그리스인들은 인간의 신체를 이상적으로 신성화시켰고, 전 지역에 분포된 성소(聖所)에는 자신들의 신상을 모시는 신전을 인체조각으로 장식하였다. 그리스 신전은 비가시적인 신성(神性)이 형상화 된 공간이었다. 즉 제의적 기능의 장소인 것이다. 연구자는 인체조각이 단순히 건축의 외관을 장식하기 위한 것만이 아니라고 가정하였다. 오히려 조각은 상징화된 신상이나 인체조각의 형식으로써 건축이라는 공간의 지성소에 위치하며, 공간을 능동적으로 장악하는 구심점 역할을 한다고 인식하였다. 고대 그리스 건축은 단지 주거의 역할뿐만이 아니라 종교적 기능도 함께 수행하고 있었다. 그리스 건축 내부의 홀에서 화로는 우주와 소통하는 매개체였는데 화로는 점차 신상으로 대체되어 되었다. 신전건축과 주택건축은 신상조각과 화로를 수용하기 위한 공간인 것이다. 또한 신전건축의 오더(...
그리스인들은 인간의 신체를 이상적으로 신성화시켰고, 전 지역에 분포된 성소(聖所)에는 자신들의 신상을 모시는 신전을 인체조각으로 장식하였다. 그리스 신전은 비가시적인 신성(神性)이 형상화 된 공간이었다. 즉 제의적 기능의 장소인 것이다. 연구자는 인체조각이 단순히 건축의 외관을 장식하기 위한 것만이 아니라고 가정하였다. 오히려 조각은 상징화된 신상이나 인체조각의 형식으로써 건축이라는 공간의 지성소에 위치하며, 공간을 능동적으로 장악하는 구심점 역할을 한다고 인식하였다. 고대 그리스 건축은 단지 주거의 역할뿐만이 아니라 종교적 기능도 함께 수행하고 있었다. 그리스 건축 내부의 홀에서 화로는 우주와 소통하는 매개체였는데 화로는 점차 신상으로 대체되어 되었다. 신전건축과 주택건축은 신상조각과 화로를 수용하기 위한 공간인 것이다. 또한 신전건축의 오더(order,柱式)는 단순히 지붕을 받치기 위한 기둥의 역할에 그치는 것이 아니라 대우주를 소우주로 구체화 시켰다는 의미를 함축한다. 결국 인간과 우주, 인간과 신의 매개체였던 것이다. 이와 같은 점을 정리하면 고대 그리스 건축은 신과 소통하는 공간으로 인간의 삶과 종교적 행위를 반영했다고 볼 수 있다. 그리스 인체조각의 발전 양상은 이집트와 근동의 영향을 받았지만 자신들만의 독창적인 조형체계를 창조하였다. 기하학기의 인체조각은 경직되고 단순하게 생략된 표현으로 형식적이었다. 아르카익기에 들어서 자연스러운 인체표현이 가능해졌고, 클래식기에는 비로소 이상적인 형태와 완전한 조형미를 구축하였다. 이 시기에 인체 조각은 주로 건축과 함께 어우러졌다. 대표적인 인체조각인 코우로스상은 무덤건축이나 신전의 봉헌용으로 제작되었고, 신상이나 올림피아 제전의 우승자상은 신전과 성소주위에 배치되었다. 그리스 인체 조각은 신전에 직접적으로 장식되거나 신전 주위에 조화롭게 설치되었다. 또한 그리스인들은 신인동형론(神人同形論)에 기초하여 신의 모습을 젊은 인간의 형상으로 대체하였다. 그들의 삶의 이상인 ‘칼로카가티아’(kalokagathia)는 육체적 아름다움에 도덕적 탁월성이 결합된 신적 위대함에 도달하는 것을 가리킨다. 이 시기에 조각의 역할은 신과 종교에 봉사해야만 하는 것이었기 때문이다.
