effect, at least one of these that effects the light visible in or emitted from the canvas support medium or image, or one or more of these that serve as part of all of an image support; or adding: an image support, a clear external layer of polymer, a colorant; a light source or a means of emitting light, a light effect or a material, a device or another means that effects light properties; a solar cell, a battery, a power source, a lens, a grating, a prism, a filter; crystal, gem, stone, fabric, paper, clay, ceramic, wood, embedding, an air bubble, a hologram, a photographic image, a photographic emulsion, or a photographic transparency; a dichroic or dichromatic ingredient; writing, text, incising, inlay, carving or embossing; texture or an ingredient that adds texture; a moving part or a means to be capable of movement, a photochromic effect; an electrically active feature, or adding an anti-glare, anti-scratch or anti-reflective coating, layer, ingredient or surface; (d) making the canvas support medium or image in a shape or form that contributes to the image's aesthetic by being one or more of: representational, figurative, openwork, linear, non geometric, hollow, with a negative space, with an air pocket; with irregularities that make it look handmade; with at least one curve, or undulation; capable of folding, unfolding, rolling out or scrolling; with two or more parts that are joined or separate; with all edges deckled; with a form that is partially or entirely: layered, opaque, transparent, or translucent; with a form, or a two dimensional form that is transparent or translucent and polymeric, and that has two or more light sources in it or attached to it; or with a transparent, planar, two dimensional polymeric form that has multiple light sources, OLEDs or other LEDs in it or attached to it; or forming or developing the canvas support medium or image so that it has two or more layers, with at least one layer that is: partially or entirely transparent or translucent or such a layer that is external; a polymeric or non polymeric image support, image support stabilizer or strengthening stabilizer; made with or of glass, fabric, embedding, polymer, conductive polymer, a device, a light effect, an aesthetic element that uses electricity, or a non polymeric aesthetic ingredient; providing color, or an internal layer or back layer providing color; or a combination of these; (e) preparing the canvas support medium or image with: a computer or part of a computer, an interactive feature, an interactive part or a means of being capable of interactivity; sound, music, a microphone or a speaker; a control mechanism or device, a viewer input device, a switch, a button, a touch control, a mechanism or device which enables control or change when pressure is applied, a drawing device, a trackball, a mouse, a means of responding to sound or voice command; voice recognition technology; a means of controlling or changing the canvas support medium or image from a distance, via wireless communication or via a broadcast method; a sensor, a means of sensing or detecting a viewer, movement, sound, or change in light or in the environment, or such a means of sensing or detecting with a means of responding or of responding by changing an aesthetic element of the canvas support medium or image; or a means so that an image maker or viewer can control, change or vary the electrical current, color, light, form, movement or an aesthetic element in the canvas support medium or image; or making the canvas support medium, image or part thereof change in relation to change in natural light or skylight; or making it portray the sky or the light of the sky, wherein this portrayal is static, it changes, it can be changed, or an image maker or a viewer can change it; this portrayal is abstract, representational, realistic, surrealistic, with figures, with landscape, with a still life or it is illusionary; this portrayal is at least partially formed with light in one or more colors, or this portrayal is at least partially formed by color or light changing as the sky changes or in a manner that portrays or represents the sky; or (f) the canvas support medium or image made with an aesthetic effect created by electricity that causes the positions of particles, of liquid crystals, or of liquid crystals in a polymer layer or matrix to change; wherein the methods of developing the canvas support medium or aesthetic image listed in (a)-(f) above or other methods of development maintain, interrupt or change the uniformity, regularity, flexibility or thinness of their forms. 12. The method of claim 1, wherein the canvas support medium or the art, design or architecture made therewith, thereupon or therefrom referred to herein as the image is prepared by one or more of (a)-(h): (a) making the canvas support medium or image with: (i) a co-polymer wherein one monomer is methacrylate ester, methacrylamide derivative or methyl methacrylate; (ii) a co-polymer wherein one monomer is methacrylate ester, methacrylamide derivative or methyl methacrylate and another is a monomer that enhances the strength or rigidity of the resultant polymer, canvas support medium or image; (iii) a mixture wherein one polymer is poly(methyl methacrylate) or it is made from methacrylate ester or methacrylamide derivative; or (iv) a mixture wherein the polymer is made with poly(methyl methacrylate) or a polymer made from methacrylate ester or methacrylamide derivative, and a second polymer that enhances the strength or rigidity of the resultant polymer, canvas support medium or image; (b) making the canvas support medium or image with two or more different layers, one of which is an external surface preparation stabilizer layer on the canvas support medium's or image's main surface that is made with: (b-i) a non absorbent polymer that is transparent, translucent or both, (b-ii) a synthetic absorbent polymer, or (b-iii) a combination of both, wherein this surface preparation stabilizer layer bonds well to at least one kind of conventional artist's painting medium or photographic emulsion, and it bonds well to the part of the image, the canvas support medium or the image support beneath it; (c) forming the canvas support medium or image with an at least one polymer that is absorbent and another ingredient, with the absorbent polymer used in a formulation, an amount and a design sufficient to enable or enhance the canvas support medium's or image's bond with at least one kind of superimposed conventional artist's medium which it absorbs, wherein the other ingredient is of a composition, and is used in an amount and in a design which enhances the canvas support medium's or image's mechanical or structural properties; (d) the canvas support medium or image is made with: a copolymer or a polymer mixture with at least one synthetic absorbent polymer; a synthetic absorbent polymer and a non absorbent polymer; a synthetic absorbent polymer on an image support made with non absorbent polymer; or any of these wherein the canvas support medium or image is transparent or translucent; (e) the canvas support medium or image has two or more layers or parts made of different polymers which are superimposed or connected, wherein at least one of these polymer layers or parts provides support to the medium or image, and at least one different layer or part provides or enables the image to have at least one element selected from the group consisting of an aesthetic element, transparency, translucency, an ability to emit visible light, an ability to bond to at least one superimposed