This theme studied that a masque having its basis on the rite for a good harvest was developed into a play which expresses people's willingness to conquest all factors depressing their lives, through old man and old woman scene. The old man and old woman scene explains intensely disintegration of fa...
This theme studied that a masque having its basis on the rite for a good harvest was developed into a play which expresses people's willingness to conquest all factors depressing their lives, through old man and old woman scene. The old man and old woman scene explains intensely disintegration of family structure, the dreams of wandering woman and her disappointment due to it. The summary of main subject was following. Having diffenent contents each other, Gason five part masque, Bongsan, suyong, Dorglae, Go sung five part and Tongyoug five part were examined on the basis of two parts : the old woman's case and the old man's case. First, the old woman in Gasan five part masque who had her son, settled down and admitted the existance of concubine. On the other hand old woman in others masque had opposite character. Second, 1 explained a case of old man. Although the old man in Gasan five part masque only came to see the old woman, he killed by his ancestors because he negated succeeding family despite the fact that he had already a son called "Madangse". In others wasque, there were opposite appearances. The old man ran away from home, and then met the old woman again. But he lived with concubine because he failed to settle down due to the old woman's infertility. Generally, the old man's suffering began with his ran away from gone. Like Bongsan case, the situation of seperation between old man and old woman was induced by social calamity. In other case, it was due to his avoidance of her decrepitude. She is called sometimes "Miyall", which means hateful old woman. She tried to recombination. with him to overcome the first sufferings through going around to search him. But such reunion only confirmed her infertility due to her failure in sexual intercourse and her son dead. Moreover, she failed to contest with concubine and her willing ness to coubine with him was frustrated. In other words, the second suffering due to her son's dead was ended by the third one, which brought about her dead. The superficial circumstance was triangle relations in old man, old woman and concubine : meanwhile, the other side meant her rehabilitation as "an earth-god". Her character as a god was "earth god" and her murder was originated from sacrificial rite, which sacrifices old king or earth-god amang many models of rite for a good harvest. The old woman who fell into the position of old mather due to introducing partiarchy from omnipotent earth-god, failed to succfeed family. A woman in myth were generally young because they were essential existance with infinite energy. That was transformed into a form of her murder, and then settled as a play. Although they suffered from they overcome it and succeed in producing initial form of son. Although she couldn't produce son anymore, it was not recognizing that she died becasuse she had already her son who revealed her past life. In other words, she killed by concubine but revived by her son. Though the women in myth, we know that the reasons of old woman's sufferings and murder in the masque were due to her failing to perform earth-god role. Masque is a king of coalition play, actors and audience attend tohether. Because it is originated from life, it is a part of life or lay in the line of extended life. Therefore this common sense made play technics with concord indiscrimately between actors and audience. The audience attend naturaly the play not as action but as speech through their sympathy for "Miyall" or criticizing the old man who suffered her : Henceforth it was performed improvisatorially.
This theme studied that a masque having its basis on the rite for a good harvest was developed into a play which expresses people's willingness to conquest all factors depressing their lives, through old man and old woman scene. The old man and old woman scene explains intensely disintegration of family structure, the dreams of wandering woman and her disappointment due to it. The summary of main subject was following. Having diffenent contents each other, Gason five part masque, Bongsan, suyong, Dorglae, Go sung five part and Tongyoug five part were examined on the basis of two parts : the old woman's case and the old man's case. First, the old woman in Gasan five part masque who had her son, settled down and admitted the existance of concubine. On the other hand old woman in others masque had opposite character. Second, 1 explained a case of old man. Although the old man in Gasan five part masque only came to see the old woman, he killed by his ancestors because he negated succeeding family despite the fact that he had already a son called "Madangse". In others wasque, there were opposite appearances. The old man ran away from home, and then met the old woman again. But he lived with concubine because he failed to settle down due to the old woman's infertility. Generally, the old man's suffering began with his ran away from gone. Like Bongsan case, the situation of seperation between old man and old woman was induced by social calamity. In other case, it was due to his avoidance of her decrepitude. She is called sometimes "Miyall", which means hateful old woman. She tried to recombination. with him to overcome the first sufferings through going around to search him. But such reunion only confirmed her infertility due to her failure in sexual intercourse and her son dead. Moreover, she failed to contest with concubine and her willing ness to coubine with him was frustrated. In other words, the second suffering due to her son's dead was ended by the third one, which brought about her dead. The superficial circumstance was triangle relations in old man, old woman and concubine : meanwhile, the other side meant her rehabilitation as "an earth-god". Her character as a god was "earth god" and her murder was originated from sacrificial rite, which sacrifices old king or earth-god amang many models of rite for a good harvest. The old woman who fell into the position of old mather due to introducing partiarchy from omnipotent earth-god, failed to succfeed family. A woman in myth were generally young because they were essential existance with infinite energy. That was transformed into a form of her murder, and then settled as a play. Although they suffered from they overcome it and succeed in producing initial form of son. Although she couldn't produce son anymore, it was not recognizing that she died becasuse she had already her son who revealed her past life. In other words, she killed by concubine but revived by her son. Though the women in myth, we know that the reasons of old woman's sufferings and murder in the masque were due to her failing to perform earth-god role. Masque is a king of coalition play, actors and audience attend tohether. Because it is originated from life, it is a part of life or lay in the line of extended life. Therefore this common sense made play technics with concord indiscrimately between actors and audience. The audience attend naturaly the play not as action but as speech through their sympathy for "Miyall" or criticizing the old man who suffered her : Henceforth it was performed improvisatorially.
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#가면극 영감 할리과장 할미 수난
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