그리스인들은 인간의 신체를 이상적으로 신성화시켰고, 전 지역에 분포된 성소(聖所)에는 자신들의 신상을 모시는 신전을 인체조각으로 장식하였다. 그리스 신전은 비가시적인 신성(神性)이 형상화 된 공간이었다. 즉 제의적 기능의 장소인 것이다. 연구자는 인체조각이 단순히 건축의 외관을 장식하기 위한 것만이 아니라고 가정하였다. 오히려 조각은 상징화된 신상이나 인체조각의 형식으로써 건축이라는 공간의 지성소에 위치하며, 공간을 능동적으로 장악하는 구심점 역할을 한다고 인식하였다. 고대 그리스 건축은 단지 주거의 역할뿐만이 아니라 종교적 기능도 함께 수행하고 있었다. 그리스 건축 내부의 홀에서 화로는 우주와 소통하는 매개체였는데 화로는 점차 신상으로 대체되어 되었다. 신전건축과 주택건축은 신상조각과 화로를 수용하기 위한 공간인 것이다. 또한 신전건축의 오더(order,柱式)는 단순히 지붕을 받치기 위한 기둥의 역할에 그치는 것이 아니라 대우주를 소우주로 구체화 시켰다는 의미를 함축한다. 결국 인간과 우주, 인간과 신의 매개체였던 것이다. 이와 같은 점을 정리하면 고대 그리스 건축은 신과 소통하는 공간으로 인간의 삶과 종교적 행위를 반영했다고 볼 수 있다. 그리스 인체조각의 발전 양상은 이집트와 근동의 영향을 받았지만 자신들만의 독창적인 조형체계를 창조하였다. 기하학기의 인체조각은 경직되고 단순하게 생략된 표현으로 형식적이었다. 아르카익기에 들어서 자연스러운 인체표현이 가능해졌고, 클래식기에는 비로소 이상적인 형태와 완전한 조형미를 구축하였다. 이 시기에 인체 조각은 주로 건축과 함께 어우러졌다. 대표적인 인체조각인 코우로스상은 무덤건축이나 신전의 봉헌용으로 제작되었고, 신상이나 올림피아 제전의 우승자상은 신전과 성소주위에 배치되었다. 그리스 인체 조각은 신전에 직접적으로 장식되거나 신전 주위에 조화롭게 설치되었다. 또한 그리스인들은 신인동형론(神人同形論)에 기초하여 신의 모습을 젊은 인간의 형상으로 대체하였다. 그들의 삶의 이상인 ‘칼로카가티아’(kalokagathia)는 육체적 아름다움에 도덕적 탁월성이 결합된 신적 위대함에 도달하는 것을 가리킨다. 이 시기에 조각의 역할은 신과 종교에 봉사해야만 하는 것이었기 때문이다.
Among Ancient civilization accomplished by humankind, stone architecture and sculpture figure are distributed from one place to another all over the world. Specially, European remains surrounding the Mediterranean is important area occupying third of the ancient historic sites. Most of all the sculp...