application, or an ability to be further developed by cutting, carving, sculpting or incising; (f) forming the canvas support medium or image with a stabilizer that: enables or enhances it's color stability or it's ability to remain stabile with exposure to ultraviolet light; is an ultraviolet light stabilizer, an ultraviolet light absorber, or a hindered amine light stabilizer; is a fiberglass surfacing veil, or a fiber that like surfacing veil fiberglass, becomes largely invisible or invisible to the unaided human eye when used within or under transparent colorless polymer or when used within or under transparent colorless polymer that penetrates it, that is at least about a quarter of an inch thick, or both; a stabilizer that enhances permanence, a stabilizer that is a processing aid, a surface preparation stabilizer, a stabilizer that enables or enhances bonding, a strengthening stabilizer, a stabilizer that modifies the absorbency of at least some of the polymer; a stabilizer that maintains or enhances impact resistance, scratch resistance or hardness; a stabilizer that is radiation which cures or crosslinks the at least one polymer; a stabilizer that crosslinks an absorbent polymer, a stabilizer that is a crossliniking monomer used with an absorbent polymer; or the canvas support medium, the image or some or all of its polymer is reinforced by, made stiffer by, or has its means of display provided or enhanced by a strengthening stabilizer within or on it or a portion of it, or bonded to it or a portion thereof, or it has such a strengthening stabilizer that is: (1) not visible to viewers; (2) made with a different, stronger or more rigid polymer; (3) a means of display or part of a means of display, a rigid mount system or a combination rigid and wire mount system capable of displaying the canvas support medium or the image from a wall; or (4) fiber, a surfacing veil fiberglass or a fiber that like surfacing veil fiberglass, becomes largely invisible or invisible to the unaided human eye when used within or under transparent colorless polymer or when used within or under transparent colorless polymer that penetrates it, that is at least about a quarter of an inch thick, or both; (g) developing the canvas support medium or image by the application a conventional artist's drawing or painting medium to which it bonds; developing the canvas support medium or image so that it shows at least part of a drawing, picture or design, or one of these that is figurative, realistic, representational, abstract, illusionistic, a landscape, or a still life; developing the canvas support medium or the aesthetic image as a mural on a wall, ceiling or other architectural structure; or (h) making the canvas support medium or image so that serves a second utilitarian function in addition to it's function for image making; preparing the image to serve a utilitarian function, or making the canvas support medium or image function as: a door, a gate, a fence, a stage set, a partition, a screen, furniture, a table, a chair, a stool, a chest, a cabinet, a cart, a bench, a tent, an awning, a fountain, a basket, a case or container, a light fixture, candelabrum, a window, a skylight, a lunette, shades, shutters, a tile, a column, or a set, grouping or compositional arrangement of these that is a single work; a building facade, a wall, a ceiling, a floor, stairs or another architectural form or structure; craft design, a vase, a bowl, a tray, a cup or goblet, a plate, a dish, a pitcher, a soup tureen, a placemat, or a work of design for household use; an altar, a menorah or an image for spiritual or religious use; a book or pad that is a new version of the conventional image making blank book or blank paper pad capable of being developed into visual pictorial image, or a plurality of associated sheets arranged in a book or pad form capable of such image making; an image of graphic design or book design free or nearly free of visible legible text; an image of design, fashion design, clothing, a fashion or clothing accessory, jewelry, a hat, a belt, a purse, a tote bag, or a costume. 13. The method of claim 3, wherein the canvas support medium or the art, design or architecture made therewith, thereupon or therefrom referred to herein as the image is prepared by one or more of (a)-(h): (a) making the canvas support medium or image with: (i) a co-polymer wherein one monomer is methacrylate ester, methacrylamide derivative or methyl methacrylate; (ii) a co-polymer wherein one monomer is methacrylate ester, methacrylamide derivative or methyl methacrylate and another is a monomer that enhances the strength, rigidity, flexibility or permanence of the resultant polymer, canvas support medium or image; (iii) a mixture wherein one polymer is poly(methyl methacrylate) or it is made from methacrylate ester or methacrylamide derivative; or (iv) a mixture wherein the polymer is made with poly(methyl methacrylate) or a polymer made from methacrylate ester or methacrylamide derivative, and a second polymer that enhances the strength, rigidity, flexibility or permanence of the resultant polymer, canvas support medium or image; (b) making the canvas support medium or image with two or more different layers, one of which is an external surface preparation stabilizer layer on the canvas support medium's or image's main surface that is made with: (b-i) a non absorbent polymer that is transparent, translucent or both, (b-ii) a synthetic absorbent polymer, or (b-iii) a combination of both, wherein this surface preparation stabilizer layer bonds well to at least one kind of conventional artist's painting medium or photographic emulsion, and it bonds well to the part of the image, the canvas support medium or image support beneath it; (c) forming the canvas support medium or image with an at least one polymer that is absorbent and another ingredient, with the absorbent polymer used in a formulation, an amount and a design sufficient to enable or enhance the canvas support medium's or image's bond with at least one kind of superimposed conventional artist's medium which it absorbs, wherein the other ingredient is of a composition, and is used in an amount and in a design which enhances the canvas support medium's or image's mechanical or structural properties; (d) the canvas support medium or image is made with: a copolymer or a polymer mixture with at least one synthetic absorbent polymer; a synthetic absorbent polymer and a non absorbent polymer; a synthetic absorbent polymer on an image support made with non absorbent polymer; or any of these wherein the canvas support medium or image is transparent or translucent; (e) the canvas support medium or image has two or more layers or parts made of different polymers which are superimposed or connected, wherein at least one of these polymer layers or parts provides support to the medium or image, and at least one different layer or part provides or enables the image to have at least one element selected from the group consisting of an aesthetic element, transparency, translucency, an ability to emit visible light, an ability to bond to at least one superimposed application, or an ability to be further developed by cutting, carving, sculpting or incising; (f) forming the canvas support medium or image with a stabilizer that: enables or enhances it's color stability or it's ability to remain stabile with exposure to ultraviolet light; is an ultraviolet light stabilizer, an ultraviolet light absorber, or a hindered amine light stabilizer; is a fiberglass surfacing veil, or a fiber that like surfacing veil