<국문초록> 동북아시아지역의 전통문양을 응용한 패션디자인 개발 연구 ― 한국, 중국, 일본의 16 ~ 19세기 복식을 중심으로 ― 지도교수 간 호 섭 패션디자인 전공 김 현 진 현대사회는 발전된 산업사회와 함께 다양한 매스컴의 발달로 국제화, 세계화가 더욱 가속화 되었다. 이와 함께 과학 기술의 발달로 인한 환경오염에 생태학적 위기의식은 자연으로 돌아가고자 하는 원시의 추구와 이국취향으로 나타나게 되었으며 서양문화 중심의 세계관에 실증을 느낀 현대인들은 타 문화권에 대한 긍정적 수용을 하게 되었고, 산업사회가 빚어낸 위기함의 ...
<국문초록> 동북아시아지역의 전통문양을 응용한 패션디자인 개발 연구 ― 한국, 중국, 일본의 16 ~ 19세기 복식을 중심으로 ― 지도교수 간 호 섭 패션디자인 전공 김 현 진 현대사회는 발전된 산업사회와 함께 다양한 매스컴의 발달로 국제화, 세계화가 더욱 가속화 되었다. 이와 함께 과학 기술의 발달로 인한 환경오염에 생태학적 위기의식은 자연으로 돌아가고자 하는 원시의 추구와 이국취향으로 나타나게 되었으며 서양문화 중심의 세계관에 실증을 느낀 현대인들은 타 문화권에 대한 긍정적 수용을 하게 되었고, 산업사회가 빚어낸 위기함의 해결방안으로 동양적 세계관이 크게 주목받게 되었다. 또한 민족 정체성에 대한 관심이 높아져 문화적 전통을 계승, 발전시키려는 노력이 시도되었다. 이러한 움직임은 패션에서도 예외가 아니였으며, 각국의 디자이너들은 국제무대에 자국의 미를 알리고자 하는 움직임을 본격화하였다. 이에 본 연구는 동북아시아 지역의 전통 문양을 이용하여 나아가 국제사회에 우리의 전통문양을 알릴 수 있는 새로운 복식디자인을 창출하고자 하였다. 본 연구의 내용과 방법은 동북아시아 지역의 대표적인 한국, 중국, 일본을 중심으로 조사하였고, 보다 정확한 삼국의 전통문양를 고찰하고, 비교, 분류하기 위하여 16세기말~19세기(조선후기, 청나라, 에도시대)에 복식에 나타난 전통문양을 중심으로 이?
<국문초록> 동북아시아지역의 전통문양을 응용한 패션디자인 개발 연구 ― 한국, 중국, 일본의 16 ~ 19세기 복식을 중심으로 ― 지도교수 간 호 섭 패션디자인 전공 김 현 진 현대사회는 발전된 산업사회와 함께 다양한 매스컴의 발달로 국제화, 세계화가 더욱 가속화 되었다. 이와 함께 과학 기술의 발달로 인한 환경오염에 생태학적 위기의식은 자연으로 돌아가고자 하는 원시의 추구와 이국취향으로 나타나게 되었으며 서양문화 중심의 세계관에 실증을 느낀 현대인들은 타 문화권에 대한 긍정적 수용을 하게 되었고, 산업사회가 빚어낸 위기함의 해결방안으로 동양적 세계관이 크게 주목받게 되었다. 또한 민족 정체성에 대한 관심이 높아져 문화적 전통을 계승, 발전시키려는 노력이 시도되었다. 이러한 움직임은 패션에서도 예외가 아니였으며, 각국의 디자이너들은 국제무대에 자국의 미를 알리고자 하는 움직임을 본격화하였다. 이에 본 연구는 동북아시아 지역의 전통 문양을 이용하여 나아가 국제사회에 우리의 전통문양을 알릴 수 있는 새로운 복식디자인을 창출하고자 하였다. 본 연구의 내용과 방법은 동북아시아 지역의 대표적인 한국, 중국, 일본을 중심으로 조사하였고, 보다 정확한 삼국의 전통문양를 고찰하고, 비교, 분류하기 위하여 16세기말~19세기(조선후기, 청나라, 에도시대)에 복식에 나타난 전통문양을 중심으로 이?
