Korean traditional dance has been developed as our people's pleasure and merriment and it might be said that the grudge represented in Korean traditional dance is made up of all kinds of bitter feeling of Korean such as frustration by constant invasions of foreign countries, an obsession the people ...
Korean traditional dance has been developed as our people's pleasure and merriment and it might be said that the grudge represented in Korean traditional dance is made up of all kinds of bitter feeling of Korean such as frustration by constant invasions of foreign countries, an obsession the people of lower classes could not avoid under the hierarchic social structure, and displeasure of women against the idea 'predominance of men over women' in an inequitable society. The exorcism dance is based on the emotion of grudge. However, this emotion is a struggle to live more comfortable life rather than just simple sadness, and the exorcism dance is the most human dance that sublimes the sadness into delight through expression of the emotion. For this reason, the silence involved in our traditional dance is not just stillness, but instead it is dynamic quietness, which means making movement in silence. And also, the movement is not a plain action. It bears endless stillness in it, that is, it forms the world of spirit. The exorcism dance(Salpuri dance in Korean) means removing misfortunes and disasters, which basis is dance. Precisely, it implies an intent to make delight, brightness, and liberated world by eliminating calamities. This intent is given concrete form by dancer's movement and this structure shows double-faced feature. And this organic relationship reveals the human existence in the society which includes associating and breaking off. In other words, the exorcism dance means conquering physical, mental and social difficulties, sufferings, and misfortunes and proceeding to the world of brightness and pleasure, that can be understood as the two-faced nature of shade and brightness. Although in the exorcism dance, the shade and brightness coexist and cross with each other, they are not proceeded separately. The movement of it displays brightness against the darkness and this movement embraces both the facts at the same time. The result of this research can be summarized like the following. First, the beauty of Korean traditional dance cannot be expressed by only the technique of movement. As the other oriental arts, Korean traditional dance is also able to achieve its best beauty when a dancer's spirit and the technique of movement are combined. Second, characteristics of Korean traditional dance are that audience can read the mental and physical state of a dancer and the dancer shows a dance with his/her own peculiar style expressing himself/herself in the dance. Third, the beauty of moderation in Korean traditional dance exists in the movement without any motion, which means that despite the quietness of the outside there is invisible flow of energy inside. It would be understood that breath is long and deep. Breath is the most important fact in Korean traditional dance than any other countries' one. Finally, Korean traditional dance attaches great importance to not being unartificial and except the inevitable cases it tries not to change the nature. Like this, reserving the nature as its own form and endeavoring to find something artistic can be named 'techniqueless' Consequently, in the exorcism dance(Salpuri dance), we can read the state of dancer's body and soul thorough the motion and the dancer makes his/her own basic movement of a dance leading it with the unique ways. The dancer has to make emotional effect expand to space without any movement controlling the hight of the body with breath rather than intend to make bigger or stronger action. The breath of the exorcism dance which make the culmination of moderation lets out its energy from an abdomen expressing the beauty of moderation. Therefore, it would be said that the breath which is the kernel of our traditional dance is the circulation of spiritual energy. The way of breathing with the abdomen is not the way the air simply comes and goes from nose and mouth. When breathing, the spiritual energy is gathered and scattered by inspiration and expiration and the smooth ventilation of energy affects a body. The dances of masters are proved by the circulation of the energy which flows on the whole body. Accordingly, the breath is the spiritual energy, the energy is a soul, and the soul can be reflected by the eyes. That is to say, the energy and mind are one. This paper have some defects and limitation in the way of studying and it leaves much to be desired. However, thorough this study, I hope that more concrete and profound research will be carried on.
Korean traditional dance has been developed as our people's pleasure and merriment and it might be said that the grudge represented in Korean traditional dance is made up of all kinds of bitter feeling of Korean such as frustration by constant invasions of foreign countries, an obsession the people of lower classes could not avoid under the hierarchic social structure, and displeasure of women against the idea 'predominance of men over women' in an inequitable society. The exorcism dance is based on the emotion of grudge. However, this emotion is a struggle to live more comfortable life rather than just simple sadness, and the exorcism dance is the most human dance that sublimes the sadness into delight through expression of the emotion. For this reason, the silence involved in our traditional dance is not just stillness, but instead it is dynamic quietness, which means making movement in silence. And also, the movement is not a plain action. It bears endless stillness in it, that is, it forms the world of spirit. The exorcism dance(Salpuri dance in Korean) means removing misfortunes and disasters, which basis is dance. Precisely, it implies an intent to make delight, brightness, and liberated world by eliminating calamities. This intent is given concrete form by dancer's movement and this structure shows double-faced feature. And this organic relationship reveals the human existence in the society which includes associating and breaking off. In other words, the exorcism dance means conquering physical, mental and social difficulties, sufferings, and misfortunes and proceeding to the world of brightness and pleasure, that can be understood as the two-faced nature of shade and brightness. Although in the exorcism dance, the shade and brightness coexist and cross with each other, they are not proceeded separately. The movement of it displays brightness against the darkness and this movement embraces both the facts at the same time. The result of this research can be summarized like the following. First, the beauty of Korean traditional dance cannot be expressed by only the technique of movement. As the other oriental arts, Korean traditional dance is also able to achieve its best beauty when a dancer's spirit and the technique of movement are combined. Second, characteristics of Korean traditional dance are that audience can read the mental and physical state of a dancer and the dancer shows a dance with his/her own peculiar style expressing himself/herself in the dance. Third, the beauty of moderation in Korean traditional dance exists in the movement without any motion, which means that despite the quietness of the outside there is invisible flow of energy inside. It would be understood that breath is long and deep. Breath is the most important fact in Korean traditional dance than any other countries' one. Finally, Korean traditional dance attaches great importance to not being unartificial and except the inevitable cases it tries not to change the nature. Like this, reserving the nature as its own form and endeavoring to find something artistic can be named 'techniqueless' Consequently, in the exorcism dance(Salpuri dance), we can read the state of dancer's body and soul thorough the motion and the dancer makes his/her own basic movement of a dance leading it with the unique ways. The dancer has to make emotional effect expand to space without any movement controlling the hight of the body with breath rather than intend to make bigger or stronger action. The breath of the exorcism dance which make the culmination of moderation lets out its energy from an abdomen expressing the beauty of moderation. Therefore, it would be said that the breath which is the kernel of our traditional dance is the circulation of spiritual energy. The way of breathing with the abdomen is not the way the air simply comes and goes from nose and mouth. When breathing, the spiritual energy is gathered and scattered by inspiration and expiration and the smooth ventilation of energy affects a body. The dances of masters are proved by the circulation of the energy which flows on the whole body. Accordingly, the breath is the spiritual energy, the energy is a soul, and the soul can be reflected by the eyes. That is to say, the energy and mind are one. This paper have some defects and limitation in the way of studying and it leaves much to be desired. However, thorough this study, I hope that more concrete and profound research will be carried on.
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#한국 전통춤 호흡 살풀이춤 exorcism dance
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