fiberglass, becomes largely invisible or invisible to the unaided human eye when used within or under transparent colorless polymer or when used within or under transparent colorless polymer that penetrates it, that is at least about a quarter of an inch thick, or both; a stabilizer that enhances permanence, a stabilizer that is a processing aid, a surface preparation stabilizer, a stabilizer that enables or enhances bonding or flexibility, a strengthening stabilizer, a stabilizer that modifies the absorbency of at least some of the polymer; a stabilizer that maintains or enhances impact resistance, scratch resistance or hardness; a stabilizer that is radiation which cures or crosslinks the at least one polymer; a stabilizer that crosslinks an absorbent polymer, a stabilizer that is a crossliniking monomer used with an absorbent polymer; or the canvas support medium, the image or some or all of its polymer is reinforced by or has its means of display provided or enhanced by a strengthening stabilizer within or on it or a portion of it, or bonded to it or a portion thereof, or it has such a strengthening stabilizer that is: (1) not visible to viewers; (2) made with a different, stronger or more rigid polymer; (3) a means of display or part of a means of display, or (4) fiber, a surfacing veil fiberglass or a fiber that like surfacing veil fiberglass, becomes largely invisible or invisible to the unaided human eye when used within or under transparent colorless polymer or when used within or under transparent colorless polymer that penetrates it, that is at least about a quaffer of an inch thick, or both; (g) developing the canvas support medium or image by the application a conventional artist's drawing or painting medium to which it bonds; developing the canvas support medium or image so that it shows at least part of a drawing, picture or design, or one of these that is figurative, realistic, representational, abstract, illusionistic, a landscape, or a still life; developing the canvas support medium or the aesthetic image as a mural; or (h) making the canvas support medium or image so that serves a second utilitarian function in addition to it's function for image making; preparing the image to serve a utilitarian function, or making the canvas support medium or image function as: a door, a gate, a fence, a stage set, a partition, a screen, furniture, a table, a chair, a stool, a chest, a cabinet, a cart, a bench, a tent, an awning, a fountain, a basket, a case or container, a light fixture, candelabrum, a window, a skylight, a lunette, shades, shutters, a tile, a column, or a set, grouping or compositional arrangement of these that is a single work; a building facade, a wall, a ceiling, a floor, stairs or another architectural form or structure; craft design, a vase, a bowl, a tray, a cup or goblet, a plate, a dish, a pitcher, a soup tureen, a placemat, or a work of design for household use; an altar, a menorah or an image for spiritual or religious use; a book or pad that is a new version of the conventional image making blank book or blank paper pad capable of being developed into visual, pictorial or design image, or a plurality of associated sheets arranged in a book or pad form capable of such image making; an image of graphic design or book design free or nearly free of visible legible text; an image of design, fashion design, clothing, a fashion or clothing accessory, jewelry, a hat, a belt, a purse, a tote bag, or a costume; wherein the methods of developing the canvas support medium or aesthetic image listed in (a)-(h) above or other methods of development maintain, interrupt or change the uniformity, regularity or flexibility of their forms. 14. The method of claim 4, wherein the canvas support medium or the art, design or architecture made therewith, thereupon or therefrom referred to herein as the image is prepared by one or more of (a)-(h): (a) making the canvas support medium or image with: (i) a co-polymer wherein one monomer is methacrylate ester, methacrylamide derivative or methyl methacrylate; (ii) a co-polymer wherein one monomer is methacrylate ester, methacrylamide derivative or methyl methacrylate and another is a monomer that enhances the strength, rigidity, flexibility or permanence of the resultant polymer, canvas support medium or image; (iii) a mixture wherein one polymer is poly(methyl methacrylate) or it is made from methacrylate ester or methacrylamide derivative; or (iv) a mixture wherein the polymer is made with poly(methyl methacrylate) or a polymer made from methacrylate ester or methacrylamide derivative, and a second polymer that enhances the strength, rigidity, flexibility or permanence of the resultant polymer, canvas support medium or image; (b) making the canvas support medium or image with two or more different layers, one of which is an external surface preparation stabilizer layer on the canvas support medium's or image's main surface that is made with: (b-i) a non absorbent polymer that is transparent, translucent or both, (b-ii) a synthetic absorbent polymer, or (b-iii) a combination of both, wherein this surface preparation stabilizer layer bonds well to at least one kind of conventional artist's painting medium or photographic emulsion, and it bonds well to the part of the image, the canvas support medium or image support beneath it; (c) forming the canvas support medium or image with an at least one polymer that is absorbent and another ingredient, with the absorbent polymer used in a formulation, an amount and a design sufficient to enable or enhance the canvas support medium's or image's bond with at least one kind of superimposed conventional artist's medium which it absorbs, wherein the other ingredient is of a composition, and is used in an amount and in a design which enhances the canvas support medium's or image's mechanical or structural properties; (d) the canvas support medium or image is made with: a copolymer or a polymer mixture with at least one synthetic absorbent polymer; a synthetic absorbent polymer and a non absorbent polymer; a synthetic absorbent polymer on an image support made with non absorbent polymer; or any of these wherein the canvas support medium or image is transparent or translucent; (e) the canvas support medium or image has two or more layers or parts made of different polymers which are superimposed or connected, wherein at least one of these polymer layers or parts provides support to the medium or image, and at least one different layer or part provides or enables the image to have at least one element selected from the group consisting of an aesthetic element, transparency, translucency, an ability to emit visible light, an ability to bond to at least one superimposed application, or an ability to be further developed by cutting, incising or a subtractive process; (f) forming the canvas support medium or image with a stabilizer that: enables or enhances it's color stability or it's ability to remain stabile with exposure to ultraviolet light; is an ultraviolet light stabilizer, an ultraviolet light absorber, or a hindered amine light stabilizer; is a fiberglass surfacing veil, or a fiber that like surfacing veil fiberglass, becomes largely invisible or invisible to the unaided human eye when used within or under transparent colorless polymer or when used within or under transparent colorless polymer that penetrates it, that is at least about a quarter of an inch thick, or both; a stabilizer that enhances permanence, a stabilizer that is a processing aid, a surface preparation stabilizer, a stabilizer that enables