Among Ancient civilization accomplished by humankind, stone architecture and sculpture figure are distributed from one place to another all over the world. Specially, European remains surrounding the Mediterranean is important area occupying third of the ancient historic sites. Most of all the sculpture figure included with Greek temple and architecture show the proper move for stone construction art. Researcher is to pursue own studies for the correlation of Greek sculpture and architecture by the sculpture of the human body on the Acropolis temple. Generally in the past, it has been regarded that sculpture exists belonging to a building just as the means for decorating it. Also in the ancient religious construction, was it considered that it expressed an image of a God or an idol, and functioned as an object for worship. In researcher's opinion, escaping from the existing subordination relationship of them, architectural and sculpture of the human body are representation of spirit not being selfsame form. Greek ideally sublimed to make holy human body and ranged in all area, the holy place solemn with human body sculpture of the temple enshrining their God statue. Greek temple was the space in which sacredness invisible became the shape of an object. Research presume that the sculpture of human body is not to merely make outward show of erection. On the contrary, the sculpture was located at the holy of holies, the architecture spot, being a form of symbolized idol of a deity and human body sculpture, and function as the center of a sphere, on its own initiative holding the space. In the interior hall of the ancient Greek architecture, a brazier was a medium communicating with the Universe. It was gradually substituted for a holy object. The Greek architecture has the function as not only residence but also religion. And the temple and a dwelling structure are a room for accepting them. Also the Order of temple building implies that it concretizes a macrocosm to a microcosm, not being quit for a part for bolstering up a roof. Finally, it serves as a medium between human, universe and God. Precisely the architecture reflects human life and regional act for having mutual understanding God. Through influenced from Egypt and Near East, did the development phase of the Greek human body sculpture created their own original modeling system. Geometrical human body sculpture was formal of rigid, simply abbreviated expression. Setting in Archaic period, it was possible for natural express of body and in classic period, was ideal model and perfect figurative aesthetic constructed. Human body harmonized with architecture with architecture actually kouros was made for the consecration of tomb of temple, and winners statue of the Olympia was arranged around holy place. The Greek human body sculpture directly decorated temple or was matchably set surrounding it. Greek depicted God as young human being based on the anthropomorphism. The ideal for Greek life, kalokagathia indicated that it attained the grandeur of God which combine body beauty with moral excellence. The Greek sculpture was transmit to Roma and become the origin of Renascence. The architectural sculpture of Michelangelo was prosperous to form mixed architectural and sculpture. In the time of neoclassicism, the ancient Greek sculpture was reconsidered by canova, houdon and h.powers, and remained in existence. Even if it was impossible to escape the tendency following classical model, it sufficiently expressed perfect beauty of the sculpture of human body, and reflect dress and its ornaments and society of the same period. In modern times, it is possible that human body sculpture represent free expression by new materials and various technique. Nevertheless, in the modern art, sculpture of human body is neglected, for needing hard course for manufacture and taken exception by a sculptor. Finally, sculpture of human body is indiscreetly reproduced and decorated on the porch or outer wall of current buildings following neoclassicism. That produce the result deteriorating the value of realistic sculpture of human body. But Mark Queen, a modern artist, represent the fine art by a monument sculpture through classical sculpture of human body. He sculptured in relief "the disable pregnant woman" being representative of the minority, located the Trafalgar square in London. It means that the sculpture of human body has possibility as mediums. Todays, as before, classical human body sculpture is very worthy of appreciation because it is perfect for art. Classical human body sculpture is not copy just human's externals. It is the case that put in precious spirit. The human divine nature, reflected on the ideal human body sculpture, usefully affect on assimilating appreciators. This gives a sense of the esthetic to them and to be able to sublime their own mind and distinguish authentic beauty. On sculpture, researcher mixed own Oriental outlook on the universe and architectural image. The sculpture is expressed by the Oriental body, too, and seek classical beauty. Furthermore, referring to the Greek sculpture, researcher investigated noble and elegant human beauty
