This study was about Schumann who occupied the top-level position in the German Romantic Music. R. Schumann succeeded to Fr. Schubert in the Romantic Era to heighten the German lied into a higher level, and above all, he sublimated it more completely in a theoretical or artistical sense. Schubert an...
This study was about Schumann who occupied the top-level position in the German Romantic Music. R. Schumann succeeded to Fr. Schubert in the Romantic Era to heighten the German lied into a higher level, and above all, he sublimated it more completely in a theoretical or artistical sense. Schubert and Schumann has a common feature in using the melody representing the content of songs, but a difference can be found in giving off nuance of respectively different melody through a further investigation. For example, Schubert's melody always naturally, truly, simply and uncomplicatedly in all kinds of emotions. That is, a representation to harmonize the dramatic sentiment and poetic emotion on the pure, folk song-like, and simple melody assimilated with the nature can be found On the other hand, Schumann expressed the inner world of poetry by the piano. In other words, Schumann's tune delicately reveals deeply psychological interpretation about the poetry through his melody, playing a great role in the piano accompaniment to duet and importantly dealing with the accompaniment along with the melody to compose duet. And the long postlude is one of Schumann's characteristic techniques which explain and knot the unfinished melody by the accompaniment. The love song of Schumann was deeply rich in the poetic emotion, had an equal relationship with poem and his musical expression was very exquisite. The poem of this love song constitutes a story, in particular, it is differentiated from the other's motif in that it deals with a woman's life. In singing R. Schumann's love songs(op. 42), we need to understand the content of poem fully with a richer emotion together with the need to search the characteristics of vocal part and piano for a joint expression. In conclusion, in my opinion who studied the vocal music, it seems necessary to understand the structure and poem of the lied and think of the composer's intention once again in order to study the lied with an academic interest. through this love song (op. 42), the Schumann's true world of art was investigated by his art song who represents the German Romantic Music.
This study was about Schumann who occupied the top-level position in the German Romantic Music. R. Schumann succeeded to Fr. Schubert in the Romantic Era to heighten the German lied into a higher level, and above all, he sublimated it more completely in a theoretical or artistical sense. Schubert and Schumann has a common feature in using the melody representing the content of songs, but a difference can be found in giving off nuance of respectively different melody through a further investigation. For example, Schubert's melody always naturally, truly, simply and uncomplicatedly in all kinds of emotions. That is, a representation to harmonize the dramatic sentiment and poetic emotion on the pure, folk song-like, and simple melody assimilated with the nature can be found On the other hand, Schumann expressed the inner world of poetry by the piano. In other words, Schumann's tune delicately reveals deeply psychological interpretation about the poetry through his melody, playing a great role in the piano accompaniment to duet and importantly dealing with the accompaniment along with the melody to compose duet. And the long postlude is one of Schumann's characteristic techniques which explain and knot the unfinished melody by the accompaniment. The love song of Schumann was deeply rich in the poetic emotion, had an equal relationship with poem and his musical expression was very exquisite. The poem of this love song constitutes a story, in particular, it is differentiated from the other's motif in that it deals with a woman's life. In singing R. Schumann's love songs(op. 42), we need to understand the content of poem fully with a richer emotion together with the need to search the characteristics of vocal part and piano for a joint expression. In conclusion, in my opinion who studied the vocal music, it seems necessary to understand the structure and poem of the lied and think of the composer's intention once again in order to study the lied with an academic interest. through this love song (op. 42), the Schumann's true world of art was investigated by his art song who represents the German Romantic Music.
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