or enhances bonding or flexibility, a strengthening stabilizer, a stabilizer that modifies the absorbency of at least some of the polymer; a stabilizer that maintains or enhances impact resistance, scratch resistance or hardness; a stabilizer that is radiation which cures or crosslinks the at least one polymer; a stabilizer that crosslinks an absorbent polymer, a stabilizer that is a crossliniking monomer used with an absorbent polymer; or the canvas support medium, the image or some or all of its polymer is reinforced by or has its means of display provided or enhanced by a strengthening stabilizer within or on it or a portion of it, or bonded to it or a portion thereof, or it has such strengthening stabilizer that is: (1) not visible to viewers; (2) made with a different, stronger or more rigid polymer; (3) a means of display or part of a means of display, or (4) fiber, a surfacing veil fiberglass or a fiber that like surfacing veil fiberglass, becomes largely invisible or invisible to the unaided human eye when used within or under transparent colorless polymer or when used within or under transparent colorless polymer that penetrates it, that is at least about a quarter of an inch thick, or both; (g) developing the canvas support medium or image by the application a conventional artist's drawing or painting medium to which it bonds; developing the canvas support medium or image so that it shows at least part of a drawing, picture or design, or one of these that is figurative, realistic, representational, abstract, illusionistic, a landscape, or a still life; developing the canvas support medium or the aesthetic image as a mural; or (h) making the canvas support medium or image so that serves a second utilitarian function in addition to it's function for image making; preparing the image to serve a utilitarian function, or developing the canvas support medium or image with properties or features useful for creating an aesthetic image, that also has a second utilitarian function either (i) in it's 2D planar form, or (ii) with it's 2D planar form augmented by the addition of matter or augmented by it's superimposition on another form; or developing the canvas support medium or image so that it functions as: a door, a gate, a fence, a stage set, a partition, a screen, furniture, a table, a chair, a stool, a chest, a cabinet, a cart, a bench, a tent, an awning, a fountain, a basket, a case or container, a light fixture, candelabrum, a window, a skylight, a lunette, shades, shutters, a tile, a column, or a set, grouping or compositional arrangement of these that is a single work; a building facade, a wall, a ceiling, a floor, stairs or another architectural form or structure; craft design, a vase, a bowl, a tray, a cup or goblet, a plate, a dish, a pitcher, a soup tureen, a placemat, or a work of design for household use; an altar, a menorah or an image for spiritual or religious use; a book or pad that is a new version of the conventional image making blank book or blank paper pad capable of being developed into visual pictorial or design image, or a plurality of associated sheets arranged in a book or pad form capable of such image making; an image of graphic design or book design free or nearly free of visible legible text; an image of design, fashion design, clothing, a fashion or clothing accessory, jewelry, a hat, a belt, a purse, a tote bag, or a costume; wherein the methods of developing the canvas support medium or aesthetic image listed in (a)-(h) above or other methods of development maintain, interrupt or change the uniformity, regularity, flexibility or thinness of their forms. 15. The method of claim 8 which requires preparing the canvas support medium or the art, design or architecture made therewith, thereupon or therefrom referred to herein as the image with one or more of (a)-(g): (a) developing the canvas support medium into an aesthetic image that is art, design or architecture and displaying it; or preparing the canvas support medium or image with a means or a part of a means of installation or display which is: (i) a means or a part of a means for display on a wall or vertical surface or by hanging; a hook or wire attached to enable hanging; or holes to enable hanging, (ii) a base, a stand, a frame, a backing, reinforcement, a part or a form that enables it's installation or display, or a means that enables installation or display in a manner that resembles the manner in which conventional aesthetic images are displayed for viewing; (iii) a part, parts or the means by which it can scroll, roll, unroll, fold out or fold up or preparing it with a form that scrolls, rolls, unrolls, folds, or unfolds; (iv) a rigid mount system or a combination rigid and wire mount system capable of displaying the canvas support medium or the image from a wall; (v) a means of displaying the canvas support medium or image that leaves negative space between it and the wall, ceiling, floor or other structure from which it is displayed; or (vi) a means of being self supportive or freestanding; (b) preparing a surface on the canvas support medium or image that is clean or that is cleaned sufficiently to be receptive to a conventional artist's medium or to enhance the strength and permanence of the bond formed between that surface and an artist's medium; preparing the canvas support medium or image to bond to a conventional artist's mediums so that the bond endures well through the image making process and through the use or display of the resultant image; (c) forming or developing the canvas support medium or image using conventional image making practices or using conventional practices for making art; forming or developing the canvas support medium or image by adding: a conventional image making medium, a conventional artist's medium, a primer conventionally used to make images, an underlayer, an imprimatura, a Clarifying Imprimatura, a ground, underdrawing, underpainting, drawing, painting or collage which bonds to the image, the canvas support medium or to its polymer; adding at least one paint, ink or other colorant at two or more different spatial depths which are visible to viewers within the transparent or translucent form of the canvas support medium or image; adding a part or layer with a refractive index different from that of the rest of the canvas support medium, the image, the nearest part thereof or any of these made of polymer; preparing the canvas support medium or image with at least one conductive polymer that provides or enables an aesthetic effect or emitted light, and also with at least one: lens, prism, grating, variation described in claim 8, light effect, at least one of these that effects the light visible in or emitted from the canvas support medium or image, or one or more of these that serve as part of all of an image support; or adding: a colorant; an image support, a clear external polymer layer, a light source or a means of emitting light, a light effect or a material, a device or another means that effects light properties; a solar cell, a battery, a power source, a lens, a grating, a prism, a filter; crystal, gem, stone, fabric, paper, clay, ceramic, wood, embedding, an air bubble, a hologram, a photographic image, a photographic emulsion, or a photographic transparency; a dichroic or dichromatic effect; writing, text, incising, inlay, carving or embossing; texture or an ingredient that adds texture; a moving part or a means to be capable of movement; a photochromic effect; an electrically active feature, or adding an anti-glare, anti-scratch or anti-reflective