Pablo Picasso는 20세기에 있어 가장 대표적인 예술가라 불리우며 그의 잠재적 탐구심은 많은 표현예술과 다양한 스타일을 산출하였다. 그러나 그와같은 평가는 일반적으로 회화로서만 평가될 뿐 조각가로서는 알려지지 않았다. 그렇다 하여도 회화만큼 그의 조각도 표현방식에 있어 일관되고 다양한 발전을 보이고 있다. 그리고 표현방법상에 있어 그의 조각은 그 후 많은 예술가들에게 많은 영향을 미치게 된다. 피카소의 화화가 변화무쌍한 발전을 보이고 있으며, 조각의 경우도 인체를 모델링한 전통적 조각은 물론 무엇이든 조각의 재료와 주제를...
Pablo Picasso는 20세기에 있어 가장 대표적인 예술가라 불리우며 그의 잠재적 탐구심은 많은 표현예술과 다양한 스타일을 산출하였다. 그러나 그와같은 평가는 일반적으로 회화로서만 평가될 뿐 조각가로서는 알려지지 않았다. 그렇다 하여도 회화만큼 그의 조각도 표현방식에 있어 일관되고 다양한 발전을 보이고 있다. 그리고 표현방법상에 있어 그의 조각은 그 후 많은 예술가들에게 많은 영향을 미치게 된다. 피카소의 화화가 변화무쌍한 발전을 보이고 있으며, 조각의 경우도 인체를 모델링한 전통적 조각은 물론 무엇이든 조각의 재료와 주제를 이용한 다양한 표현방식의 변화를 보이고 있다. 또한 방법적인 면에서 조각이 더 직접적이고 감각적인 표현으로서 그의 예술세계를 반영한다. 그의 조각 작품은 시대에 따라서 조각재료와 제작방법에서 동일한 특징을 보이고 있다. 회화에서 조각으로 판화에서 도예로 거대한 정신의 에네르기를 펼쳐나갔으며, 어떠한 재료로도 자신을 표현할 수 있었다. 뿐만 아니라 숱한 표현 수단, 양식과 더불어 무수한 이념을 갖고서 실험에 실험을 거듭한 예술가이기도 하다. 따라서 미술사적으로 볼 때도 그의 직위는 동시대의 다른 예술가보다 매우 특이했다. 피카소의 예술성은 또한 아무리 강조하여도 지나침이 없다. 화가 피카소는 방대한 규모의 조각작품들로 또 전적으로 새로운 개념들을 정립해 냄으로써 20세기 조각사를 지배하였는데 그러한 모든 조각 작품들은 피카소가 가장 몰두했던 인간의 형상의 이미지를 나타내는 것이 대부분이며 때로는 부분적으로 그 외에 동물이나 물체, 생물적인 형태등 어떠한 형태로든지 형상의 이미지를 보여주고 있다.
Pablo Picasso는 20세기에 있어 가장 대표적인 예술가라 불리우며 그의 잠재적 탐구심은 많은 표현예술과 다양한 스타일을 산출하였다. 그러나 그와같은 평가는 일반적으로 회화로서만 평가될 뿐 조각가로서는 알려지지 않았다. 그렇다 하여도 회화만큼 그의 조각도 표현방식에 있어 일관되고 다양한 발전을 보이고 있다. 그리고 표현방법상에 있어 그의 조각은 그 후 많은 예술가들에게 많은 영향을 미치게 된다. 피카소의 화화가 변화무쌍한 발전을 보이고 있으며, 조각의 경우도 인체를 모델링한 전통적 조각은 물론 무엇이든 조각의 재료와 주제를 이용한 다양한 표현방식의 변화를 보이고 있다. 또한 방법적인 면에서 조각이 더 직접적이고 감각적인 표현으로서 그의 예술세계를 반영한다. 그의 조각 작품은 시대에 따라서 조각재료와 제작방법에서 동일한 특징을 보이고 있다. 회화에서 조각으로 판화에서 도예로 거대한 정신의 에네르기를 펼쳐나갔으며, 어떠한 재료로도 자신을 표현할 수 있었다. 뿐만 아니라 숱한 표현 수단, 양식과 더불어 무수한 이념을 갖고서 실험에 실험을 거듭한 예술가이기도 하다. 따라서 미술사적으로 볼 때도 그의 직위는 동시대의 다른 예술가보다 매우 특이했다. 피카소의 예술성은 또한 아무리 강조하여도 지나침이 없다. 화가 피카소는 방대한 규모의 조각작품들로 또 전적으로 새로운 개념들을 정립해 냄으로써 20세기 조각사를 지배하였는데 그러한 모든 조각 작품들은 피카소가 가장 몰두했던 인간의 형상의 이미지를 나타내는 것이 대부분이며 때로는 부분적으로 그 외에 동물이나 물체, 생물적인 형태등 어떠한 형태로든지 형상의 이미지를 보여주고 있다.
Pablo Picasso is called a tylical artit in the 20th cenyury as having produced many great works through the expressional emans and diverse styles of researching into all the potential. Such evaluation, however, is not generally in his sculpture but his paintings. Even so, his sculpture shows the con...