Abstract A Study on the Fashion Design Development as Application of the Traditional Pattern in Northeast Asia : focusing on Korea, China, Japan's Costume Forms in 16th~19th Advisor : Kim, Hyun-jin Prof. Kan, Ho-sup Ph.D. Major in Fashion Design Today, the advancement of industrial society and mass ...
Abstract A Study on the Fashion Design Development as Application of the Traditional Pattern in Northeast Asia : focusing on Korea, China, Japan's Costume Forms in 16th~19th Advisor : Kim, Hyun-jin Prof. Kan, Ho-sup Ph.D. Major in Fashion Design Today, the advancement of industrial society and mass media has helped fuel the internationalization and the globalization. However, the advancement of scientific technology caused an environmental pollution and the sense of an ecological crisis, which has been expressed as an exotic taste and the pursuit of origin meaning a return to nature. Modern people who are weary of a western culture-oriented world view have positively accepted other cultures, and have highly paid attention to an oriental world view, which is regarded as a solution to the crisis caused by an industrial society. Also, as great attention has been shown to a national identity, they have endeavored to succeed and develop the cultural tradition. There is no exception to this movement in a fashion field. Many international designers have buckled to publicize the beauty of their own nation in an international stage. Hence, this study aimed to create a new costume design suitable for publicizing our traditional patterns in the world by using the traditional patterns of Northeast Asia region. The content of this study was examined on the basis of Korea, China, and Japan among Northeast Asia nations. Especially, the study focused on the traditional patterns of the 16th - 19th century costume during the end of the Joseon Dynasty period, Ching period, and Edo period, in order to consider, compare, and classify the traditional pattern of the three nations more accurately. The method of this study included various historical documents, reference materials, theses, and Internet. After researching the diversity, type, symbolism, and expressivity of the three nations' traditional patterns, this study analyzed the design of Northeast Asia's modern costume with traditional patterns in term of features as mentioned above. Based on this theoretical background and analysis results, we produced five modern costume designs which traditional patterns were applied to. The result of this study can be summarized as follows. First, China is characterized by a strictly fixed configuration and a realistic description, Japan a simplistic modality and an abstract-geometrical pattern, and Korea a eclectic type, whole-pattern, and part-pattern. This study aimed to make the three-dimensional pattern by using harmoniously these characters. Second, Korea, China, and Japan have many similarities concerning a symbolism and a type of pattern. For example, three nations used the patterns containing a symbol like royalty, authority, auspicious events, longevity, or offspring's prosperity. In the modern fashion, they often use dragon patterns, various flower patterns like peony, plum blossom, or mum, and geometrical patterns. This study focused on expressing patterns which contain the ornamental symbolism of Oriental Look, aside from an existing symbolism, and show a traditional sentiment of Northeast Asia by using dragon pattern, various flower patterns like peony, plum blossom, flowering plant, honeysuckle, orchid, or stylized floral clusters, and geometrical concentric circle patterns. The method for expressing traditional patterns usually included weaving, dyeing, embroidery, or gold foil. Although these methods have been used in all the three nations, even rubbed metal foil and patchwork have been widely used in Japan. Among many techniques, diverse techniques such as quiltting, patchwork, applique, bidding, printing, or silver foil can express the type of Northeast Asia's traditional pattern and the meaning of an ornamental symbolism. So they have actively studied these techniques and applied to developing a modern fashion design. Based on the type, symbolism, and expressivity as mentioned above, we made five products and used diverse expressional techniques to try to advance the creativity and artistry of the products. Although many modern designers apply an oriental tradition pattern to fashion design, it is also true that it is difficult to find the design containing Korean image due to the similarity of the three nations' traditional pattern. Thus, the purpose of this study is to firmly establish a Korean pattern and create a new fashion design available to publicize Korea's traditional pattern in the world. Lastly, I hope that this study will provide a momentum for developing many designs with Korean tradition pattern, resulting that these designs will be recognized as the new goods in the international and domestic market.