coating, layer, ingredient or surface; (d) preparing the canvas support medium or image with: a computer or part of a computer, an interactive feature, an interactive part or a means of being capable of interactivity; sound, music, a microphone or a speaker; a control mechanism or device, a viewer input device, a switch, a button, a touch control, a mechanism or device which enables control or change when pressure is applied, a drawing device, a trackball, a mouse, a means of responding to sound or voice command; voice recognition technology; a means of controlling or changing the canvas support medium or image from a distance, via wireless communication or via a broadcast method; a sensor, a means of sensing or detecting a viewer, movement, sound, or change in light or in the environment, or such a means of sensing or detecting with a means of responding or of responding by changing an aesthetic element of the canvas support medium or image; or a means so that an image maker or viewer can control, change or vary the electrical current, color, light, form, movement or an aesthetic element in the canvas support medium or image; or making the canvas support medium, image or part thereof change in relation to change in natural light or skylight; or making it portray the sky or the light of the sky, wherein this portrayal is static, it changes, it can be changed, or an image maker or a viewer can change it; this portrayal is abstract, representational, realistic, surrealistic, with figures, with landscape, with a still life or it is illusionary; this portrayal is at least partially formed with light in one or more colors, or this portrayal is at least partially formed by color or light changing as the sky changes or in a manner that portrays or represents the sky; (e) making the canvas support medium or image in a shape or form that contributes to the image's aesthetic by being one or more of: representational, figurative, openwork, linear, discontinuous, non geometric, non-uniform, irregular, uneven, nonplanar, hollow, with a negative space, with an air pocket; with irregularities that make it look handmade; with at least one curve, angle or undulation; capable of folding, unfolding, rolling out, rolling up or scrolling; with two or more parts that are joined or separate; with all edges deckled; with a form that is partially or entirely: layered, opaque, transparent, or translucent; with a form, a planar form or a planar two dimensional form that is transparent or translucent and polymeric, and that has two or more light sources in it or attached to it; or with a transparent, planar, two dimensional polymeric form that has multiple light sources, OLEDs or other LEDs in it or attached to it; or forming or developing the canvas support medium or image so that it has two or more layers, with at least one layer that is: partially or entirely transparent or translucent or such a layer that is external; a polymeric or non polymeric image support, image support stabilizer or strengthening stabilizer; made with or of glass, fabric, embedding, polymer, conductive polymer, a device, a light effect, an aesthetic element that uses electricity, or a non polymeric aesthetic ingredient; providing color, or an internal layer or back layer providing color; or a combination of these; (f) developing the canvas support medium or image so that it shows at least part of a drawing, picture or design, or one of these that is figurative, realistic, representational, abstract, illusionistic, a landscape, or a still life; or the canvas support medium or image has an aesthetic effect created by electricity that causes the positions of particles, of liquid crystals, or of liquid crystals in a polymer layer or matrix to change; or (g) making the canvas support medium or image so that serves a second utilitarian function in addition to it's function for image making; preparing the image so that it serves a utilitarian function, or making the canvas support medium or image function as: a mural, a door, a gate, a fence, a stage set, a partition, a screen, furniture, a table, a chair, a stool, a chest, a cabinet, a cart, a bench, a tent, an awning, a fountain, a basket, a case or container, a light fixture, candelabrum, a window, a skylight, a lunette, shades, shutters, a tile, a column, or a set, grouping or compositional arrangement of these that is a single work; a building facade, a wall, a ceiling, a floor, stairs or another architectural form or structure; craft design, a vase, a bowl, a tray, a cup or goblet, a plate, a dish, a pitcher, a soup tureen, a placemat, or a work of design for household use; an altar, a menorah or an image for spiritual or religious use; a book or pad that is a new version of the conventional image making blank book or blank paper pad capable of being developed into visual pictorial or design image, or a plurality of associated sheets arranged in a book or pad form capable of such image making; an image of graphic design or book design free or nearly free of visible legible text; an image of design, fashion design, a fashion accessory, jewelry, a hat, a belt, a tote bag, or a costume. 16. The method of claim 8 in which requires preparing the canvas support medium or the art, design or architecture made therewith, thereupon or therefrom referred to herein as the image with one or more of (a)-(h): (a) making the canvas support medium or the image with a sensor or other means of detection so it can change in response to a person, in response to the environment or in response to light; making the canvas support medium, image or part thereof change in relation to change in natural light or skylight; or making it portray the sky or the light of the sky, wherein this portrayal is static, it changes, it can be changed, or an image maker or a viewer can change it; this portrayal is abstract, representational, realistic, surrealistic, with figures, with landscape, with a still life or it is illusionary; this portrayal is at least partially formed with light in one or more colors, or this portrayal is at least partially formed by color or light changing as the sky changes or in a manner that portrays or represents the sky; (b) making the canvas support medium or image with: (i) a co-polymer wherein one monomer is methacrylate ester, methacrylamide derivative or methyl methacrylate; (ii) a co-polymer wherein one monomer is methacrylate ester, methacrylamide derivative or methyl methacrylate and another is a monomer that enhances the strength, rigidity, flexibility or permanence of the resultant polymer, canvas support medium or image; (iii) a mixture wherein one polymer is poly(methyl methacrylate) or it is made from methacrylate ester or methacrylamide derivative; or (iv) a mixture wherein the polymer is made with poly(methyl methacrylate) or a polymer made from methacrylate ester or methacrylamide derivative, and a second polymer that enhances the strength, rigidity, flexibility or permanence of the resultant polymer, canvas support medium or image; (c) making the canvas support medium or image with two or more different layers, one of which is an external surface preparation stabilizer layer on the canvas support medium's main surface that is made with: (c-i) a non absorbent polymer that is transparent, translucent or both, (c-ii) a synthetic absorbent polymer, or (c-iii) a combination of both, wherein this surface preparation stabilizer layer bonds well to at least one kind of conventional artist's painting medium or photographic emulsion, and it bonds well to the part of the image, the canvas support medium or image