The lyrics of his song cycle “Poe`me d'un Jour” op.21 is from a poet by Charles Grandmougin. The melody is composed during Faure' is first period, which produced the most abundant musical pieces among his three periods.
He composed this music at 33 years old during the late romantic period. His ...
The lyrics of his song cycle “Poe`me d'un Jour” op.21 is from a poet by Charles Grandmougin. The melody is composed during Faure' is first period, which produced the most abundant musical pieces among his three periods.
He composed this music at 33 years old during the late romantic period. His creative and free style of music, often anomalous to its traditionally established form, is generally reflected in his songs. His music in particular, displays an atonal music rather than the contemporary composer's pursue of romantic propensities; thus, acts as a bridge between the late romantic period and the modern day era.
The followings are an evaluation of his song cycle “Poe`me d'un Jour” op.21
The first song is The Recontre. The lack of melody during the accompaniment attempts to relay the sentiment of solitude, however, when the music played with the accompaniment, it inspires a water color painting and the arpeggio in the accompaniment also tells the poet is environment surrounded by beautiful nature.
With the swift tempo and F key, the second song, Toujour, demonstrates the poet’s anguish of separation. The storming accent during the accompaniment rushing through the end of the song solidifies his suffering.
Contrast to the fervent Toujour, Adieu, the third piece, depicts a serene and soothing nature. It reflects the poet's inner peace with the changing of time and tide in the aftermath of pain and bitterness of love. The last text reveals the poet's inability to weep while agonizing over love.
This piece, not only effectively reveals Faure' is emotions overall the song, but also the characteristics of French music that the lyrics and the melody being closely connected.
As researching on op21, it is found that his songs are functioning as a linking part of late romanticism and modern music. The peculiar composing tendency of Faure' later becomes a characteristic and foundation of beautiful and extraordinary musical pieces.
This thesis is based on the repertory that I sang during my recital. I recognized that the beautiful sound from the overall works, being different from the Italian song or German Lied, even though it is not expressed in the accompaniment itself.
This does not mean the separation of accompaniment and song, but brings up the image of the beautiful picture by covering song with the accompaniment.
By studying Faure' is art music from the 20th century of obscure atonal and electronic, I realized that it’s essential to further strengthen my studies in literature, music and art. Moreover, I recognize the need to experience and overcome various emotions such as grief, sorrow, anguish, agony, etc. in order to express emotions cathartically through music.
I had some difficulty since there were no previous theses done on his work, but I believe that same reason gives this thesis more value.
The lyrics of his song cycle “Poe`me d'un Jour” op.21 is from a poet by Charles Grandmougin. The melody is composed during Faure' is first period, which produced the most abundant musical pieces among his three periods.
He composed this music at 33 years old during the late romantic period. His creative and free style of music, often anomalous to its traditionally established form, is generally reflected in his songs. His music in particular, displays an atonal music rather than the contemporary composer's pursue of romantic propensities; thus, acts as a bridge between the late romantic period and the modern day era.
The followings are an evaluation of his song cycle “Poe`me d'un Jour” op.21
The first song is The Recontre. The lack of melody during the accompaniment attempts to relay the sentiment of solitude, however, when the music played with the accompaniment, it inspires a water color painting and the arpeggio in the accompaniment also tells the poet is environment surrounded by beautiful nature.
With the swift tempo and F key, the second song, Toujour, demonstrates the poet’s anguish of separation. The storming accent during the accompaniment rushing through the end of the song solidifies his suffering.
Contrast to the fervent Toujour, Adieu, the third piece, depicts a serene and soothing nature. It reflects the poet's inner peace with the changing of time and tide in the aftermath of pain and bitterness of love. The last text reveals the poet's inability to weep while agonizing over love.
This piece, not only effectively reveals Faure' is emotions overall the song, but also the characteristics of French music that the lyrics and the melody being closely connected.
As researching on op21, it is found that his songs are functioning as a linking part of late romanticism and modern music. The peculiar composing tendency of Faure' later becomes a characteristic and foundation of beautiful and extraordinary musical pieces.
This thesis is based on the repertory that I sang during my recital. I recognized that the beautiful sound from the overall works, being different from the Italian song or German Lied, even though it is not expressed in the accompaniment itself.
This does not mean the separation of accompaniment and song, but brings up the image of the beautiful picture by covering song with the accompaniment.
By studying Faure' is art music from the 20th century of obscure atonal and electronic, I realized that it’s essential to further strengthen my studies in literature, music and art. Moreover, I recognize the need to experience and overcome various emotions such as grief, sorrow, anguish, agony, etc. in order to express emotions cathartically through music.
I had some difficulty since there were no previous theses done on his work, but I believe that same reason gives this thesis more value.
주제어
#Gabriel Fauré 연가곡 Poe`me d'un Jour Op.21 Rencontre
※ AI-Helper는 부적절한 답변을 할 수 있습니다.