Abstract A Study on the Fashion Design Development as Application of the Traditional Pattern in Northeast Asia : focusing on Korea, China, Japan's Costume Forms in 16th~19th Advisor : Kim, Hyun-jin Prof. Kan, Ho-sup Ph.D. Major in Fashion Design Today, the advancement of industrial society and mass media has helped fuel the internationalization and the globalization. However, the advancement of scientific technology caused an environmental pollution and the sense of an ecological crisis, which has been expressed as an exotic taste and the pursuit of origin meaning a return to nature. Modern people who are weary of a western culture-oriented world view have positively accepted other cultures, and have highly paid attention to an oriental world view, which is regarded as a solution to the crisis caused by an industrial society. Also, as great attention has been shown to a national identity, they have endeavored to succeed and develop the cultural tradition. There is no exception to this movement in a fashion field. Many international designers have buckled to publicize the beauty of their own nation in an international stage. Hence, this study aimed to create a new costume design suitable for publicizing our traditional patterns in the world by using the traditional patterns of Northeast Asia region. The content of this study was examined on the basis of Korea, China, and Japan among Northeast Asia nations. Especially, the study focused on the traditional patterns of the 16th - 19th century costume during the end of the Joseon Dynasty period, Ching period, and Edo period, in order to consider, compare, and classify the traditional pattern of the three nations more accurately. The method of this study included various historical documents, reference materials, theses, and Internet. After researching the diversity, type, symbolism, and expressivity of the three nations' traditional patterns, this study analyzed the design of Northeast Asia's modern costume with traditional patterns in term of features as mentioned above. Based on this theoretical background and analysis results, we produced five modern costume designs which traditional patterns were applied to. The result of this study can be summarized as follows. First, China is characterized by a strictly fixed configuration and a realistic description, Japan a simplistic modality and an abstract-geometrical pattern, and Korea a eclectic type, whole-pattern, and part-pattern. This study aimed to make the three-dimensional pattern by using harmoniously these characters. Second, Korea, China, and Japan have many similarities concerning a symbolism and a type of pattern. For example, three nations used the patterns containing a symbol like royalty, authority, auspicious events, longevity, or offspring's prosperity. In the modern fashion, they often use dragon patterns, various flower patterns like peony, plum blossom, or mum, and geometrical patterns. This study focused on expressing patterns which contain the ornamental symbolism of Oriental Look, aside from an existing symbolism, and show a traditional sentiment of Northeast Asia by using dragon pattern, various flower patterns like peony, plum blossom, flowering plant, honeysuckle, orchid, or stylized floral clusters, and geometrical concentric circle patterns. The method for expressing traditional patterns usually included weaving, dyeing, embroidery, or gold foil. Although these methods have been used in all the three nations, even rubbed metal foil and patchwork have been widely used in Japan. Among many techniques, diverse techniques such as quiltting, patchwork, applique, bidding, printing, or silver foil can express the type of Northeast Asia's traditional pattern and the meaning of an ornamental symbolism. So they have actively studied these techniques and applied to developing a modern fashion design. Based on the type, symbolism, and expressivity as mentioned above, we made five products and used diverse expressional techniques to try to advance the creativity and artistry of the products. Although many modern designers apply an oriental tradition pattern to fashion design, it is also true that it is difficult to find the design containing Korean image due to the similarity of the three nations' traditional pattern. Thus, the purpose of this study is to firmly establish a Korean pattern and create a new fashion design available to publicize Korea's traditional pattern in the world. Lastly, I hope that this study will provide a momentum for developing many designs with Korean tradition pattern, resulting that these designs will be recognized as the new goods in the international and domestic market.
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