support beneath it; (d) forming the canvas support medium or image with an at least one polymer that is absorbent and another ingredient, with the absorbent polymer used in a formulation, an amount and a design sufficient to enable or enhance the canvas support medium's or image's bond with at least one kind of superimposed conventional artist's medium which it absorbs, wherein the other ingredient is of a composition, and is used in an amount and in a design which enhances the canvas support medium's or image's mechanical or structural properties; (e) the canvas support medium or image is made with: a copolymer or a polymer mixture with at least one synthetic absorbent polymer; a synthetic absorbent polymer and a non absorbent polymer; a synthetic absorbent polymer on an image support made with non absorbent polymer; any of these wherein the canvas support medium or image is transparent or translucent; (f) the canvas support medium or image has two or more layers or parts made of different polymers which are superimposed or connected, wherein at least one of these polymer layers or parts provides support to the medium, and at least one different layer or part provides or enables the image to have at least one element selected from the group consisting of an aesthetic element, transparency, translucency, an ability to emit visible light, an ability to bond to at least one superimposed application, or an ability to be further developed by cutting, carving, sculpting or incising; (g) developing the aesthetic image by using one or more transparent or translucent polymeric separating layers to separate applications, layers or attachments of one or more other kinds of aesthetic, design or pictorial elements on it's or on their opposing sides, or such development that: (1) separates applications or layers of one or more kinds of conventional artist's mediums; or (2) separates carving, incising, aesthetic elements in section E of claim 2; separates a combination of these; separates at least one of these with one or more applications of conventional artist's mediums; or separates any of these with at least one LED, OLED or light source; or (h) forming the canvas support medium or image with a stabilizer that: enables or enhances it's color stability or it's ability to remain stabile with exposure to ultraviolet light; is an ultraviolet light stabilizer, an ultraviolet light absorber, or a hindered amine light stabilizer; is a fiberglass surfacing veil, or a fiber that like surfacing veil fiberglass, becomes largely invisible or invisible to the unaided human eye when used within or under transparent colorless polymer or when used within or under transparent colorless polymer that penetrates it, that is at least about a quarter of an inch thick, or both; a stabilizer that enhances permanence, a stabilizer that is a processing aid, a surface preparation stabilizer, a stabilizer that enables or enhances bonding, a strengthening stabilizer, a stabilizer that modifies the absorbency of at least some of the polymer; a stabilizer that maintains or enhances impact resistance, scratch resistance or hardness; a stabilizer that is radiation which cures or crosslinks the at least one polymer; a stabilizer that crosslinks an absorbent polymer, a stabilizer that is a crossliniking monomer used with an absorbent polymer; or the image, the canvas support medium or some or all of its polymer is reinforced by, made stiffer by, or has its means of display provided or enhanced by a strengthening stabilizer within or on it or a portion of it, or bonded to it or to it's underside or a portion thereof. 17. The method of claim 2, wherein the canvas support medium or the art, design or architecture made therewith, thereupon or therefrom referred to herein as the image is prepared by one or more of (a)-(h): (a) binding the canvas support medium or image as a book or pad using polymer, using conventional practices for binding, or using a combination of both; developing one or more pages of the canvas support medium pad or book into an aesthetic image; forming such an aesthetic image free or nearly free of visible legible text; displaying the resultant aesthetic image; or preparing the canvas support medium or the image with a means or part of a means of installation or display which is: (i) a means or part of a means for display on a wall or vertical surface or by hanging; a hook or wire attached to enable hanging; or holes to enable hanging, (ii) a base, a stand, a part or a form that enables installation or display, or a means that enables installation or display in a manner that resembles the manner in which conventional aesthetic images are displayed for viewing; (iii) a part, parts or the means by which it can scroll, roll, unroll, fold out, or fold up; or preparing it with a form that scrolls, rolls, unrolls, folds, or unfolds; or (iv) a means of being self supportive or freestanding; (b) cleaning a surface of the canvas support medium or image sufficiently to be receptive to a conventional artist's medium or to enhance the strength and permanence of the bond formed between that surface and an artist's medium; preparing the canvas support medium or image to bond to a conventional artist's mediums so that the bond endures well through the image making process and through the use or display of the resultant image; or forming the canvas support medium or image so that it is as stable over time or as permanent as possible; (c) forming or developing the canvas support medium or image using conventional image making practices or using conventional practices for making art; forming or developing the canvas support medium or image by adding: a conventional image making medium, a conventional artist's medium, a primer conventionally used to make images, an underlayer, an imprimatura, a Clarifying Imprimatura, a ground, underdrawing, underpainting, painting, drawing, collage or an attachment which bonds to the image, the canvas support medium or to its polymer; adding at least one paint, ink or other colorant at two or more different spatial depths which are visible to viewers within the transparent or translucent form of the canvas support medium or image; adding a part or layer with a refractive index different from that of the rest of the canvas support medium, the image, the nearest part thereof or any of these made of polymer; preparing the canvas support medium or image with at least one conductive polymer that provides or enables an aesthetic effect or emitted light, and also with at least one: lens, prism, grating, light effect, at least one of these that effects the light visible in or emitted from the canvas support medium or image, or one or more of these that serve as part of all of an image support; or adding: an image support, a clear external layer of polymer, a colorant; a light source or a means of emitting light, a light effect or a material, a device or another means that effects light properties; a solar cell, a battery, a power source, a lens, a grating, a prism, a filter; crystal, gem, stone, fabric, paper, clay, ceramic, wood, embedding, an air bubble, a hologram, a photographic image, a photographic emulsion, or a photographic transparency; a dichroic or dichromatic ingredient; writing, text, incising, inlay, carving or embossing; texture or an ingredient that adds texture; a moving part or a means to be capable of movement; a photochromic effect; an electrically active feature, or adding an anti-glare, anti-scratch or anti-reflective coating, layer or surface; (d) preparing the canvas support medium or image with: a