Among Ancient civilization accomplished by humankind, stone architecture and sculpture figure are distributed from one place to another all over the world. Specially, European remains surrounding the Mediterranean is important area occupying third of the ancient historic sites. Most of all the sculpture figure included with Greek temple and architecture show the proper move for stone construction art. Researcher is to pursue own studies for the correlation of Greek sculpture and architecture by the sculpture of the human body on the Acropolis temple. Generally in the past, it has been regarded that sculpture exists belonging to a building just as the means for decorating it. Also in the ancient religious construction, was it considered that it expressed an image of a God or an idol, and functioned as an object for worship. In researcher's opinion, escaping from the existing subordination relationship of them, architectural and sculpture of the human body are representation of spirit not being selfsame form. Greek ideally sublimed to make holy human body and ranged in all area, the holy place solemn with human body sculpture of the temple enshrining their God statue. Greek temple was the space in which sacredness invisible became the shape of an object. Research presume that the sculpture of human body is not to merely make outward show of erection. On the contrary, the sculpture was located at the holy of holies, the architecture spot, being a form of symbolized idol of a deity and human body sculpture, and function as the center of a sphere, on its own initiative holding the space. In the interior hall of the ancient Greek architecture, a brazier was a medium communicating with the Universe. It was gradually substituted for a holy object. The Greek architecture has the function as not only residence but also religion. And the temple and a dwelling structure are a room for accepting them. Also the Order of temple building implies that it concretizes a macrocosm to a microcosm, not being quit for a part for bolstering up a roof. Finally, it serves as a medium between human, universe and God. Precisely the architecture reflects human life and regional act for having mutual understanding God. Through influenced from Egypt and Near East, did the development phase of the Greek human body sculpture created their own original modeling system. Geometrical human body sculpture was formal of rigid, simply abbreviated expression. Setting in Archaic period, it was possible for natural express of body and in classic period, was ideal model and perfect figurative aesthetic constructed. Human body harmonized with architecture with architecture actually kouros was made for the consecration of tomb of temple, and winners statue of the Olympia was arranged around holy place. The Greek human body sculpture directly decorated temple or was matchably set surrounding it. Greek depicted God as young human being based on the anthropomorphism. The ideal for Greek life, kalokagathia indicated that it attained the grandeur of God which combine body beauty with moral excellence. The Greek sculpture was transmit to Roma and become the origin of Renascence. The architectural sculpture of Michelangelo was prosperous to form mixed architectural and sculpture. In the time of neoclassicism, the ancient Greek sculpture was reconsidered by canova, houdon and h.powers, and remained in existence. Even if it was impossible to escape the tendency following classical model, it sufficiently expressed perfect beauty of the sculpture of human body, and reflect dress and its ornaments and society of the same period. In modern times, it is possible that human body sculpture represent free expression by new materials and various technique. Nevertheless, in the modern art, sculpture of human body is neglected, for needing hard course for manufacture and taken exception by a sculptor. Finally, sculpture of human body is indiscreetly reproduced and decorated on the porch or outer wall of current buildings following neoclassicism. That produce the result deteriorating the value of realistic sculpture of human body. But Mark Queen, a modern artist, represent the fine art by a monument sculpture through classical sculpture of human body. He sculptured in relief "the disable pregnant woman" being representative of the minority, located the Trafalgar square in London. It means that the sculpture of human body has possibility as mediums. Todays, as before, classical human body sculpture is very worthy of appreciation because it is perfect for art. Classical human body sculpture is not copy just human's externals. It is the case that put in precious spirit. The human divine nature, reflected on the ideal human body sculpture, usefully affect on assimilating appreciators. This gives a sense of the esthetic to them and to be able to sublime their own mind and distinguish authentic beauty. On sculpture, researcher mixed own Oriental outlook on the universe and architectural image. The sculpture is expressed by the Oriental body, too, and seek classical beauty. Furthermore, referring to the Greek sculpture, researcher investigated noble and elegant human beauty
주제어
#인체조각 신인동형론(神人同形論) 고전미(古典美) 이상미(理想美) 오더(柱式) 건축조각(建築彫刻) a human body sculpture architectural sculpture order ideal beauty classical beauty anthropomorphism
학위논문 정보
저자
이원욱
학위수여기관
서울시립대학교 대학원
학위구분
국내석사
학과
환경조각학과 환경조각전공
지도교수
박헌열
발행연도
2008
총페이지
v, 122 p.
키워드
인체조각 신인동형론(神人同形論) 고전미(古典美) 이상미(理想美) 오더(柱式) 건축조각(建築彫刻) a human body sculpture architectural sculpture order ideal beauty classical beauty anthropomorphism
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