We have studied the image of Road appeared in the poems of three representing poets ( So wol Kim, Ha Yim, and Mok wol Park) of the period of Japanese occupation. The images of Roadin the poems of these three meant just more than road literally. They always surfaced as an exhibition of the poets inne...
We have studied the image of Road appeared in the poems of three representing poets ( So wol Kim, Ha Yim, and Mok wol Park) of the period of Japanese occupation. The images of Roadin the poems of these three meant just more than road literally. They always surfaced as an exhibition of the poets inner feeling and have been used as means to show the direction of the periodic consciousness of these poets. The image of Road in So Wol Kims poems appears either by exposing the inner struggle and lost ness or as a critical consciousness of the reality. It is also through the Road to express the willingness to overcome the negative recognition of the reality. Usually in So Wols poem, the storyteller is described as a wanderer and this person always looks for a resting place in the middle of a tiring trip. And he wanders and struggles because he cannot find the place to rest. Also, the image of Road sometimes shows a critical recognition of the reality of the time. This is an expression of lost ness anddesperation of our people who lost their land and forced to travel around due to Japanese exploitation. In Ha Yims poems, we can see that broader image of Roads appears such as crossroads and seashore road which lead our consciousness to a broader space. Differently from the common practice of our early modern literature using closed space as a background in poems, using open space as a background has a symbolic meaning. These roads have meanings of tragic recognition of the reality, participation to a reality, and finally struggle for ironic reality. The direction of consciousness applied inRoad changes with the history. Jong Ro crossroad, a symbolic place for the resistance toward Japans occupation of Korea, exists as a lost place because of the industrialization and growing pressure of the Japanese exploitation. After the independence, this crossroad changes into a space of shame and emptiness. This reflects the remorse of the people who could not stand up against the dark reality. Hyunhaetan, the road in the sea, is seen as a source of irony or space of dilemma where we cannot avoid. Therefore, it has a meaning of mirror that shows the sadness of our people and leads to the bitter history and finally the real meaning of our lives. This shows the vivid recognition of the reality by this writer. Mok Wol Park has focused on the flowing nature of the roads. And he pictures the sad reality of our people during Japanese occupation by showing wandering storyteller on the roads. He uses expressions like; A road like a thread, Narrow and far road, and Red muddy road. But, people react toward Japanese occupation passively and focus on their own situations. This could be seen as pointlessness. This was derived from the lack of willingness to improve the bitter reality. We have reviewed the images of Road of three poets as an inner feelings and means of recognition of reality. We could see the different reaction that each one took in. First, So Wol and Ha showed a strong positive willingness to overcome the current situation. However, Mok Wol, on the contrary, lacks this willingness. Moreover, So Wol and Ha also have differences in their use of Road. In So wols poem, overcoming the bitter reality is to identify disinteresting the reality with ideal world, and in Has poem, it is suggested done by resistance. So Wols idea is relatively unrealistic way of overcoming the reality comparing to the one that Ha showed. So Wols idea was excellent in terms of the expressing the hope and willingness, but could not become a realistic solution to the common people. For example, evenif the storyteller goes beyond the reality, the reality cannot be changed. We have seen the different meanings and application of the Road in three great poets of our modern literature under the Japanese colonization. We have observed that the image of Road not only exhibits the inner feelings of the poet, but alsocarries various conscious values in it. This can be seen as successful educational meaning for a literature as a cultural education. In other words, understanding the socio-cultural situation of the poem helps to understand and appreciate the literal works. It will be a very effect methodology to teach these poems by relates the image of Road to the authors inner feeling and direction of consciousness of the time. And finally, the learner will be able to differentiate the differences between three poets in reacting and solving the problems in the reality, and adopt better ways of dealing with them or criticize the undesirable method to find out a better solution for the reality.
We have studied the image of Road appeared in the poems of three representing poets ( So wol Kim, Ha Yim, and Mok wol Park) of the period of Japanese occupation. The images of Roadin the poems of these three meant just more than road literally. They always surfaced as an exhibition of the poets inner feeling and have been used as means to show the direction of the periodic consciousness of these poets. The image of Road in So Wol Kims poems appears either by exposing the inner struggle and lost ness or as a critical consciousness of the reality. It is also through the Road to express the willingness to overcome the negative recognition of the reality. Usually in So Wols poem, the storyteller is described as a wanderer and this person always looks for a resting place in the middle of a tiring trip. And he wanders and struggles because he cannot find the place to rest. Also, the image of Road sometimes shows a critical recognition of the reality of the time. This is an expression of lost ness anddesperation of our people who lost their land and forced to travel around due to Japanese exploitation. In Ha Yims poems, we can see that broader image of Roads appears such as crossroads and seashore road which lead our consciousness to a broader space. Differently from the common practice of our early modern literature using closed space as a background in poems, using open space as a background has a symbolic meaning. These roads have meanings of tragic recognition of the reality, participation to a reality, and finally struggle for ironic reality. The direction of consciousness applied inRoad changes with the history. Jong Ro crossroad, a symbolic place for the resistance toward Japans occupation of Korea, exists as a lost place because of the industrialization and growing pressure of the Japanese exploitation. After the independence, this crossroad changes into a space of shame and emptiness. This reflects the remorse of the people who could not stand up against the dark reality. Hyunhaetan, the road in the sea, is seen as a source of irony or space of dilemma where we cannot avoid. Therefore, it has a meaning of mirror that shows the sadness of our people and leads to the bitter history and finally the real meaning of our lives. This shows the vivid recognition of the reality by this writer. Mok Wol Park has focused on the flowing nature of the roads. And he pictures the sad reality of our people during Japanese occupation by showing wandering storyteller on the roads. He uses expressions like; A road like a thread, Narrow and far road, and Red muddy road. But, people react toward Japanese occupation passively and focus on their own situations. This could be seen as pointlessness. This was derived from the lack of willingness to improve the bitter reality. We have reviewed the images of Road of three poets as an inner feelings and means of recognition of reality. We could see the different reaction that each one took in. First, So Wol and Ha showed a strong positive willingness to overcome the current situation. However, Mok Wol, on the contrary, lacks this willingness. Moreover, So Wol and Ha also have differences in their use of Road. In So wols poem, overcoming the bitter reality is to identify disinteresting the reality with ideal world, and in Has poem, it is suggested done by resistance. So Wols idea is relatively unrealistic way of overcoming the reality comparing to the one that Ha showed. So Wols idea was excellent in terms of the expressing the hope and willingness, but could not become a realistic solution to the common people. For example, evenif the storyteller goes beyond the reality, the reality cannot be changed. We have seen the different meanings and application of the Road in three great poets of our modern literature under the Japanese colonization. We have observed that the image of Road not only exhibits the inner feelings of the poet, but alsocarries various conscious values in it. This can be seen as successful educational meaning for a literature as a cultural education. In other words, understanding the socio-cultural situation of the poem helps to understand and appreciate the literal works. It will be a very effect methodology to teach these poems by relates the image of Road to the authors inner feeling and direction of consciousness of the time. And finally, the learner will be able to differentiate the differences between three poets in reacting and solving the problems in the reality, and adopt better ways of dealing with them or criticize the undesirable method to find out a better solution for the reality.
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