computer or part of a computer, an interactive feature, an interactive part or a means of being capable of interactivity; sound, music, a microphone or a speaker; a control mechanism or device, a viewer input device, a switch, a button, a touch control, a mechanism or device which enables control or change when pressure is applied, a drawing device, a trackball, a mouse, a means of responding to sound or voice command; voice recognition technology; a means of controlling or changing the canvas support medium or image from a distance, via wireless communication or via a broadcast method; a sensor, a means of sensing or detecting a viewer, movement, sound, or change in light or in the environment, or such a means of sensing or detecting with a means of responding or of responding by changing an aesthetic element of the canvas support medium or image; or a means so that an image maker or viewer can control, change or vary the electrical current, color, light, form, movement or an aesthetic element in the canvas support medium or image; or making the canvas support medium, the image or part thereof change in relation to change in natural light or skylight; or making it portray the sky or the light of the sky, wherein this portrayal is static, it changes, it can be changed, or an image maker or a viewer can change it; this portrayal is abstract, representational, realistic, surrealistic, with figures, with landscape, with a still life or it is illusionary; this portrayal is at least partially formed with light in one or more colors, or this portrayal is at least partially formed by color or light changing as the sky changes or in a manner that portrays or represents the sky; (e) making the canvas support medium or image in a shape or form that contributes to the image's aesthetic by being one or more of: representational, figurative, openwork, linear, discontinuous, non geometric, hollow, with a negative space, with an air pocket; with irregularities that make it look handmade; with at least one curve, angle or undulation; capable of folding, unfolding, rolling out or scrolling for viewing; with two or more parts that are joined or separate; with all edges deckled; with a form that is partially or entirely: layered, opaque, transparent, or translucent; with a form that is rigid, flexible or both; or forming or developing the canvas support medium or image so that it has two or more layers, with at least one layer that is: partially or entirely transparent or translucent or such a layer that is external; a polymeric or non polymeric image support, image support stabilizer or strengthening stabilizer; made with or of glass, fabric, embedding, polymer, conductive polymer, a device, a light effect, an aesthetic element that uses electricity, or a non polymeric aesthetic ingredient; providing color, or an internal layer or back layer providing color; or a combination of these; (f) the canvas support medium or image has an aesthetic effect created by electricity that causes the positions of particles, of liquid crystals, or of liquid crystals in a polymer layer or matrix to change; (g) developing the aesthetic image by using one or more transparent or translucent polymeric separating layers to separate applications, layers or attachments of one or more other kinds of aesthetic, design or pictorial elements on it's or on their opposing sides, or such development that: (1) separates applications or layers of one or more kinds of conventional artist's mediums; or (2) separates carving, incising, or aesthetic elements in section E of claim 2; separates a combination of these; separates at least one of these with one or more applications of conventional artist's mediums; or separates any of these with at least one LED, OLED or light source; or (h) forming the canvas support medium or the aesthetic image by using one or more of the methods listed above in (a)-(g) to prepare or to develop part of the book or pad, wherein this part is one or more pages or sheets or it is a portion of one or more pages or sheets. 18. The method of claim 2, wherein the canvas support medium or the art, design or architecture made therewith, thereupon or therefrom referred to herein as the image is prepared by one or more of (a)-(h): (a) making the canvas support medium or image with: (i) a co-polymer wherein one monomer is methacrylate ester, methacrylamide derivative or methyl methacrylate; (ii) a co-polymer wherein one monomer is methacrylate ester, methacrylamide derivative or methyl methacrylate and another is a monomer that enhances the strength, rigidity, flexibility or permanence of the resultant polymer, canvas support medium or image; (iii) a mixture wherein one polymer is poly(methyl methacrylate) or it is made from methacrylate ester or methacrylamide derivative; or (iv) a mixture wherein the polymer is made with poly(methyl methacrylate) or a polymer made from methacrylate ester or methacrylamide derivative, and a second polymer that enhances the strength, rigidity, flexibility or permanence of the resultant polymer, canvas support medium or image; (b) making the canvas support medium or image with two or more different layers, one of which is an external surface preparation stabilizer layer on the canvas support medium's or image's main surface that is made with: (b-i) a non absorbent polymer that is transparent, translucent or both, (b-ii) a synthetic absorbent polymer, or (b-iii) a combination of both, wherein this surface preparation stabilizer layer bonds well to at least one kind of conventional artist's painting medium or photographic emulsion, and it bonds well to the part of the image, the canvas support medium or image support beneath it; (c) forming the canvas support medium or image with an at least one polymer that is absorbent and another ingredient, with the absorbent polymer used in a formulation, an amount and a design sufficient to enable or enhance the canvas support medium's or image's bond with at least one kind of superimposed conventional artist's medium which it absorbs, wherein the other ingredient is of a composition, and is used in an amount and in a design which enhances the canvas support medium's or image's mechanical or structural properties; (d) the canvas support medium or image is made with: a copolymer or a polymer mixture with at least one synthetic absorbent polymer; a synthetic absorbent polymer and a non absorbent polymer; a synthetic absorbent polymer on an image support made with non absorbent polymer; any of these wherein the canvas support medium or image is transparent or translucent; (e) the canvas support medium or image has two or more layers or parts made of different polymers which are superimposed or connected, wherein at least one of these polymer layers or parts provides support to the medium or image, and at least one different layer or part provides or enables the image to have at least one element selected from the group consisting of an aesthetic element, transparency, translucency, an ability to emit visible light, an ability to bond to at least one superimposed application, or an ability to be further developed by cutting, carving, sculpting or incising; (f) forming the canvas support medium or image with a stabilizer that: enables or enhances it's color stability or it's ability to remain stabile with exposure to ultraviolet light; is an ultraviolet light stabilizer, an ultraviolet light absorber, or a hindered amine light stabilizer; is a fiberglass surfacing veil, or a fiber that like surfacing veil fiberglass, becomes largely invisible or invisible to the unaided