소전 孫在馨은 秋史以來 古今書體의 特長點을 모두 묶어 새로운 現代的 造形美를 추구 한문 서예, 한글 서예, 그리고 문인화에 이르기까지 獨自世界를 구축하여 한국 현대 서예사에 足跡을 남겼다. 따라서 本 論文에서는 그의 생애와 작품세계를 통해 그의 업적과 書藝術 樣式이 어떻게 전개 되었는가를 各各 三期로 나누어 考察하였다. ① 생애:1903년4월 28일 全南 珍島郡 珍島邑 校洞里에서 부유한 가정의 유복자로 태어나 진도보통학교, 양정고등보통학교를 거쳐 외국어 학원을 수료한 소전은 20代에 朝鮮美術展覽會에서 特選 3回, 入選 8回를 거친...
소전 孫在馨은 秋史以來 古今書體의 特長點을 모두 묶어 새로운 現代的 造形美를 추구 한문 서예, 한글 서예, 그리고 문인화에 이르기까지 獨自世界를 구축하여 한국 현대 서예사에 足跡을 남겼다. 따라서 本 論文에서는 그의 생애와 작품세계를 통해 그의 업적과 書藝術 樣式이 어떻게 전개 되었는가를 各各 三期로 나누어 考察하였다. ① 생애:1903년4월 28일 全南 珍島郡 珍島邑 校洞里에서 부유한 가정의 유복자로 태어나 진도보통학교, 양정고등보통학교를 거쳐 외국어 학원을 수료한 소전은 20代에 朝鮮美術展覽會에서 特選 3回, 入選 8回를 거친 후 해방이 되자 大韓民國美術展覽會에서 심사위원, 운영위원을 줄곳 역임했으며 藝總會長, 藝術院 終身會員, 국회의원까지 역임한 화려한 經歷과 아울러 건 국 초기부터 文藝中興에 대한 功績으로 國民勳章 無窮花章을 受勳하는 등 수많은 榮光과 多事로운 活動으로 분망한 생활을 영위하다 1981년 6월 15 일 운명 대한민국 예술원葬으로 최후를 마쳤다. ② 작품세계:소전은 뛰어난 美的 感覺으로 일찍부터 남다른 創造的 技倆을 발휘 첫째, 궁체, 판본체에 의존해 오던 우리 한글 서예를 현대적 감각으로 새롭게 조형 한글 서체의 새로운 경지를 개척하였으며 둘째, 문인화에서도 四君子, 소나무, 포도, 연, 怪石, 글방그림 등 다양한 소재를 自由自在로 구사했는데 모두 氣韻이 生動하고 淸楚澹泊한 作品들로 그 境地와 文氣가 높고 脫俗하여 볼 수록 好感이 가며 셋째, 中國 서예의 그늘에서 벗어나지 못하고 他 장르보다 輕視하는 風湖속에서 뛰어난 창의력과 실험정신으로 몇가지 書體를 한데 모아 書의 새로운 造形을 추구하여 중국 서예의 모방에서 완전히 탈피 創造的이고 個性이 넘쳐 어느 서체 할 것 없이 才氣와 멋과 諧謔이 共存하는 秀作을 많이 남겨 後學들의 本이 되었다.
소전 孫在馨은 秋史以來 古今書體의 特長點을 모두 묶어 새로운 現代的 造形美를 추구 한문 서예, 한글 서예, 그리고 문인화에 이르기까지 獨自世界를 구축하여 한국 현대 서예사에 足跡을 남겼다. 따라서 本 論文에서는 그의 생애와 작품세계를 통해 그의 업적과 書藝術 樣式이 어떻게 전개 되었는가를 各各 三期로 나누어 考察하였다. ① 생애:1903년4월 28일 全南 珍島郡 珍島邑 校洞里에서 부유한 가정의 유복자로 태어나 진도보통학교, 양정고등보통학교를 거쳐 외국어 학원을 수료한 소전은 20代에 朝鮮美術展覽會에서 特選 3回, 入選 8回를 거친 후 해방이 되자 大韓民國美術展覽會에서 심사위원, 운영위원을 줄곳 역임했으며 藝總會長, 藝術院 終身會員, 국회의원까지 역임한 화려한 經歷과 아울러 건 국 초기부터 文藝中興에 대한 功績으로 國民勳章 無窮花章을 受勳하는 등 수많은 榮光과 多事로운 活動으로 분망한 생활을 영위하다 1981년 6월 15 일 운명 대한민국 예술원葬으로 최후를 마쳤다. ② 작품세계:소전은 뛰어난 美的 感覺으로 일찍부터 남다른 創造的 技倆을 발휘 첫째, 궁체, 판본체에 의존해 오던 우리 한글 서예를 현대적 감각으로 새롭게 조형 한글 서체의 새로운 경지를 개척하였으며 둘째, 문인화에서도 四君子, 소나무, 포도, 연, 怪石, 글방그림 등 다양한 소재를 自由自在로 구사했는데 모두 氣韻이 生動하고 淸楚澹泊한 作品들로 그 境地와 文氣가 높고 脫俗하여 볼 수록 好感이 가며 셋째, 中國 서예의 그늘에서 벗어나지 못하고 他 장르보다 輕視하는 風湖속에서 뛰어난 창의력과 실험정신으로 몇가지 書體를 한데 모아 書의 새로운 造形을 추구하여 중국 서예의 모방에서 완전히 탈피 創造的이고 個性이 넘쳐 어느 서체 할 것 없이 才氣와 멋과 諧謔이 共存하는 秀作을 많이 남겨 後學들의 本이 되었다.
