This study is to analyze architectural beauty in regard to architectural form and visual beauty, and to analyze the hypothesis that, when architectural beauty is classified into formative beauty and shape beauty, shape beauty of building mass as a cubic shape, can acquire a unique beautiful duality ...
This study is to analyze architectural beauty in regard to architectural form and visual beauty, and to analyze the hypothesis that, when architectural beauty is classified into formative beauty and shape beauty, shape beauty of building mass as a cubic shape, can acquire a unique beautiful duality of the principle figure when it takes shape of the principle figure. This study reviews architectural form in two aspects as follows. The first aspect is that of 'architectural form linked with architectural beauty' on the viewpoint of systematic science of art with an extension of architectural esthetics, and the second one is that of 'beautiful links of architectural forms' on the viewpoint of formative beauty with extension of architectural form. In studying architectural beauty linked with the architectural form, the first aspect is to understand extensive architectural beauty, and the second one is to understand immanent beauty, thus the thirst aspect enables the study to reconsider standings of the formative beauty by preventing the study from limiting at the formative beauty of the architectural form, and by preventing it from leaning to formative theory, while the second aspect enables the study to trace the shape beauty of architectural form by directly coming up to architectural form and observing its realities. The result of this study is as follows. When the observation of the architectural beauty is not limited to the architectural form, but extended to outward and inclusive esthetic category, it is concluded that various artistic element of architecture is not reflected by the architectural shape only, so that a new genre of architectural esthetics Is essentially to be created to include various esthetic categories of architectural beauty, and that the architectural beauty focusing at visual, shape and formative theory, has to be reanalyzed as a fundamental and inclusive category. The history of the western architecture shows the meaning of building formation in decorative beauty and shape beauty. The figurative shape eliminates physical elements, and also eliminates decorativeness of painting art and carving- modeling art, so that the building mass is treated as a cubic shape, and a shape beauty of the architectural form is obtained by analyzing figurative shape. The basic figure, a geometric form containing naturalness, historical meanings, and architectural meanings, has its unique beautiful quality showing figurative and geometric shape beauty, and this beautiful quality might be called a perfection that approaches esthetic perfectness. The perfection of the basic figure supports shape beauty of the building mass as a cubic form.
This study is to analyze architectural beauty in regard to architectural form and visual beauty, and to analyze the hypothesis that, when architectural beauty is classified into formative beauty and shape beauty, shape beauty of building mass as a cubic shape, can acquire a unique beautiful duality of the principle figure when it takes shape of the principle figure. This study reviews architectural form in two aspects as follows. The first aspect is that of 'architectural form linked with architectural beauty' on the viewpoint of systematic science of art with an extension of architectural esthetics, and the second one is that of 'beautiful links of architectural forms' on the viewpoint of formative beauty with extension of architectural form. In studying architectural beauty linked with the architectural form, the first aspect is to understand extensive architectural beauty, and the second one is to understand immanent beauty, thus the thirst aspect enables the study to reconsider standings of the formative beauty by preventing the study from limiting at the formative beauty of the architectural form, and by preventing it from leaning to formative theory, while the second aspect enables the study to trace the shape beauty of architectural form by directly coming up to architectural form and observing its realities. The result of this study is as follows. When the observation of the architectural beauty is not limited to the architectural form, but extended to outward and inclusive esthetic category, it is concluded that various artistic element of architecture is not reflected by the architectural shape only, so that a new genre of architectural esthetics Is essentially to be created to include various esthetic categories of architectural beauty, and that the architectural beauty focusing at visual, shape and formative theory, has to be reanalyzed as a fundamental and inclusive category. The history of the western architecture shows the meaning of building formation in decorative beauty and shape beauty. The figurative shape eliminates physical elements, and also eliminates decorativeness of painting art and carving- modeling art, so that the building mass is treated as a cubic shape, and a shape beauty of the architectural form is obtained by analyzing figurative shape. The basic figure, a geometric form containing naturalness, historical meanings, and architectural meanings, has its unique beautiful quality showing figurative and geometric shape beauty, and this beautiful quality might be called a perfection that approaches esthetic perfectness. The perfection of the basic figure supports shape beauty of the building mass as a cubic form.
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#건축형태 건축미 Architecture Form Aesthetic Cognition
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