human eye when used within or under transparent colorless polymer or when used within or under transparent colorless polymer that penetrates it, that is at least about a quarter of an inch thick, or both; a stabilizer that enhances permanence, a stabilizer that is a processing aid, a surface preparation stabilizer, a stabilizer that enables or enhances bonding or flexibility, a strengthening stabilizer, a stabilizer that modifies the absorbency of at least some of the polymer; a stabilizer that maintains or enhances impact resistance, scratch resistance or hardness; a stabilizer that is radiation which cures or crosslinks the at least one polymer; a stabilizer that crosslinks an absorbent polymer, a stabilizer that is a crossliniking monomer used with an absorbent polymer; or the image, the canvas support medium or some or all of its polymer is reinforced by or has its means of display provided or enhanced by a strengthening stabilizer within or on it or a portion of it, or bonded to it or a portion thereof, or it has such a strengthening stabilizer that is: (1) not visible to viewers; (2) made with a different, stronger or more rigid polymer; (3) a means of display or part of a means of display, or (4) fiber, a surfacing veil fiberglass or a fiber that like surfacing veil fiberglass, becomes largely invisible or invisible to the unaided human eye when used within or under transparent colorless polymer or when used within or under transparent colorless polymer that penetrates it, that is at least about a quaffer of an inch thick, or both; (g) developing the canvas support medium or image by the application a conventional artist's drawing or painting medium to which it bonds; developing the canvas support medium or image so that it shows at least part of a drawing, picture or design, or one of these that is figurative, realistic, representational, abstract, illusionistic, a landscape, or a still life; or making the canvas support medium or image so that serves a second utilitarian function in addition to it's function for image making; or (h) forming the canvas support medium or the aesthetic image by using one or more of the methods listed above in (a)-(g) to prepare or to develop part of the book or pad, wherein this part is one or more pages or sheets or it is a portion of one or more pages or sheets. 19. The method of claim 5 wherein the canvas support medium or the art, design or architecture made therewith, thereupon or therefrom referred to herein as the image is prepared by one or more of (a)-(g): (a) preparing the canvas support medium so that it is capable of serving the utilitarian purpose of functioning as a medium for forming an aesthetic image and a second utilitarian purpose; preparing the aesthetic image with a utilitarian function; or preparing the canvas support medium or image so that it functions as: a door, a gate, a fence, a partition, a screen, furniture, a chest, a cabinet, a table, a chair, a stool, a bench, a cart, a tent, an awning, a fountain, a basket, a case or container, a light fixture, a candelabrum, a window, a skylight, a lunette, shades, shutters, a tile, a column, or a set, grouping or compositional arrangement of these that is a single work; a building facade, a wall, a ceiling, a floor, stairs or another architectural form or structure; craft design, a vase, a bowl, a tray, a cup, a goblet, a plate, a dish, a pitcher, a soup tureen, a placemat, or a work of design for household use; a stage set; book design free or nearly free of visible legible text; an image of design made to be used and viewed apart from direct contact with the human body rather than worn on it as fashion design; or the canvas support medium is: book design, clothing, fashion design, a fashion or clothing accessory, jewelry, a hat, a belt, a purse, a tote bag, a costume, or work of design to be worn directly on the human body; (b) developing the canvas support medium or aesthetic image by adding an aesthetic, design or pictorial effect enhanced, enabled or provided by one or more of: a positive or negative form that functions as a lens, a Fresnel lens, a lenticular lens, a prism, a grating or a diffraction grating; a source that emits visible light; crystal, gem, stone, fabric, paper, clay, ceramic, wood, a hologram, an air pocket, embedding or an air bubble; carving, incising, inlay or embossing; a photochromic, dichroic, dichromatic or iridescent effect; a solar cell; a means of detecting or sensing a viewer or the environment and then responding by changing visibly, by changing color, by changing a light property or by moving; irregular texture deeper than a sandblasted surface or a sanded surface; a microphone or a speaker; an electrochromic aesthetic, design or pictorial effect whereby the canvas support medium or image, responds to changes in electrical current by changing it's level of or it's state of: transparency, translucency, reflectivity, light emission employing conductive polymer, changing the path or color of the light passing through it, or a combination of these; or forming the canvas support medium with an electrochromic aesthetic, design or pictorial effect whereby the canvas support medium or image changes in response to changes in electrical current; (c) preparing an aesthetic effect in the canvas support medium with (i) and (ii): (i) at least one conductive polymer that emits light, that enables light emission or that is part of an OLED and also with (ii) one or more positive or negative forms that serve as: lenses, prisms, gratings, or as one or more of these that are part or all of an image support, such that this addition to the canvas support medium described in (ii) effects the canvas support medium's visible light or the visible light it emits; (d) preparing the canvas support medium or image with aesthetic effect is created by electricity that causes the positions of particles, of liquid crystals, or of liquid crystals in a polymer layer or matrix to change; (e) cleaning the canvas support medium or image sufficiently to render it receptive to conventional artist's paint and to provide enhanced bond strength and permanence to facilitate development of the aesthetic image; (f) preparing the canvas support medium with conductive polymer that enables or is part of one or more of: a device; a system; an electrical device, an electrical wire or conduit, a computer, computer memory, computer chip, computer hard disk or part of a computer, a computer controlled device, a light emitting device; a LED; an OLED or other light source; a device or another form that is opaque, transparent, translucent or a combination of these; a solar cell, a battery, an energy source, a transistor, a capacitor, a coating or a transparent coating, photovoltaics, a photodiode, a photoconductor, a photorefractive device, a sensor, or a means of detecting a person, sound, light or change in the environment; a means by which the canvas support medium can move visibly, emit music or emit sound; a conductive adhesive, a circuit, an ink, a paint, a colorant; a coating or a coating that is transparent or translucent; conductive fiber, fabric or fabric for use as a conventional canvas surface, a conventional painting surface or a conventional collage surface; a means of being interactive or part thereot a moving or changing picture or image, a video, a film or part thereof; an electroactive layer or part; or an aesthetic effect that uses electricity; or (g) forming or developing the canvas support medium or image using conventional image making practices or using conventional practices for making art.