Early works of Gavriel.U.Faura(1845~1924) have the musical features of substantial and individual, but lyrical and orginal style in the last Romanticism-vivid, soft, simple and lyric melody, the use of revolutional harmony, a conuterpont in accompanment, the proceed of melody in chromatic style and ...
Early works of Gavriel.U.Faura(1845~1924) have the musical features of substantial and individual, but lyrical and orginal style in the last Romanticism-vivid, soft, simple and lyric melody, the use of revolutional harmony, a conuterpont in accompanment, the proceed of melody in chromatic style and through cmposed form besides, he selected every pome with unity and made a song in accordance With the from of poet. We can't understand the whole stream only with Lydia, Apras un Re^ve, Mandoline, En sourdin, Paradis but find the ferr use of harmony various transposition, repetion of from, and lyrical,sutitable harmonical connection of accompanment in his early works. French melodies has a long history, and Chanson, it's mother body can trace up to homophonic song of troubadour and trouveres in 12th and 13th centeries. This fact proves that the French melodie dose not faii behind the two countries in historic and mousic backgrounds. Melodie, which appeared correspending to the Gennan Lied, enhances the phase of French songs by one dimension, and is loved to be song in these days. Among various composers of the melodie, Faure` left over 100 pieces for his whole life, in which he properly digested during his working period, conservative musical froms of classic ages and idealism much shown in the second period, and he played a brige role form the modern musics of 20th century. For this reanson, he is regarded as the most important character in history of the of the Fench melodie. as the most imporessionsim expressed in his musics draw more attenion, as it is ahead of Debssy in terms of time. By looking into Gabriel Faure`'s beautiful melodies which havelyrical and graceful melody line, and have harmonic depth by expression of color with varriation tone as above, his peculiar music world and his position as a melody composer persisting the later romanticism and tending towards to new imperessionism simultanneously have been examined.
Early works of Gavriel.U.Faura(1845~1924) have the musical features of substantial and individual, but lyrical and orginal style in the last Romanticism-vivid, soft, simple and lyric melody, the use of revolutional harmony, a conuterpont in accompanment, the proceed of melody in chromatic style and through cmposed form besides, he selected every pome with unity and made a song in accordance With the from of poet. We can't understand the whole stream only with Lydia, Apras un Re^ve, Mandoline, En sourdin, Paradis but find the ferr use of harmony various transposition, repetion of from, and lyrical,sutitable harmonical connection of accompanment in his early works. French melodies has a long history, and Chanson, it's mother body can trace up to homophonic song of troubadour and trouveres in 12th and 13th centeries. This fact proves that the French melodie dose not faii behind the two countries in historic and mousic backgrounds. Melodie, which appeared correspending to the Gennan Lied, enhances the phase of French songs by one dimension, and is loved to be song in these days. Among various composers of the melodie, Faure` left over 100 pieces for his whole life, in which he properly digested during his working period, conservative musical froms of classic ages and idealism much shown in the second period, and he played a brige role form the modern musics of 20th century. For this reanson, he is regarded as the most important character in history of the of the Fench melodie. as the most imporessionsim expressed in his musics draw more attenion, as it is ahead of Debssy in terms of time. By looking into Gabriel Faure`'s beautiful melodies which havelyrical and graceful melody line, and have harmonic depth by expression of color with varriation tone as above, his peculiar music world and his position as a melody composer persisting the later romanticism and tending towards to new imperessionism simultanneously have been examined.
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