In the history of music the completion of 'sonata' is the most prestigious fruit of classic period, and through Beethoven's sonata the historical development was brought to Piano music. That is, sonata was at its height in the Beethoven time. Especially, his 32 Sonatas shows it well. His musical dev...
In the history of music the completion of 'sonata' is the most prestigious fruit of classic period, and through Beethoven's sonata the historical development was brought to Piano music. That is, sonata was at its height in the Beethoven time. Especially, his 32 Sonatas shows it well. His musical development in his Beethoven's Piano Sonata can remarkably noticeable, the earliest work of piano sonata had become the base of his musical development, showing obviously changes of middle and late of the century. So, a pianist should research on the early section of piano sonata if he/she tries to play it. Therefore, the study is to analyze Beethoven's early piano music patterns by looking at Sonata No.1 as its base. The ways of the research is, first of all, based on theoretical background, his life and artistic background were examined. Analyzing the links of beautiful background to societal backgrounds that comprise Beethoven's music world, Beethoven, who lived in the completing period of classical music and the very verge of romantic music, was tried to understand. And, musical features of Beethoven's 32 Piano Sonatas were compared to his overall changes of his life for examination in three periods. Furthermore, solo musical instruments were analyzed based on the research of Sonata involving the genre of instrumental music, the structure of overall movements of Sonata No.1 was researched by analyzing the fundamental structures of the sonata form that forms each movement. Apart from harmony, structure, composing methods that form based on sonata forms, features in composing methods were also analyzed. So, the following was derived as a result of considering musical aspects which appeared in his earliest piano sonatas through the analyzation of No.1, which is one of 32 compositions that he made. First of all, Piano Sonata No. 1 traditionally features with a sonata form because he was influenced by Hyden, and Mozart, while the length of the middle and development was lengthier compared to Hyden's and Mozart's in size, his unique formal structures after the middle part occasionally are found to appear. Second, characteristics of harmony are mainly dotted with tonality connection of Sonata form, but harmonic changes that can be uniquely seen in his music which makes its tension rise. Fortspinnungstypus can be mentioned as its example. Also, differential modulation was tried. Such tendency can tell us his romantic harmonic trends. Third, Structure shows the obvious comparison to subjective obviousness. In Beethoven's compositions it is obvious that he, based on the first motive or the subject, proceeded with repetition, comparison, and development through the whole time, and especially, the structures of the development and closing part are specifically organized. Fourth, in his method 'upward broken chord', also called 'Mannheim rocket motive' that most of the musicians commonly used during the classic period are traditionally noticed. The use of this gives the strength to the overall composition. Furthermore, it was also adopted in octaves of broken chord forms.
In the history of music the completion of 'sonata' is the most prestigious fruit of classic period, and through Beethoven's sonata the historical development was brought to Piano music. That is, sonata was at its height in the Beethoven time. Especially, his 32 Sonatas shows it well. His musical development in his Beethoven's Piano Sonata can remarkably noticeable, the earliest work of piano sonata had become the base of his musical development, showing obviously changes of middle and late of the century. So, a pianist should research on the early section of piano sonata if he/she tries to play it. Therefore, the study is to analyze Beethoven's early piano music patterns by looking at Sonata No.1 as its base. The ways of the research is, first of all, based on theoretical background, his life and artistic background were examined. Analyzing the links of beautiful background to societal backgrounds that comprise Beethoven's music world, Beethoven, who lived in the completing period of classical music and the very verge of romantic music, was tried to understand. And, musical features of Beethoven's 32 Piano Sonatas were compared to his overall changes of his life for examination in three periods. Furthermore, solo musical instruments were analyzed based on the research of Sonata involving the genre of instrumental music, the structure of overall movements of Sonata No.1 was researched by analyzing the fundamental structures of the sonata form that forms each movement. Apart from harmony, structure, composing methods that form based on sonata forms, features in composing methods were also analyzed. So, the following was derived as a result of considering musical aspects which appeared in his earliest piano sonatas through the analyzation of No.1, which is one of 32 compositions that he made. First of all, Piano Sonata No. 1 traditionally features with a sonata form because he was influenced by Hyden, and Mozart, while the length of the middle and development was lengthier compared to Hyden's and Mozart's in size, his unique formal structures after the middle part occasionally are found to appear. Second, characteristics of harmony are mainly dotted with tonality connection of Sonata form, but harmonic changes that can be uniquely seen in his music which makes its tension rise. Fortspinnungstypus can be mentioned as its example. Also, differential modulation was tried. Such tendency can tell us his romantic harmonic trends. Third, Structure shows the obvious comparison to subjective obviousness. In Beethoven's compositions it is obvious that he, based on the first motive or the subject, proceeded with repetition, comparison, and development through the whole time, and especially, the structures of the development and closing part are specifically organized. Fourth, in his method 'upward broken chord', also called 'Mannheim rocket motive' that most of the musicians commonly used during the classic period are traditionally noticed. The use of this gives the strength to the overall composition. Furthermore, it was also adopted in octaves of broken chord forms.
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#L.v.Beethoven Piano Sonata Op.2 No.1
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