Pablo Picasso is called a tylical artit in the 20th cenyury as having produced many great works through the expressional emans and diverse styles of researching into all the potential. Such evaluation, however, is not generally in his sculpture but his paintings. Even so, his sculpture shows the consistent and variable development of an expressional style as much as his paintings. And, in aspect of expressional methodology, sculptures can veregarded as the works that reflect the artistic with their direct and sensitive expression. This research, therefore, has its purpose to study the characteristics of Picasso's sculpture by researching the changes of his sculptures with the times. It is true that Picasso had begun his artistic life with painting and has bgeen highly popular with it, and in such a sense, the particular situation in which he has produced many sculptures tells us that painting and sulptrure have the ineviatable relationship between them. For example, many drawings of working on sculpture and the sculptural, voluminous expressions appered on his paintings certainly suggest that he has a good potentiality as sculptor. Picasso's sculptures show the same featuresx in their materials and in the aspedt of the method of production according the periods. Such features can be investigated in the following four stages: First, in his early sculptures(1902~1907), works with traditional styles by volume were produced and those works were wooden sculptures showing African primitvism. Second, constituent sculptures (1908~1930) consist of the 1st step forming Collage's structural works and the 2nd step foaming coordination by both Julio Gonzaleze's technique and iron, These sculptures reveal the features of both analytic and synthetic aspects of Cubism appeared in the paintings of Cubism era, Third, those bronze works sculpured at Boisgelop in his period(l931~1953) of bronze works and objective works are those which that are plentilful of vlolume and which mean regression in sculpture. As it being difficult to produce bronze works around the war,k many an objective wrks were prduced. Lastly, his monmental outdoor sculptures(l954~1973) show a new aspect of sculpture, And there were many colored small maquetttes which were done with cut tinned iron after working with paper of strawboard since he intended to materialize a great sculpture. Such maquettes have turned into producing great monumental outdoor sculptures based on his particularly learned concrete-spraying technque so called Betograve' since he met Carl Nesjur. So, along the results of the periodcal transitions of such varied sculptural experession, we can find his common features in his sculptre, which are the image of figure, primitivism and the renovation of sculptural the chnique. The primitivism appeared in Picasso's suclptures and be found out in his being influenced by African sculpture, his playful spirit in his artstic attitude, and animism whcih motivates animals, also, his sculptures always have and image of shape. Those sculptures are mostly formed with the traditional shape, human, animals as well as various objects and biological forms. Such experession implicates that he had used any model not only using the human body but also whatever he might use, So, it can be considered that his own such caracter made possible to result in the renovation of sculptural technique. Picasso.
Pablo Picasso is called a tylical artit in the 20th cenyury as having produced many great works through the expressional emans and diverse styles of researching into all the potential. Such evaluation, however, is not generally in his sculpture but his paintings. Even so, his sculpture shows the consistent and variable development of an expressional style as much as his paintings. And, in aspect of expressional methodology, sculptures can veregarded as the works that reflect the artistic with their direct and sensitive expression. This research, therefore, has its purpose to study the characteristics of Picasso's sculpture by researching the changes of his sculptures with the times. It is true that Picasso had begun his artistic life with painting and has bgeen highly popular with it, and in such a sense, the particular situation in which he has produced many sculptures tells us that painting and sulptrure have the ineviatable relationship between them. For example, many drawings of working on sculpture and the sculptural, voluminous expressions appered on his paintings certainly suggest that he has a good potentiality as sculptor. Picasso's sculptures show the same featuresx in their materials and in the aspedt of the method of production according the periods. Such features can be investigated in the following four stages: First, in his early sculptures(1902~1907), works with traditional styles by volume were produced and those works were wooden sculptures showing African primitvism. Second, constituent sculptures (1908~1930) consist of the 1st step forming Collage's structural works and the 2nd step foaming coordination by both Julio Gonzaleze's technique and iron, These sculptures reveal the features of both analytic and synthetic aspects of Cubism appeared in the paintings of Cubism era, Third, those bronze works sculpured at Boisgelop in his period(l931~1953) of bronze works and objective works are those which that are plentilful of vlolume and which mean regression in sculpture. As it being difficult to produce bronze works around the war,k many an objective wrks were prduced. Lastly, his monmental outdoor sculptures(l954~1973) show a new aspect of sculpture, And there were many colored small maquetttes which were done with cut tinned iron after working with paper of strawboard since he intended to materialize a great sculpture. Such maquettes have turned into producing great monumental outdoor sculptures based on his particularly learned concrete-spraying technque so called Betograve' since he met Carl Nesjur. So, along the results of the periodcal transitions of such varied sculptural experession, we can find his common features in his sculptre, which are the image of figure, primitivism and the renovation of sculptural the chnique. The primitivism appeared in Picasso's suclptures and be found out in his being influenced by African sculpture, his playful spirit in his artstic attitude, and animism whcih motivates animals, also, his sculptures always have and image of shape. Those sculptures are mostly formed with the traditional shape, human, animals as well as various objects and biological forms. Such experession implicates that he had used any model not only using the human body but also whatever he might use, So, it can be considered that his own such caracter made possible to result in the renovation of sculptural technique. Picasso.
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