This thesis analyzed the quantitative and meaningful characteristics on the vocabulary of two anthologies edited with the poemswritten in the early 1940s by the poet Jeong-Joo Seo. Chapter 2 of this thesis examined the quantitative characteristics of the vocabulary. The native word was overwhelmingl...
This thesis analyzed the quantitative and meaningful characteristics on the vocabulary of two anthologies edited with the poemswritten in the early 1940s by the poet Jeong-Joo Seo. Chapter 2 of this thesis examined the quantitative characteristics of the vocabulary. The native word was overwhelmingly used with 83.8% in the classification of word type, and the noun was mostly used with 45% in the classification of accidence. Such nouns as 'flower', 'snow', 'sky', 'night', 'blood', 'sea', 'wind' and 'tear' were very frequently used. The vocabulary relating to the human being were used at large in the classification of meaning, and the vocabulary relating to the organ of human body and the category of the human being were also used at large as well. The vocabulary relating to dim feeling rather than affirmative feeling for the human being were used at large, from which one could infer the poetical atmosphere. The reason why the vocabulary of the human body in terms of the vocabulary of the human being were used at the most is because the poet wrote many poems to affirm the existence of the human being through the subject of human body, together with the search of physical image in his poems. The characteristic of Jeong-Joo Seo's poetic diction is that there are many vocabularies to feel the animal sense. The vocabulary to feel the animal sense made the anthology to have more primary and sensitive feeling. Women described in Jung-Joo Seo's poems are shown as a sensual and physical existence reflecting sexual desire. Dual personality is shown in 'Cleopatra' with sensuality and foulness, and 'Soonnae' with sensuality and purity. The name such as 'Soonnae', 'Sook' and 'Yeonsoon' has simplicity or purity on the surface traditionally, but those described in Jung-Joo Seo's poems appears as dual personality of simplicity and sensuality. However, the 'sister' in <Next to chrysanthemum> appeared in <Gwichokdo> and in <Sudaedongsi> is shown both as a traditional feminine image with the virtue of endurance and as the feminine image of which the poetic ego tries to have in mind. The total number of color vocabulary used in the two anthologies was 22, and its frequency was 80 times. The color vocabulary showed 2.4% or 80 times of usage out of the total 3,386 vocabularies. Red and blue colors were mainly expressed in 「Hwasa collection」, and the blue-color image was deepened in 「Gwichokdo」 The accidence for color vocabulary is mainly adjectives and expresses the condition of objects, and the inscription of various re-monosyllabic words was quite peculiar. It was also very peculiar in white color to express the word in various ways to have the effect of sound image. h the meaningful sense, in particular, red color is described in various derivative words with help of red-colored adjectives, and reflects physical pain with such word as nasal hemorrhage, lips, apple, pomegranate, sunflower, heart, deep red-colored shroud, comb, fresh liver and others, which in turn reflects distress and pain of the poetic ego. The poetic speaker is the first pronoun 'I' in the two anthologies. The census of vocabulanry showed that the first pronoun 'I' was most frequently used with 64 times and 1.9% of usage. This shows that poems were unfolded by the speaker of the first pronoun. The emotion of the poetic speaker can be seen through the vocabularies of dark feeling. "Flower', 'tree' and 'plant' also reflect the redden pain. Sky shows negative image with the words "mad sky', 'dark-blue sky', 'empty sky', and etc. The inscription also supports dark sentiment with differentiated expression of sky rather than orthodox expression.
This thesis analyzed the quantitative and meaningful characteristics on the vocabulary of two anthologies edited with the poemswritten in the early 1940s by the poet Jeong-Joo Seo. Chapter 2 of this thesis examined the quantitative characteristics of the vocabulary. The native word was overwhelmingly used with 83.8% in the classification of word type, and the noun was mostly used with 45% in the classification of accidence. Such nouns as 'flower', 'snow', 'sky', 'night', 'blood', 'sea', 'wind' and 'tear' were very frequently used. The vocabulary relating to the human being were used at large in the classification of meaning, and the vocabulary relating to the organ of human body and the category of the human being were also used at large as well. The vocabulary relating to dim feeling rather than affirmative feeling for the human being were used at large, from which one could infer the poetical atmosphere. The reason why the vocabulary of the human body in terms of the vocabulary of the human being were used at the most is because the poet wrote many poems to affirm the existence of the human being through the subject of human body, together with the search of physical image in his poems. The characteristic of Jeong-Joo Seo's poetic diction is that there are many vocabularies to feel the animal sense. The vocabulary to feel the animal sense made the anthology to have more primary and sensitive feeling. Women described in Jung-Joo Seo's poems are shown as a sensual and physical existence reflecting sexual desire. Dual personality is shown in 'Cleopatra' with sensuality and foulness, and 'Soonnae' with sensuality and purity. The name such as 'Soonnae', 'Sook' and 'Yeonsoon' has simplicity or purity on the surface traditionally, but those described in Jung-Joo Seo's poems appears as dual personality of simplicity and sensuality. However, the 'sister' in <Next to chrysanthemum> appeared in <Gwichokdo> and in <Sudaedongsi> is shown both as a traditional feminine image with the virtue of endurance and as the feminine image of which the poetic ego tries to have in mind. The total number of color vocabulary used in the two anthologies was 22, and its frequency was 80 times. The color vocabulary showed 2.4% or 80 times of usage out of the total 3,386 vocabularies. Red and blue colors were mainly expressed in 「Hwasa collection」, and the blue-color image was deepened in 「Gwichokdo」 The accidence for color vocabulary is mainly adjectives and expresses the condition of objects, and the inscription of various re-monosyllabic words was quite peculiar. It was also very peculiar in white color to express the word in various ways to have the effect of sound image. h the meaningful sense, in particular, red color is described in various derivative words with help of red-colored adjectives, and reflects physical pain with such word as nasal hemorrhage, lips, apple, pomegranate, sunflower, heart, deep red-colored shroud, comb, fresh liver and others, which in turn reflects distress and pain of the poetic ego. The poetic speaker is the first pronoun 'I' in the two anthologies. The census of vocabulanry showed that the first pronoun 'I' was most frequently used with 64 times and 1.9% of usage. This shows that poems were unfolded by the speaker of the first pronoun. The emotion of the poetic speaker can be seen through the vocabularies of dark feeling. "Flower', 'tree' and 'plant' also reflect the redden pain. Sky shows negative image with the words "mad sky', 'dark-blue sky', 'empty sky', and etc. The inscription also supports dark sentiment with differentiated expression of sky rather than orthodox expression.
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