After studying of 『Die Scho¨ne Mu¨llerin Op.25』 composed by Schubert, it has been found that the romantic poem and music by Muller have been naturally harmonized each other, also the sound of describing of nature and the movement of the emotion have been vividly expressed and delivered by the piano ...
After studying of 『Die Scho¨ne Mu¨llerin Op.25』 composed by Schubert, it has been found that the romantic poem and music by Muller have been naturally harmonized each other, also the sound of describing of nature and the movement of the emotion have been vividly expressed and delivered by the piano accompaniment. Based on this understanding, the characteristics of the 6 songs from 『Die Scho¨ne Mu¨llerin Op.25』 can be clearly defined. Firstly, except for No.5 "Am Feierabent", most of tile songs have been written in major keys, additionally, tunes, concords, fortepianos and tempos on those songs are closely interconnected each other. And the melodies give an impression of a folk song that contains mostly a powerful rhythm and regular phrasing, (e.g. Das Wandern) Secondly, in the piano accompaniment, it can be felt that it is not only simply sounding chords but also being expressed according to the lyric of the poem, using the style of chromatic scale. Thirdly, an accidenta has been used to express various transitions on most parts of the poem and it is one of the characteristics that it flows naturally in spite of the change of a rhythm, also, what cannot be described through a poem has been expressed through preludes, interludes and postludes. And generally interludes and postludes are short. After all, the piano accompaniment by Schubert is closely related with the lyric of the poem so that it not only supports the songs, but strengthens the variety of the settings of situations and expressions as a role of a counterpart. One more important thing is that a pedal on a piano has been used to make natural interaction between the sense of color of sound and the harmony, consequently, it leads to more romantic atmosphere. Through the time of preparing this thesis, especially while studying 『Die Scho¨ne Mu¨llerin Op.25』, it has been realised that an accompanist must be equipped with both technically and sensitively exceptional skills and also when playing various artistic songs including German songs, he or she must be able to fully understand meaning of lyrics and make great deal of effort to describe the representation of a language and the musical expression in the equal level of view with a performer.
After studying of 『Die Scho¨ne Mu¨llerin Op.25』 composed by Schubert, it has been found that the romantic poem and music by Muller have been naturally harmonized each other, also the sound of describing of nature and the movement of the emotion have been vividly expressed and delivered by the piano accompaniment. Based on this understanding, the characteristics of the 6 songs from 『Die Scho¨ne Mu¨llerin Op.25』 can be clearly defined. Firstly, except for No.5 "Am Feierabent", most of tile songs have been written in major keys, additionally, tunes, concords, fortepianos and tempos on those songs are closely interconnected each other. And the melodies give an impression of a folk song that contains mostly a powerful rhythm and regular phrasing, (e.g. Das Wandern) Secondly, in the piano accompaniment, it can be felt that it is not only simply sounding chords but also being expressed according to the lyric of the poem, using the style of chromatic scale. Thirdly, an accidenta has been used to express various transitions on most parts of the poem and it is one of the characteristics that it flows naturally in spite of the change of a rhythm, also, what cannot be described through a poem has been expressed through preludes, interludes and postludes. And generally interludes and postludes are short. After all, the piano accompaniment by Schubert is closely related with the lyric of the poem so that it not only supports the songs, but strengthens the variety of the settings of situations and expressions as a role of a counterpart. One more important thing is that a pedal on a piano has been used to make natural interaction between the sense of color of sound and the harmony, consequently, it leads to more romantic atmosphere. Through the time of preparing this thesis, especially while studying 『Die Scho¨ne Mu¨llerin Op.25』, it has been realised that an accompanist must be equipped with both technically and sensitively exceptional skills and also when playing various artistic songs including German songs, he or she must be able to fully understand meaning of lyrics and make great deal of effort to describe the representation of a language and the musical expression in the equal level of view with a performer.
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#Schubert, Franz Peter오스트리아 서양음악 가곡 연가곡 반주법 Die Schone Mullerin
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