Calligraphy can be considered as a language which became visible based on the oriental philosophy. It is a purely visual abstract art of dynamc line quality. Its elements of dots, lines, shapes and the blackness of chinese ink combine ink combine in accordane with the desthetic formative principles,...
Calligraphy can be considered as a language which became visible based on the oriental philosophy. It is a purely visual abstract art of dynamc line quality. Its elements of dots, lines, shapes and the blackness of chinese ink combine ink combine in accordane with the desthetic formative principles, so that they may represent the human spirit. The art of calligraphy originated in china, but the korean calligraphy has been continually adapted and recreated since the monumental epitaph of Gwanggaeto the great of Goguryo until Chusa(Kim lung Hee) of the late Yi Dynasty, so that it may become in harmony with the climate, tradition and emotion proper to the korean people. Sojun(Son lae Hyung) combined all different kinds of calligraphic characteristics and merits of yesterday and today since Chusa and pursued the unique mordern formative beauty, until he succeeded in building up his own unique world in the fields of the chinese calligraphy, the Korean calligraphy and the paintings by the learned literati and achieved a monumental work in the history of the modern Korean calligraphy. The present thesis deals with his life nd works, and makes researches on his achievements and on how his calligraphic styles developed by dividing them into three periods. Sojun was born into a wealthy family as a posthumous child at Gyodong-ni, Chindo-up, Chindo-gun, Chonnam of april 28, 1903. He attended Chindo Elementary School, Yanggung High School and completed Foreign Academy. In his twenties, he was selected 3 times and entered 8 times at the Chosun Arts Exhibition. After Korean was liberated from the Japanese rule, Sojun was appointed as a screening member, a steering member of the National Arts Exibition of Korea, Chairman of the Art academy, a life member of the art Academy. He was also elected as a congressman, His merits and contribution to the revival of the Korean art were so distinguished that he was awarded The Grand Order of Mugunghwa. His tireless artistic activities lasted until the last moment when he died June 15, 1981, and the funeral for him was held by the Art Academy of Korea. Sojun began to display his creativity and natural talent for art in his early days. First, he strok out a new path for the Korean calligraphy that had been subject to the long-held styles of Gung-che and Panbon-che by newly modeling with a modern sense. Second, he also exercised his extraordinary thalent in the field of the paintings by the learned literlati. His paintings ranged over a wide variety of subjects, such as the Four Gracious Plants, pine - tree, grape, lotus, oddly shaped stone, the rooms of the old learned literati. He left behind a group of famous paintings, most of which are full of life in spirit, simple in tone and unworldly. Third, Sojun, with his talented creativity and experimental spirit, brought together several calligraphic styles and opened up a new model. By his time, the Korean calligraphy had been lightly thougtht of and almost neglected. It had remained under the influence of the Chinese calligraphy and had just imitated it. His works, however, are so full of originality and distince personal character, so full of taste, wit and humor that they helped the Korean calligraphy to completely break from the chinese calligraphy.
Calligraphy can be considered as a language which became visible based on the oriental philosophy. It is a purely visual abstract art of dynamc line quality. Its elements of dots, lines, shapes and the blackness of chinese ink combine ink combine in accordane with the desthetic formative principles, so that they may represent the human spirit. The art of calligraphy originated in china, but the korean calligraphy has been continually adapted and recreated since the monumental epitaph of Gwanggaeto the great of Goguryo until Chusa(Kim lung Hee) of the late Yi Dynasty, so that it may become in harmony with the climate, tradition and emotion proper to the korean people. Sojun(Son lae Hyung) combined all different kinds of calligraphic characteristics and merits of yesterday and today since Chusa and pursued the unique mordern formative beauty, until he succeeded in building up his own unique world in the fields of the chinese calligraphy, the Korean calligraphy and the paintings by the learned literati and achieved a monumental work in the history of the modern Korean calligraphy. The present thesis deals with his life nd works, and makes researches on his achievements and on how his calligraphic styles developed by dividing them into three periods. Sojun was born into a wealthy family as a posthumous child at Gyodong-ni, Chindo-up, Chindo-gun, Chonnam of april 28, 1903. He attended Chindo Elementary School, Yanggung High School and completed Foreign Academy. In his twenties, he was selected 3 times and entered 8 times at the Chosun Arts Exhibition. After Korean was liberated from the Japanese rule, Sojun was appointed as a screening member, a steering member of the National Arts Exibition of Korea, Chairman of the Art academy, a life member of the art Academy. He was also elected as a congressman, His merits and contribution to the revival of the Korean art were so distinguished that he was awarded The Grand Order of Mugunghwa. His tireless artistic activities lasted until the last moment when he died June 15, 1981, and the funeral for him was held by the Art Academy of Korea. Sojun began to display his creativity and natural talent for art in his early days. First, he strok out a new path for the Korean calligraphy that had been subject to the long-held styles of Gung-che and Panbon-che by newly modeling with a modern sense. Second, he also exercised his extraordinary thalent in the field of the paintings by the learned literlati. His paintings ranged over a wide variety of subjects, such as the Four Gracious Plants, pine - tree, grape, lotus, oddly shaped stone, the rooms of the old learned literati. He left behind a group of famous paintings, most of which are full of life in spirit, simple in tone and unworldly. Third, Sojun, with his talented creativity and experimental spirit, brought together several calligraphic styles and opened up a new model. By his time, the Korean calligraphy had been lightly thougtht of and almost neglected. It had remained under the influence of the Chinese calligraphy and had just imitated it. His works, however, are so full of originality and distince personal character, so full of taste, wit and humor that they helped the Korean calligraphy to completely break from the chinese calligraphy.
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#소전 손재형 미술교육 교육학 동양화
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